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London: Johnson, Baldwin et al., 1805 & 1807, 1806. 4 books, bound in two volumes, 9 inches tall. A splendid 2 volume set in full Georgian tree calf with raised bands, gilt pallets, red labels and blue speckled edges. With four engraved title pages. With the bookplate of M. General Sir Charles Stewart of Wynyard Park. Two classic and highly influential anthologies drawing on references from classical times through to the greatest writers of the 18th century. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

Paris: Lerouge & Petit, 1806. 4 volume set, 6 1/2 inches tall. An exceptionally pretty half morocco set from the beginning of the 19th century with gilt bands, finely tooled panels and label. Portrait. A most attractive set, in the original French. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: John Murray, 1846. 2 volume set, 9 inches tall. A magnificent full morocco binding by one of the finest firms of binders in mid 19th century London, White of Pall Mall. With gilt raised bands and top rate floral gilt tooling to the panels. Gilt dentelles and all edges. There is some 'purpling' of the boards, seen often on this shade of blue, otherwise in pristine condition.

London: Chapman & Hall, c.1860. 3 volume set, 8 1/2 inches tall. A bright and clean full vellum with twin red labels, a gilt Oxford crest embossed on the upper boards and red edges. The trimming of the title labels is a bit irregular and one of the blanks of the first volume has a corner torn off. A lovely bright vellum binding, with perfect patina, of this great history.

London: Bell & Daldy, 1865. 6 volume set, 7 1/2 inches tall. An elegant half calf binding by Larkins with gilt raised bands, twin labels and fine gilt tooling to the panels. Gilt top edges. With armorial bookplate. This is a new, revised, corrected and enlarged edition.

London: Richard Bentley, 1850. 2 volume set, 8 1/2 inches tall. A particularly handsome classic Victorian full calf with gilt raised bands, twin labels, the volume label being very ornate and fine gilt tooling around the Prince of Wales's feathers. Twin gilt and a blind fillet frames the gilt block of Oriel College, Oxford. An heraldic bookplate. There is a neat ink Latin inscription on the first blank. Portrait and folding maps. A very smart copy of one of Prescott's great American histories.

London: Richard Bentley, 1850. 2 volume set, 8 1/2 inches tall. A particularly handsome classic Victorian full calf with gilt raised bands, twin labels, the volume label being very ornate and fine gilt tooling around the Prince of Wales's feathers. Twin gilt and a blind fillet frames the gilt block of Oriel College, Oxford. An heraldic bookplate. There is a neat ink Latin inscription on the first blank. Portrait and folding maps. A very smart copy of one of Prescott's great American histories.

London: Henry Colburn & Co., 1849. 2 volume set, 9 inches tall. An unusual and very elegant half crushed morocco with three raised gilt bands and ornate gilt tooling to the panels. Gilt top edges. The early 16th century King of France, great patron the the Arts. In his enthusiasm for the Italian Renaissance he brought many great Italian artists to France including Leonardo da Vinci. Under his reign several of the finest French Renaissance buildings were constructed including the great chateau at Chambord. Miss Julia Pardoe was an English poet, novelist, historian and traveller. Her most enduring works are her French histories which continued to be printed into the twentieth century.

London: George Cowie, 1837. 5 volume set, 9 inches tall. A most attractive early Victorian full calf with gilt raised bands, twin labels and elegantly gilt tooled panels. A single gilt fillet frames the boards. There is a neat contemporary ink previous owner's name on the reverse of the paste down end paper. Portrait. Slight rubbing. A bookplate has been removed from the rear paste down end papers. A fine set of the works of this great English theologian and philosopher best known for his exposition of natural theology.

Paris: Isidore Liseux, 1879. 2 volume set, 6 3/4 inches tall. A superb half morocco by Bumpus with gilt raised bands and fine extra gilt panels and gilt top edge. The title pages are printed on vellum. Very slight wear to the joints but very solid and in a beautiful binding. From the Library of the Late Christopher Foyle of Beeleigh Abbey. Poggio Bracciolini, writing in the 16th century is celebrated for rediscovering many classical Latin manuscripts, many otherwise unknown, from monastic libraries. He made important finds in St. Gallen, Cluny Abbey, Langres, Monte Cassino and Hersfeld Abbey, amongst many others. The texts here are in English with the original Latin in a smaller type below.

London: Longman, Brown, Green, Longmans, & Roberts, 1858. 3 vols., 8vo (8.75 x 5.75 inches). Full calf, with twin red and green labels, gilt raised bands and floral gilt tooling to panels, marbled edges and endpapers, blind dentelles. Armorial bookplates. Slightly sunned at spine. The binder has had to correct the volume number on two of the three volumes. A very good set.

Edinburgh: Sterling, 1818. 2 volume set, 9 inches tall. Full speckled calf with multiple gilt bands, twin labels and very delicate centre tools typical of this regency style. With plates and folding map. A lovely copy.

London: Longmans, 1873. 3 volume set, 8.5 inches tall. A classic Victorian full calf with gilt raised bands, twin labels and delicate gilt tooling to the panels. An ink inscription 'on leaving Eton' on the reverse of the free endpaper. A superb set of this great work.

London: Longmans,Green, and Co, 1905. 2 volume set, 9 inches tall. A luxurious Edwardian half crushed morocco with wide gilt raised bands, simple but elegant gilt framed panels and gilt top edge. Armorial bookplate. Illustrated throughout. Some foxing to the edges. A handsome set.

London: Clarke, 1844. 7 volumes, 5 inches tall. A finely bound little collection in half morocco with gilt raised bands and charming floral gilt tooling to the panels. Frederika Bremer was a Swedish writer whose 'Sketches of Everyday Life' became immensely popular in Britain and the United States during the Victorian Period. Through her works she was a great and successful influence for feminist reform. A fine little collection of the first English editions.

London: Charles Tilt, 1831. 4 volume set, 7 inches tall. A splendid little early Victorian full morocco with fine gilt tooling to the panels and boards. All edges gilt. Containing 288 line engravings representing the works of British Artists.

London: Colburn and Bentley, 1831. 2 volume set, 8 1/2 inches tall. Full early Victorian full calf with gilt raised bands, twin olive labels and exceptionally fine gilt tooling to the panels. The boards are marked and scuffed but with no splitting. A rather splendid, though somewhat worn set of this important and scarce work.

London: Harding, Triphook, and Lepard, 1824. 3 volume set, 8 inches tall. A neat Georgian half calf with gilt bands, bold labels and blind centre tools. Pink speckled edges. This work was originally published in 3 volumes, as here, which were then extended to many more volumes over the following years. Engraved frontispiece and 2 folding plates. Some offsetting, otherwise clean. With the bookplate of Vane Londonderry. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

Paris: Baudry, 1827. 3 volume set, 4 1/2 inches tall. A delightful little set in a splendid French full plum straight grain morocco with wide blind tooled raised bands, gilt pallets and centre tools. An elaborate blind embossed device is framed within blind and gilt fillets on the boards. Gilt dentelles and all edges. With a neat ticket of a Bordeaux book seller. A very neat ink previous owner's name, dated 1828, on the reverse of the free end paper. Portrait. Light foxing. A fine French edition, in English, in superb condition.

London: John Murray, 1858. 3 volume set, 9 inches tall. A superb full polished calf by Andrew Grieve with gilt raised bands, twin pink labels, fine gilt tooling to the panels and boards. Top edges gilt. Slight creasing to the spine of the first volume. A most handsome set of this celebrated family history.