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Paris: Ollendorff, 1897. Half crushed morocco by Durvand, 7.5 inches tall. With raised bands, label and gilt top edge. The foredge has not been trimmed, causing a rather eccentric effect with some leaves extending about an inch further than others, a deluxe style of the period. There is an inscription from the author to an A.M.R. Rolo. A lovely. copy.

London: Strahan and Cadell, 1789. 2 volume set, 9 inches tall. Straight grain morocco with gilt raised bands, titles and delicate gilt and blind tooling to the panels. A particularly nice copy of this scarce work in a late 18th century binding.

Oxford: Rivington, 1810. Half morocco, 8.5 inches tall. A high quality binding with gilt raised bands and very finely gilt tooled panels. Ink owners name on the title page. Slight foxing and a tear in the gutter of the title page and first page of the preface, not affecting the text. A new and corrected edition.

London: Jones, 1825. Full calf, 3.75 inches tall. A fine tiny binding with gilt bands and panels, label and gilt and blind tooling to the boards. Engraved frontispiece and first title page. Slight scattered foxing and small tear to second title page, otherwise pristine.

London: Bickers, c.1865. Full morocco, 6 inches tall. A charming 'Oxford' or 'Divinity' binding with gilt titles and all edges and blind tooling. Embellished with full page engravings and vignettes throughout. Slight rubbing and spotting to the boards but overall a lovely volume bound by Bickers.

London: Macmillan, 1900. Half morocco, 6.5 inches tall. A charming binding by Bickers in the Art Nouveau style with 2 gilt raised bands and floral gilt tooling above and below the title. Some slight scuffing to the boards.

Edinburgh: Gall & Inglis, c.1875. Full crushed morocco, 7 inches tall. An elaborate binding in pristine condition with raised bands and gilt and blind tooling to the panels and boards. All edges gilt. Engraved frontispiece, title page and full page plates.

London: Gall & Inglis, c.1890. Full morocco, 7.75 inches tall. A sparkling copy of this edition with raised bands and elaborate gilt and inked tooling to the panels and boards. All edges gilt. Many full page engraved plates. Coloured borders to each page. Tasseled book mark. An ink inscription on the half title otherwise pristine.

London: Routledge, Warne and Routledge, 1862. Half calf, 7.5 inches tall. A lovely binding with gilt raised bands, fine panels with 'country sport' centre tools and gilt top edge. Portrait and other illustrations.

London: Chapman and Hall, 1863. Half calf, 7.5 inches tall. A lovely binding with gilt raised bands, fine panels with 'country sport' centre tools and gilt top edge. Engraved frontispiece and title page.

London: Macmillan, 1890. Half calf, 7.5 inches tall. A lovely binding with gilt raised bands, fine panels with 'country sport' centre tools and gilt top edge. Illustrated.

London: Chapman and Hall, 1881. Half calf, 7.5 inches tall. A lovely binding with gilt raised bands, fine panels with 'country sport' centre tools and gilt top edge. Illustrations by John Sturgess.

London: Sampson Low, 1861. Half calf, 7.5 inches tall. A lovely binding with gilt raised bands, fine panels with 'country sport' centre tools and gilt top edge. Engraved frontispiece.

London: Longman, Brown, Green and Longmans, 1852. Half calf, 7 inches tall. A neat Victorian binding by Larkins with gilt raised bands, hunting centre tools, twin labels and gilt top edge. Foxing to the preliminaries.

London: Sampson Low, Marston, Searle, & Rivington, 1876. 2 volumes bound in 1, 7 inches tall. Half crushed morocco by H. Wood with raised bands and gilt centre tools and top edge. A scarce and curious edition 'Freed from all objectionable matter, and altogether free from notes' allowing it to be read aloud! 2 volumes, comprising 'Cymbeline'; 'Merchant of Venice', 'As You Like It'; 'King Lear'; 'Much Ado About Nothing'; 'Romeo And Juliet'; Twelfth Night'; 'King John'. Foxing to the preliminaries and a small stain in the top corner affecting the last two plays not touching the text.

London: Joseph Masters, 1869. Full morocco, 5 inches tall. A delightful little binding with two gilt raised bands, either end of the title and name, presumably of the original owner. There is dense and fine gilt tooling to the spine at the head and tail. The boards are framed with triple fillets and corner tools. GIlt dentelles and all edges.

London: Joseph Masters, 1853. Full calf, 6 1/2 inches tall. A classic divinity or Oxford binding from the middle of the 19th century with inked raised bands, pallets, centre tools to the panels and inked tooling to the boards. Pink edges. Red ruled throughout. Owners name pasted to the endpaper and written on the first blank. Contains the Sacraments and the Psalms of David. Slightly rubbed, but still a charming example of this style.

London: The Society for Promoting Christian Knowledge, 1847. Full Calf, 4 3/4 inches tall. A Superb embossed binding with blind bands, gilt title and blind tooling to the panels and elaborate blind embossed tooling to the boards. All edges gilt. An ink inscription to Lucy Hanson, dated 1847, on the first blank.

London: Seeley, 1896. Buckram and calf, 10 1/2 inches tall. A splendid binding by Fazakerley in a heavy olive buckram and calf title strip to the spine. The original wraps, from 'The Portfolio' bound in. With 18 full page plates including 9 chromolithographs. With the bookplate of the celebrated collector, Robert J. Hayhurst.

London: Seeley, 1896. Buckram and calf, 10 1/2 inches tall. A splendid binding by Fazakerley in a heavy olive buckram and calf title strip to the spine. The original wraps, from 'The Portfolio' bound in. With 36 full page plates including 9 chromolithographs. With the bookplate of the celebrated collector, Robert J. Hayhurst.