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London: Chapman and Hall, 1845. Full morocco, 14 inches tall. A very pleasing volume with wide raised bands, extra gilt panels, splendid gilt tooling to the boards, dentelles and all edges. With 24 fine lithographs by J. D. Harding, C. Cattermole, S. Prout, W. Muller, J. Holland and other eminent Artists. This is the first edition with 2 further volumes being published in the following 2 years. There is no volume number on the spine and the volume number on the title page has been obscured.

London: Bumpus, 1820. Full morocco, 6.5 inches tall. A very pleasing Georgian full straight grain morocco binding with wide gilt raised bands, elaborately gilt panels, dentelles and all edges. The boards are framed within blind and gilt rolls, typical of the period. Engraved first title page. A fine little edition of these celebrated letters, under the still mysterious nom de plume of Junius, in pristine condition.

Paris: Combet, c. 1910. 2 volume set, 9 inches tall. Splendid Edwardian tree calf with gilt raised bands, twin labels and very fine gilt floral tooling to the panels. A gilt fillet frames the tree calf and Eton prize block of the boards. Each work is preceded by an engraved plate. Eton prize bookplate dated 1912. With a life of Molière by Voltaire. A handsome, heavy set. In the original French.

London: Richard Bentley, 1854. Full calf, 6.5 inches tall. A splendid little full calf with gilt raised bands, triple labels and delicate floral gilt tooling to the panels. Gilt dentelles and all edges. Charles Reade, most well known for 'The Cloister and the Hearth', was a hugely popular Victorian novelist. Arthur Conan Doyle declared 'The Cloister and the Hearth' to be his favorite novel and Oscar Wilde called it Reade's "one beautiful book, after which he wasted the rest of his life in a foolish attempt to be modern". His very early Dramatic Works, such as 'Two Loves and One Life' written in collaboration with Tom Taylor, are extremely scarce, this copy being spectacularly well bound.

London: Bulmer, 1796. 2 volume bound in 1, 9.5 inches tall. A 20th century good quality binding with gilt raised bands, titles and centre tools. A fascinating collection of fables and tales collected from manuscript sources in the Bibliothèque Nationale when Le Grand held the position of conservator of manuscripts after the Revolution in 1795. Embellished with some charming engravings, several by Bewick.

London: Wingrave, 1806. Full Calf, 8 1/2 inches tall. A most attractive Georgian binding with gilt bands, delicately tooled centre tooling and twin fillets and blind corner tools framing the boards. Frontispiece. With the bookplate of M. General Sir Charles Stewart of Wynyard Park. Some slight rubbing, nevertheless a most pleasing example of one of the most important and influential 18th century works on language. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: William Kidd, 1831. Full calf, 6 inches tall. A superb later binding by Zaehnsdorf with 2 gilt raised bands bordering an elongated label with gilt tooling to the 2 panels and triple gilt fillets and corner tools framing the boards. Gilt dentelles and all edges. Illustrated by 10 engravings from designs by Robert Cruikshank. A delightful and scarce little volume.

London: William Kidd, 1830. Full calf, 6 inches tall. A superb later binding by Zaehnsdorf with 2 gilt raised bands bordering an elongated label with gilt tooling to the 2 panels and triple gilt fillets and corner tools framing the boards. Gilt dentelles and all edges. Illustrated by 6 spirited engravings from designs by Robert Cruikshank. A delightful and scarce little volume.

London: William Kidd, 1830. Full calf, 6 inches tall. A superb later binding by Zaehnsdorf with 2 gilt raised bands bordering an elongated label with gilt tooling to the 2 panels and triple gilt fillets and corner tools framing the boards. Gilt dentelles and all edges. Illustrated by 6 engravings from designs by Robert Cruikshank. A delightful and scarce little volume.

London: William Kidd, 1830. Full calf, 6 inches tall. A superb later binding by Zaehnsdorf with 2 gilt raised bands bordering an elongated label with gilt tooling to the 2 panels and triple gilt fillets and corner tools framing the boards. Gilt dentelles and all edges. Illustrated by 8 engravings from designs by Robert Cruikshank. A delightful and scarce little volume.

London: William Kidd, 1830. Full calf, 6 inches tall. A superb later binding by Zaehnsdorf with 2 gilt raised bands bordering an elongated label with gilt tooling to the 2 panels and triple gilt fillets and corner tools framing the boards. Gilt dentelles and all edges. Illustrated by 6 engravings from designs by Robert Cruikshank. A delightful and scarce little volume.

London: William Kidd, 1830. Full calf, 6 inches tall. A superb later binding by Zaehnsdorf with 2 gilt raised bands bordering an elongated label with gilt tooling to the 2 panels and triple gilt fillets and corner tools framing the boards. Gilt dentelles and all edges. Illustrated by 6 engravings from designs by Robert Cruikshank. A delightful and scarce little volume.

London: William Kidd, 1831. Full calf, 6 inches tall. A superb later binding by Zaehnsdorf with 2 gilt raised bands bordering an elongated label with gilt tooling to the 2 panels and triple gilt fillets and corner tools framing the boards. Gilt dentelles and all edges. Illustrated by 9 engravings from designs by Robert Cruikshank. A delightful and scarce little volume.

London: John Sharpe, 1809. Full morocco, 9 inches tall. A remarkable and most attractive Regency straight grain morocco with twin gilt raised bands, twin labels and very fine gilt tooling to the panels and boards. With gilt dentelles and gilt gauffered edges. Engraved title page and full page plates from designs by Richard Westall. Very lightly foxed facing the plates. Overall a fine copy.

London: Arthur L. Humphreys, 1901. Full Morocco, 9 inches tall. A splendid full terracotta crushed morocco by Hatchards with raised bands and classic gilt framed panels and boards with triple dot corner tools and triple inked Aldine leaf clusters terminating the bands. Gilt dentelles and all edges. A superb copy of one of Humphrey's fine printings on handmade paper.

London: John Murray, 1870. Full calf, 7.5 inches tall. A fine binding by Zaehnsdorf with gilt raised bands, twin labels and floral gilt tooling to the panels. Gilt dentelles and top edge. Slight fading to the spine. With hand coloured engraved frontispiece, colour engraved title page and 14 hand coloured engraved plates by Alken. Delicate vignettes throughout. Original cloth bound in. A lovely copy of this classic title.

London and New York: John Lane: 1901; 1902;1903;1903. 4 volume set, 7 inches tall. A handsome half morocco binding by W. Roach of New York with wide gilt raised bands, charming gilt tooling to the panels and gilt top edges.

London: Richardson, 1806. 3 vol set, 8 1/2 inches tall. A pleasing Regency half morocco with ornate gilt bands and fine centre tools. Slight ink marks on the title page of the first volume. A nice copy of this scarce and curious history.

London: Macmillan and Co., 1926. Half Morocco, 9 1/2 inches tall. A smart half crushed morocco binding by Bayntun with raised bands, gilt centre tools and top edge. 12 superb colour illustrations and decorative headings and tailpieces by Thomas Mackenzie. A charming comic novel by the Irish writer James Stephens.

Oxford: Clarendon Press, 1889. Half morocco, 8 1/2 inches tall. An elegant, simple binding by Bayntun with raised bands and gilt top edge. Slight superficial blotchiness to the upper board and ink inscription on the first blank. A limited edition of 585 copies, on handmade paper, of which this is 367, signed by Palgrave.