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London: Thomas McLean, 1824. Full morocco, 11.25 inches tall. A very fine binding by TOUT with gilt raised bands, floral gilt tooling to the panels and elaborate gilt tooling to the boards. Wide dentelles, doublures and gilt top edge. 12 superb hand coloured lithographs satirising the arts.

London: G. Virtue, 1830. Full morocco, 9 1/2 inches tall. A pristine copy in glorious full morocco by Riviere with gilt raised bands and wonderful gilt centre tools indicative of our heroes dissolute adventures in London, playing cards, Champagne bottles and dancers. The boards are framed within gilt corner tools and triple fillets. Gilt dentelles and top edge. Embellished with all 36 hand coloured aquatints from designs by Robert Cruikshank. This is a magnificent copy of this hilarious work from the Library of the Late Christopher Foyle of Beeleigh Abbey.

London: Macmillan and Co., 1907. Full morocco, 6 inches tall. An exquisite binding with beautifully gilt tooled floral calf onlays in the Art Nouveau style to the spine and upper board. Gilt dentelles and all edges. Portrait. Christina Georgina Rossetti was an English writer of romantic, devotional and children's poems, including "Goblin Market" and "Remember", as well as the words of the carol "In the Bleak Midwinter".

London: William Pickering, 1844. Full morocco, 9 1/2 inches tall. An extraordinary and magnificent full hard grain morocco by Catherall & Pritchard with gilt raised bands, ornate gilt tooling to the panels and boards, gilt dentelles and all edges gauffered. Unpaginated, including facsimile title page and colophon of Richard Grafton (1550), printed in red and black throughout. Ornamental initials and woodcut headbands and musical notations. Light foxing. From the library, and with the bookplate of, R.H.L.-C. de Beaumont.

A reprint of a volume of selections from the 'Book of Common Prayer' as set to music by John Marbecke (or Merbecke). First printed in 1550 by Richard Grafton, and here reprinted by Charles Whittingham at the Chiswick Press.

Paris: Perlet, 1803. 23 volume set, 8 1/4 inches tall. A most attractive and unusual full calf from the period of publication. The very elegant spines have gilt bands, twin labels and ornate and delicate centre tooling, typical of the period. A fine gilt roll frames the boards which blend tree calf with speckled lozenges in a superb fashion. Minor rubbing. With the armorial bookplates of Lord Kinnaird. A lovely set of Petitot's greatest work.

London: Kegan Paul, Trench, Trübner, & Co., 1895. 2 volume set, 7 1/2 inches tall. A wonderful full crushed morocco by Bumpus with gilt raised bands and extraordinary fine and elaborate gilt tooling to the panels and boards. Gilt dentelles and all edges. Number 61 of 750 copies printed on Deckle Edge Paper, with etchings on Handmade Paper. A truly spectacular binding in pristine condition.

London: George Bell, 1892. 5 volume set, 7 1/2 inches tall. A gorgeous full calf by Sotheran of Piccadilly with gilt raised bands, twin labels and gilt tooled panels. The boards are framed within corner tools and twin fillets. gilt dentelles and top edges. 150 copies of the Large Paper Edition, of which this is number 65, have been printed of this Aldine edition. Portrait. A delightful set of the works of this great romantic English poet.

London: Knight and Lacey, 1825. 6 volume set, 8 inches tall. A very good looking clean set in later half morocco by Bayntun with gilt raised bands, twin labels and ornate gilt tooling to the panels. All edges gilt. Embellished with 35 fine engraved plates, several folding. With entertaining and informative work is published anonymously but it is usually considered to have been edited by a young George Borrow.

Paris: Chez Sylvian Sauvage, 1927. Half morocco, 9.5 inches tall. with raised bands and fine gilt tooling with onlays, gilt top edge. This is example V of XX lettered 'examplaires de collaboration'. With splendid illustrations by Andre Dignimont including an original watercolour signed and inscribed to Pierre Macorlan, the celebrated french novelist and songwriter.

Privately Printed For Subscribers Only, 1897. 5 volume set, 9 inches tall. A beautiful half morocco binding in the Art Nouveau style by Zaehnsdorf with one raised band, the titles in a floral cartouche above and a superb floral design below. Gilt top edges. The corners are slightly bumped and the cloth boards a little rubbed and marked. This comprehensive and extraordinary collection of songs and ballads popular before 1800 is privately printed for subscribers to allow some bawdy and explicit material to be included. A superb set finely printed on handmade paper.

London: Rodwell and Martin, 1820. Full straight grain morocco, 10.5 inches tall. A glorious Regency binding with wide gilt raised bands and dense blind tooling to the panels. The boards are magnificently tooled in blind and gilt. All edges gilt. There is a tiny amount of worming effecting the gutter of the front endpaper and preliminaries. With 60 splendid views and vignette on the title page. A superb example of this scarce work.

London and New York: Chiswick Press, Charles Whittingham and Co., c.1900. 2 volumes, 6 3/4 inches tall. A glorious full morocco binding almost certainly by by The Harcourt Bindery of Boston with gilt raised bands and remarkable floral gilt tooling and onlays to the panels and boards. Wide gilt dentelles frame exquisite green crushed morocco doublures featuring a red rose. Watered silk free endpapers. All edges gilt. These two volumes, containing the works of Thomas Chatterton, were part of a deluxe set, the Crown Edition, of 'The Poets of Great Britain' originally published in 72 volumes. This extra-illustrated set in this splendid binding is believed to be number 1 of 10 such sets. Fine sets of Chatterton's Poetical Works are scarce.

London: Sherwood, Gilbert, and Piper, 1825-26. 2 volume set, 9 1/2 inches tall. Bound in superb full crushed morocco by William Brown of Edinburgh with gilt raised bands and panels framed within a series of gilt pallets. First edition, first issue. Triple gilt fillets frame the boards, gilt dentelles and all edges. With the armorial bookplate of shipowner R Cyril Lockett. Decorated with 72 hilarious hand-coloured aquatints by Robert Cruikshank. With the scarce woodcut. There is a faint stain on the lower board of the second volume, otherwise a pristine example of this great comic work subtitled " An original Work, Characteristic, Satirical, and Humorous. Comprising scene and sketches in every rank of Society, being Portraits of the Illustrious, Eminent, Eccentric and Notorious.

Edinburgh: Printed by Mosman and Brown, 1727-28. 4 volume set, 10 1/2 inches tall. An exceptionally nice set of this very scarce title in Georgian full diced calf with gilt raised bands, twin labels and splendid gilt centre tools to the panels. A gilt fillet and wide blind roll frame the diced boards. Pink speckled edges. Some foxing, mostly confined to the preliminaries. A collection of all the material available to Anderson at the time relating to Mary Queen of Scots.

London and New York: Chiswick Press, Charles Whittingham and Co., c.1900. 2 volumes, 6 3/4 inches tall. A glorious full morocco binding almost certainly by by The Harcourt Bindery of Boston with gilt raised bands and remarkable floral gilt tooling and onlays to the panels and boards. Wide gilt dentelles frame exquisite green crushed morocco doublures featuring a red rose. Watered silk free endpapers. All edges gilt. These two volumes, containing the works of Robert Herrick, were part of a deluxe set, the Crown Edition, of 'The Poets of Great Britain' originally published in 72 volumes. This extra-illustrated set in this splendid binding is believed to be number 1 of 10 such sets. A superb set of the works of this great lyric poet.

London: Strahan and Woodfall, 1792. 6 volume set, 9.5 inches tall. An extraordinary 18th century binding in full sheep with blind bands, splendid triple labels and twin blind fillets framing the boards. With exceptional speckled pink lettering to the edges indicating that this set belonged to the Circuit Library of the Chester Crown Court. There are no other inscriptions and the text is very clean. There has been expert repair to the joints of two of the volumes. We can find no other examples of this style of lettering on the edges. A remarkable set of this scarce work.

London and New York: Chiswick Press, Charles Whittingham and Co., c.1900. 2 volumes, 6 3/4 inches tall. A glorious full morocco binding almost certainly by The Harcourt Bindery of Boston with gilt raised bands and remarkable floral gilt tooling and onlays to the panels and boards. Wide gilt dentelles frame exquisite green crushed morocco doublures featuring a red rose. Watered silk free endpapers. All edges gilt. These two volumes, containing the works of Samuel Taylor Coleridge, were part of a deluxe set, the Crown Edition, of 'The Poets of Great Britain' originally published in 72 volumes. This extra-illustrated set in this splendid binding is believed to be number 1 of 10 such sets. A superb set of the works of this great romantic poet.