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Munich: P. Kaeser, 1881. Full morocco, 26 1/2 inches tall. A colossal and superb full morocco binding by the great firm of J. Leighton of Brewer Street from the library of Alfred de Rothschild, but without his bookplate. With twin gilt raised bands and wonderful gilt tooling to the panels and boards. Gilt dentelles and all edges. With 50 engraved plates, as called for. Some scratches to the lower board, otherwise in fine condition. A huge and very heavy volume in German and French.

New York & London: M. Walter Dunne, 1903. 17 volume set bound in 34, 8 inches tall. A delightful half crushed morocco with gilt raised bands, floral gilt tooling in the 'Art Nouveau' style. Illustrated throughout. Very slight staining to a few leaves, otherwise pristine. A splendid set of the works of this great French writer of the 19th century, considered one of the greatest short story writers. Translated into English.

London: William Miller, 1804. Full morocco, 14.5 inches tall. A magnificent Georgian full straight grain morocco with gilt raised bands, extra gilt panels, dentelles and all edges. The ornately gilt tooled centre tooling is framed within a series of blind and gilt tooled rolls and fillets. This is the tall folio edition and is adorned with 50 hand coloured aquatints. From the library of the Duke of Gloucester at Kensington Palace. Prince Henry Duke of Gloucester was the third son of King George V, brother of King George VI and King Edward VIII.

Edinburgh: David Douglas, 1884. 2 volume set, 11 inches tall. An elegant full crushed morocco by Zaehnsdorf with gilt raised bands and the panels and boards framed with gilt pallets and rolls. Wide gilt dentelles and gilt top edges. Armorial bookplates. 11 Japan mounted proofs and hundreds of woodcut illustrations throughout.

London: John Murray, 1853-54 & 1871. 8 volumes, 9 inches tall. The Earl Stanhope was styled Viscount Mahon between 1816-1855, the later volume precedes the text of the 7 volume set and is uniformly bound in an elegant half crushed morocco by Roger De Coverley, one of the greatest binders of the period. The bindings have gilt raised bands, splendid gilt centre tools and gilt top edges. There is some foxing to the preliminaries, then perfectly clean. Stanhope was an antiquarian politician and much respected historian.

London: Longmans, Green, and Co., 1875 & 1877. 10 volume set, 8 1/2 inches tall. A very handsome Victorian full calf with gilt raised bands, twin labels and finely gilt panels around a pomegranate centre tool. A splendid set of the Works complete in 8 volumes and the Life complete in 2 volumes. There is some minor rubbing and the engraved frontispiece of the Life is offset, otherwise a clean and pristine set of this great history.

London: Nicol, Rivington et al, 1813. 4 volume set, 9 inches tall. A simple but very fine later half crushed morocco by Ramage with gilt raised bands, titles and top edges. Bookplate. Portrait. A splendid set of the second edition of the dramatic works of this great seventeenth century English playwright.

The Leadenhall Press Limited, 1897. Full morocco, 11 inches tall. A fabulous full morocco by Zaehnsdorf with gilt raised bands, and very fine gilt tooling to the panels and boards. Finely gilt tooled dentelles and all edges. Silk endpapers. Though the binding is still firm there are cracks running the length of the spine on both boards. Limited to 1050 copies of which this is number 362.

London: Longman et al., 1835; 1837; 1840 & 1845. 4 volume set, 6 1/2 inches tall. Exquisite little set with gilt raised bands, extra gilt panels and triple labels. The tree calf boards are framed within an ornate floral gilt roll. Each title page has an engraved vignette. The title label of volume 4, which appeared 5 years after the third volume, is of a different colour. From the library of Edward Nicholas Hurt, most of whose books were of this highest quality.

London: John Murray, 1858. 7 volume set, 7 inches tall. A most attractive Victorian full calf binding with gilt raised bands, twin labels and extra gilt panels. Gilt corner tools and fillets and a blind fillet frame the boards. A couple of edges are badly scuffed, otherwise in fine condition. Philip Henry Stanhope, 5th Earl Stanhope, Viscount Mahon was a politician, antiquarian and historian, this history of England being his greatest work.

London: Longmans, Green and Co., 1903. 2 volume set, 9 inches tall. A superb half crushed morocco by Zaehnsdorf with raised bands and splendid gilt tooling in the Art Nouveau style and gilt top edges. Some rubbing to the edges and bumps to the corners but still an impressive set. From the Library of the Late Christopher Foyle of Beeleigh Abbey. This very scarce work has been controversial since its publication with vociferous critics for and against. Myers was a British poet and a founder of the Society for Psychical Research whose conception of human self and its survival of bodily death was influential up to the present day. Aldous Huxley considered this work to be "an amazingly rich, profound and stimulating book."

Edinburgh: James Nichol, 1853. 2 volume set, 8 1/2 inches tall. A wonderful early Victorian full straight grain morocco by J. Wright with gilt raised bands and absolutely superb gilt tooling to the panels and boards. Gilt dentelles and all edges. A fine set of the poetical works of John Milton the great 17th century poet who in 'Paradise Lost' wrote perhaps the greatest of all English epic poems.

London: Longman, Green, Longman, and Roberts, 1861. 5 volume set, 8 3/4 inches tall. An exceptionally smart set in a Victorian full calf by Bryce, with gilt raised bands, bold twin labels and striking gilt tooling to the panels. Gilt corner tools, triple fillets and a blind fillet frame the boards. All edges gilt. Bookplate. A splendid set of this great History.

London: Rivington et al, 1817. Full straight grain morocco, 8.25 inches tall. An usual and superb biding from the Georgian period. With 3 very finely decorated raised bands, 1 inch square, titles, dentelles and all edges. The straight grain boards are framed within gilt and blind tooled rolls. Contains the "Life of The Author" and "Criticism On The Poem" by Samuel Johnson. Engraved portrait and title page. Neat early owners inscription on first blank.

London: Longman, Hurst, Rees and Orme, 1807. Half morocco, 11 inches tall. A superb copy in Georgian half morocco. With gilt bands and very ornate gilt centre tooling, typical of the period. With 4 engraved portraits. With the bookplate of Stewart, Lord Londonderry. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.