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London: Harding and Lepard, 1835. 12 volume set bound in 6, 10 1/2 inches tall. A very fine full red morocco gilt by Sowler, and with their ticket, with raised bands and superb gilt tooling to the panels and boards. All edges gilt. With a neat ink inscription on the reverse of the front free end paper. Containing 240 engraved portraits.

London: Dilly, 1793. Full straight grain morocco, 9.5 inches tall. A fine example of the work of one of the greatest bookbinders of the late 18th century, with his bookplate. With his typical twin gilt raised bands, triple fillet framing the boards, dentelles and all edges gilt. Portraits.

London: T. Cadell, 1788. 4 volume set, 8.75 inches tall. A wonderful full vellum, bound by Christian Kalthoeber, one of the greatest bookbinders of the period, and with his ticket. With delightful twin blue titles edged with several ornate pallets. Double fillets frame the boards. Yellow edges. There has been some loss to the foot of the fourth volume due to ancient water damage. This has not affected the text nor taken away the overall splendid look of the set.

London & Edinburgh: Cadell & Blackwood, 1839. 7 volume set, 6.75 inches tall. Full hard grain morocco with wide gilt raised bands, gilt lettering dentelles and all edges. The panels are framed by blind pallets. The portraits and engraved title pages are hand coloured. Bookseller's tickets. A delightful set of the works of Felicia Hemans, the most considerable woman poet of the Romantic period.

London: Ackerman, Walker and Co., et al, 1822. 2 vols., 8vo (8 1/2" tall). Full pink calf by J. ATKINSON, Spurriergate, York and with their ticket. Twin labels with attractively arched volume lettering. Gilt raised bands, fine floral tooling to panels. Very pretty gilt and blind floral roll, framing blind star-shaped floral motif to both boards. 12 superb hand coloured engravings. Gilt dentelles, edges marbled. Slightly sunned on spine, otherwise a fine set.

Chiswick Press: C. Whittingham, 1819. Full calf, 7.5 inches tall. A superbly bound volume with gilt raised bands and ornate blind tooling to the panels and boards, typical of the Regency period. Slight rubbing. Bookplate and Binder's Ticket for T.Sowler of St. Ann's Square, Manchester. A very curious and rare work containing 2 reprints, the first published originally by John Deane in 1609, the second by Thomas Thorp in 1612. Titled 'Ancient Humorous Poetry' on the spine.

Paris: (Cosson for) Gosselin and Ladvocat, 1822. 4 volume set, 7 inches tall. Quarter calf with gilt bands, twin labels and charming gilt tooling to the panels. With the binders ticket. One of several French editions of The Pirate published in the same year as the first (1822). Dargan notes that our edition (published in December) was preceded by the edition for the collected works (February) and that an unauthorised anonymous translation (Le Pirate, ou les Flibustiers) also appeared in February.

London: James Cundee, 1807. Full straight grain morocco, 7 inches tall. A fine Swedish binding from the beginning of the 19th century by Carl Asklund of Stockholm, and with their ticket. With wide gilt bands and fine gilt centre tools, typical of the period. A fine olive label.

aris Chez Louis Janet, (c.1820). Full morocco, 5 inches tall. A delightful full morocco binding by Simier, bookbinder to the King, and with his binder's ticket. With gilt raised bands, simple framed panels and an elaborate triple fillet and pallet design to the boards, framing a monogram on the upper board. There is a minuscule loss of leather on the lower board. Preserved in marbled card chemise and slipcase. A charming devotional work for ladies. Decorated with full page engravings.

London: Cassell, Petter & Galpin, c.1870. Full calf with inlays, 10.5 inches tall. Stunning binding with the binder's ticket of Manning of Greenwich with gilt raised bands, fine gilt tooling and green labels and lozenges on the boards. Illustrated throughout. Some foxing which is heavy on the last few leaves.