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London: Johnson, Egerton and Edwards, 1785. Full morocco, 11.75 inches tall. A magnificent example of the work of perhaps the finest bookbinders of Georgian London, Christian Kalthoeber. With gilt raised bands, very fine and ornate tooling to the panels, dentelles and all edges. With his pink binder's ticket. Embellished with all 10 folding engraved plates. The Siege of Gibraltar was an unsuccessful attempt by Spain and France, during the American War of Independence, to capture this British territory captured from Spain during the War of the Spanish Succession in 1704.

London: J.Johnson et al, 1798. 10 volume set, 7.5 inches tall. Splendid bindings, bound by the great Christian Kalthoeber, and with his ticket. Full 18th century tree calf with gilt 'Greek key' bands, twin labels and charming gilt floral tools to the panels. Fine gilt rolls frame the tree calf of the boards. With the armorial bookplate of Edward Astle. There is a slight nick to the head cap of volume 4 and a one inch split to the head of volume 1, but still a superb set by one of the greatest London binders of his period.

London: John Reeves, Esq, 1812. Full straight grain morocco, 8.5 inches tall. A very beautiful binding, excepting a faint scratch to the lower board, in absolutely pristine condition with wide gilt bands, dense and delicate gilt tooling to the panels and boards. Gilt dentelles and all edges. With the ticket of Asperne. According to Ramsden's 'London Bookbinders 1780-1840' James Asperne of 32 Cornhill patronised the bindery of the great J. Lovejoy to create his bindings.

London: Dilly, 1793. Full straight grain morocco, 9.5 inches tall. A fine example of the work of one of the greatest bookbinders of the late 18th century, with his bookplate. With his typical twin gilt raised bands, triple fillet framing the boards, dentelles and all edges gilt. Portraits.

London: T. Cadell, 1788. 4 volume set, 8.75 inches tall. A wonderful full vellum, bound by Christian Kalthoeber, one of the greatest bookbinders of the period, and with his ticket. With delightful twin blue titles edged with several ornate pallets. Double fillets frame the boards. Yellow edges. There has been some loss to the foot of the fourth volume due to ancient water damage. This has not affected the text nor taken away the overall splendid look of the set.

London & Edinburgh: Cadell & Blackwood, 1839. 7 volume set, 6.75 inches tall. Full hard grain morocco with wide gilt raised bands, gilt lettering dentelles and all edges. The panels are framed by blind pallets. The portraits and engraved title pages are hand coloured. Bookseller's tickets. A delightful set of the works of Felicia Hemans, the most considerable woman poet of the Romantic period.

London: Ackerman, Walker and Co., et al, 1822. 2 vols., 8vo (8 1/2" tall). Full pink calf by J. ATKINSON, Spurriergate, York and with their ticket. Twin labels with attractively arched volume lettering. Gilt raised bands, fine floral tooling to panels. Very pretty gilt and blind floral roll, framing blind star-shaped floral motif to both boards. 12 superb hand coloured engravings. Gilt dentelles, edges marbled. Slightly sunned on spine, otherwise a fine set.

Chiswick Press: C. Whittingham, 1819. Full calf, 7.5 inches tall. A superbly bound volume with gilt raised bands and ornate blind tooling to the panels and boards, typical of the Regency period. Slight rubbing. Bookplate and Binder's Ticket for T.Sowler of St. Ann's Square, Manchester. A very curious and rare work containing 2 reprints, the first published originally by John Deane in 1609, the second by Thomas Thorp in 1612. Titled 'Ancient Humorous Poetry' on the spine.

Paris: (Cosson for) Gosselin and Ladvocat, 1822. 4 volume set, 7 inches tall. Quarter calf with gilt bands, twin labels and charming gilt tooling to the panels. With the binders ticket. One of several French editions of The Pirate published in the same year as the first (1822). Dargan notes that our edition (published in December) was preceded by the edition for the collected works (February) and that an unauthorised anonymous translation (Le Pirate, ou les Flibustiers) also appeared in February.

London: James Cundee, 1807. Full straight grain morocco, 7 inches tall. A fine Swedish binding from the beginning of the 19th century by Carl Asklund of Stockholm, and with their ticket. With wide gilt bands and fine gilt centre tools, typical of the period. A fine olive label.

London: Van Voorst, 1843. Full calf, 6.5 inches tall. A most attractive full calf by Stratford of Worcester and with their crest shaped tin ticket. With gilt raised bands, finely gilt panels framing an unusually good looking centre tool and a series of rolls and fillets framing the boards. With the bookplate of Jasper More of Linley Hall. A neat ink inscription on the first blank. Embellished with 26 engraved vignettes.

aris Chez Louis Janet, (c.1820). Full morocco, 5 inches tall. A delightful full morocco binding by Simier, bookbinder to the King, and with his binder's ticket. With gilt raised bands, simple framed panels and an elaborate triple fillet and pallet design to the boards, framing a monogram on the upper board. There is a minuscule loss of leather on the lower board. Preserved in marbled card chemise and slipcase. A charming devotional work for ladies. Decorated with full page engravings.

London: Cassell, Petter & Galpin, c.1870. Full calf with inlays, 10.5 inches tall. Stunning binding with the binder's ticket of Manning of Greenwich with gilt raised bands, fine gilt tooling and green labels and lozenges on the boards. Illustrated throughout. Some foxing which is heavy on the last few leaves.