Search

London: John Bell, 1785-1788. 38 volumes, 5.5 inches tall. Full straight grain dark blue morocco with gilt bands, titles, dentelles and all edges. Tiffany bookplates. Some slight foxing to the plates but generally very clean. Engraved frontispieces, title pages and plates throughout. Although this celebrated Bell's Edition first appeared in 38 volumes it is very unusual to find it in this form, with each volume bound individually, rather than with every 2 or 3 volumes bound together. There is no splitting or loss at all. An absolutely exceptional set.

(Paris) Lutetiae Parisiorum: Societatum Graecarum Editionum, 1625. Full morocco, 16 inches tall. A truly spectacular tall set of this celebrated work in very fine early 18th century French morocco. With gilt raised bands, twin olive labels and exceptional gilt panels. All edges gilt. Greek text with parallel Latin translation. Some marks and scratches to the boards but no splitting or loss. With the signature of the Earl of Buckinghamshire on the reverse of the free endpaper and the bookplate of John William Bund Willis-Bund.
Xenophon was one of the great ancient Greek philosophers and also an historian, soldier and mercenary and famed student of Socrates. He is still considered an important voice when considering leadership and power.

Nella Stamperia De Romanis, 1815-1817. 4 volume set, 11 inches tall. A magnificent straight grain morocco by J. Clarke, one of the finest binders in Georgian London. With gilt raised bands, elegant gilt tooling to the panels and boards. All edges gilt. Portrait and 3 engraved plans. With the armorial bookplate of William Strahan. Considered the greatest poem of the Middle Ages and the most important work in the Italian language. In the original Italian.

London: Kegan Paul, Trench, Trubner & Co, 1895 & 1896. 2 volumes, 15 inches tall. Magnificently bound in full crushed morocco and signed 'Tregaskis Caxton Head'. With tall gilt raised bands and neat geometric gilt tooling with fillets and rolls. There are vellum doublures framed within superb gilt tooling. The free endpapers are also vellum. The dentelles, with gilt tooling and calf onlays, are superb. Top edges gilt. Limited to 500 copies. There are 63 tissue guarded chromo-lithographs in each volume by Griggs, chromo-lithographer to Her Majesty Queen Victoria. There is a minor repair to the head of the Foreign volume. The green of the morocco has faded to a rich brown.

London: Johnson, Egerton and Edwards, 1785. Full morocco, 11.75 inches tall. A magnificent example of the work of perhaps the finest bookbinders of Georgian London, Christian Kalthoeber. With gilt raised bands, very fine and ornate tooling to the panels, dentelles and all edges. With his pink binder's ticket. Embellished with all 10 folding engraved plates. The Siege of Gibraltar was an unsuccessful attempt by Spain and France, during the American War of Independence, to capture this British territory captured from Spain during the War of the Spanish Succession in 1704.

London: Edward Moxon, 1843-1846. 11 volume set, 8.75 inches tall. A truly splendid full hard grain morocco by one of the greatest binders of the period, White of Pall Mall. With gilt raised bands, unusual dense gilt tooling to the panels and gilt dentelles. All the edges are gilt over marbling. The heraldic crest on both boards is framed within magnificent gilt rolls and individual tooling. The crest with the motto 'Sic Donec' is that of William Tatton Egerton, 1st Baron Egerton of Tatton Park. A wonderful set of the Works of these two early 17th century English playwrights, often considered successors to Shakespeare.

London: Pine, 1733-1737. 2 volumes, 9 inches tall. A wonderful 18th century full crushed morocco, as fresh as the day it was bound. With gilt raised bands and delicate gilt tooling to the panels. Gilt rolls and corner tools to the boards. Dentelles and all edges gilt. The first edition of both volumes. One of the finest examples of 18th century English book production in which the text and illustrations are entirely engraved. With exquisite rococo decoration to almost every page. The bookplate of Hans Furstenberg. The condition of the binding and text is pristine. In the original Latin. A remarkable set.

Bruxelles: Paul Lacomblez, 1914. Full morocco, 13 inches tall. A truly magnificent binding in pristine condition by Paul Affolter with gilt raised bands, superb gilt tooling with onlays to the panels and framing the boards. Wide gilt dentelles and watered silk doublures and free endpapers. Number 50 of 75 copies on 'japon imperial' with an extra suite of colour plates. In the original felt lined and leather trimmed slipcase also signed by Affolter. Based on an obscure 16th century romance, Coster's masterpiece tells of the adventures of a Flemish prankster, Thyl Ulenspiegel, during the wars of the Reformation in the Netherlands and became popular all over the world.

Printed for Private Circulation only, 1883-1884. 6 volume set, 10 inches tall. A truly magnificent full morocco binding with gilt raised bands, very fine gilt tooling to the panels and boards, dentelles and all edges. This is the first collected edition of the Works of Nashe, the great English Elizabethan pamphleteer, satirist, novelist, playwright and poet. Printed for the Huth Library in an edition of 50 sets for private circulation only.

Edinburgh: Adam and Charles Black, 1857. 25 volume set, 8.75 inches tall. A truly spectacular set in full dark pink morocco in marvellous condition. With gilt raised bands, twin green labels and extra gilt panels. The boards are decorated with a very delicate and ornate panel framed within a triple roll. Gilt dentelles and all edges. Engraved frontispieces, title pages, portraits and views throughout. Other than a few very superficial marks this set is in pristine condition with no wear or fading.

(Paris: Barbou) Amsterdam, 1762. 2 volume set, 7 inches tall. The celebrated and very scarce Fermiers-Generaux edition. Complete with half-titles, 2 engraved portraits and 80 superb plates after Eisen by Aliamet, Delafosse, Longueil, Le Mire et al.. with over 50 delightful and ornate vignettes by Choffar. The later binding is by Sangorski & Sutcliffe in the style of the period with gilt raised bands, extra floral gilt tooling to the panels, fine and ornate gilt tooling to the boards, gilt dentelles and all edges. The bindings have been expertly rebacked. Internally exceptionally clean and fresh with slight creasing to a couple of plates. A fine set of this great example of French 18th century printing.

London: Baynes, 1813. Full straight grain red morocco, 20 inches tall. A monumental binding with wide gilt raised bands and Superb gilt tooling to the panels. The boards are embellished with very wide blind and gilt rolls. Gilt dentelles and all edges. With the vignette on the title page and 108 engraved portraits. A spectacular example of this great book.

London: The Punch Office, 1847-1848. Bradbury and Evans. 3 volumes, 9 inches tall. A wonderful set of the first editions of these great comic works. Bound by Bradstreet in the finest full crushed morocco with raised bands and gilt dentelles. From the Duke of Gloucester's library at Kensington Palace, each volume with his bookplate. Prince Henry, Duke of Gloucester was the third son of King George V, brother of King George VI and King Edward VIII. Original wrappers bound in. With a total of 30 hand coloured engravings and over 300 woodcuts by John Leech.

Amsterdam: sumptibus Jacobi Wetstenii, 1743. 4 volume set, 11.5 inches tall. A magnificently bound set with gilt raised bands and superb gilt tooling to the panels. Simple gilt fillets framing the boards, dentelles and all edges gilt. The index was published in 1746. With the armorial bookplate of Tatton Park. Slightly rubbed but with no loss or splitting. Beautifully printed in Greek and Latin. Dibdin considered this to be the most accurate and most beautiful edition of the works of Lucian, the great satirist and rhetorician.

London: William Miller, 1808. 18 volume set, 9.5 inches tall. A magnificent set in a binding typical of the beginning of the 19th century. Bound in full straight grain morocco with gilt raised bands, blind tooled panels and dentelles. The boards are framed within gilt and blind rolls. Portrait. With the ticket of Upham & Beet (Booksellers) of New Bond Street. With the bookplate of Lt. General Sir John Macdonald, Adjutant-General to the Forces, friend and supporter the Duke of Wellington. 'Glorious' John Dryden, poet, critic and playwright was a dominant figure in the English Restoration.