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Edinburgh & London: William Blackwood and Sons, 1863. Full morocco, 10 inches tall. A fabulous full morocco by Ramage, noted for their luxurious gift and presentation bindings, with gilt raised bands and a plethora of inlays, onlays and gilt tooling. This remarkable volume is so richly decorated in coloured inlaid extra gilt morocco that the crimson ground of the binding appears at first to be merely a border. Five panels of the spine have inlaid brown morocco gilt tooled with thistles, crowns and the onlaid stars that also border the boards. The sixth panel on the spine is a turquoise blue morocco title-label, gilt. The design on both boards, has five heraldic shields, King James, Montrose and three others. These shields are inlaid with various leathers and embellished with ornate gilt tooling and surmounted by fine gilt tooled crowns. The background is a large panel, of the same brown as the panels on the spine, spangled with tiny gilt tooled thistles. Wide gilt dentelles and all edges gilt. The text is the first illustrated edition of Aytoun's Lays with fine wood engravings by Dalziel, Linton, Thompson, E. Evans, Whymper and others, after the notable drawings by Noel Paton and W. H. Paton. There is some light foxing particularly on the preliminaries. From the Library of the Late Christopher Foyle of Beeleigh Abbey, and the bookplates of Thomas Gaisford (1779-1885, Dean of Christ Church, Oxford) and that of A. F. L.. A truly spectacular example of late Victorian English Book Binding.

Edinburgh: Printed at the Apollo Press , by the Martins for the John Bell British Library, 1782-1803. 109 volume set, 5 inches tall. A fabulous Regency tree calf in superb condition with gilt bands, triple labels and Grecian lyre centre tools, so typical of the period. Complete sets of this work are very scarce, in this condition almost unheard of. There is no splitting or wear to the volumes. There is the occasional scratch and mark but even these are few and far between. The volumes have the armorial bookplate of William McCall and come from the estate of the late Lady Penn. Prudence, Lady Penn was a former lady-in-waiting to Queen Elizabeth The Queen Mother and a close friend of the late Queen Elizabeth II. 107 of the volumes have additional engraved titles and there are 36 engraved portraits. An exceptional survival.

London: David Nutt 1890 & 1894. Full morocco, 10 inches tall. Wonderful full crushed morocco bindings, executed in 1898, by Riviere & Son with superb gilt olive branch tooling to the spine and boards. With gilt dentelles and top edges. Illustrated by John D Batten with 12 plates, all in 2 states, headpieces, vignettes and initials throughout. Original paper spine bound in. Signed by the author, publisher and illustrator. First edition, Deluxe issue being numbers 33 of 80 copies, and 22 of 160 copies respectively, printed on Japanese vellum. Joseph Jacobs, the editor of the society journal 'Folk-Lore', was a noted collector and publisher of English folklore. He was responsible for popularising such familiar fairy tales as 'Goldilocks and the Three Bears', 'Jack and the Beanstalk', 'Jack the Giant Killer', 'The History of Tom Thumb' and 'The Three Little Pigs'. A splendid set of these two scarce deluxe limited editions.

Edinburgh: Printed for John Bell British Library at the Apollo Press, 1780-84. 53 volumes, 5 inches tall. A beautiful 18th century full tree calf with gilt bands on a smooth back, gilt Grecian lyre centre tools and triple labels. A gilt roll in the Greek key pattern frames the boards. Yellow edges. With engraved titles and portraits throughout. Housed in an original travelling case resembling calf folios stacked dos-a-dos. The 53 consecutive volumes eventually were extended to 109 volumes (see our complete set) but as there is no indication of a volume number on the case it would seem that this was all that the original owner possessed. The volumes are in excellent condition the case itself, still with its original watered silk lining, is in good solid condition but has some scuffing, rubbing and worm holed from a long defunct insect. A remarkable survival.

New York: The Lamb Publishing Company, c.1900. 12 volume set, 9 1/2 inches tall. The India House edition, printed on hand-made paper, limited to 130 sets, of which this set is number 25. This magnificent set was printed for Helen Louise Leonard Lillian Russell and has her bookplate. Lillian Russell was one of the most famous actresses during the late 19th and early 20th centuries, she was renowned for her beauty and good taste. The spectacular 'Spanish' calf binding has gilt raised bands, superb ornate gilt tooling to the panels and boards. Gilt top edges, the foredges and bottom edges are left deckled. There is some minimal rubbing, otherwise pristine with no fading the set appears has been behind glass since being bound. Best know for his 'Tales from Shakespeare' and 'Essays of Elia', Charles Lamb was at the heart of a major English literary circle, which included Samuel Taylor Coleridge, Robert Southey, William Wordsworth, Dorothy Wordsworth and William Hazlitt. His great biographer, E. V. Lucas described him as "the most lovable figure in English literature".

London: Cadell et al., 1841-1846. 17 volume set, 8 3/4 inches tall. A magnificent Victorian full calf with gilt raised bands, twin labels and very fine floral gilt tooling to the panels, almost certainly bound by the great firm of J. Leighton of Brewer Street. The first 6 volumes cover the 'History of England' from the 'Invasion of Julius Caesar to the Revolution in 1688' by David Hume. The next four volumes are a continuation by Tobias Smollett 'From the Revolution to the Death of George the Second'. The concluding seven volumes, by T.S. Hughes, cover the period from 'The Accession of George III., 1760, to the Accession of Queen Victoria, 1837'. We have handled very many sets of this title have never seen a smarter set. From the library of Alfred de Rothschild but without his bookplate.

London: Chapman & Hall, 1887. 34 volumes, 8 1/2 inches tall. A superb late Victorian set bound by Zaehnsdorf with gilt raised bands, twin labels and very fine gilt tooling to the panels. The Monogram and coronet of The Marchioness of Londonderry is gilt embossed on the upper boards framed within a double fillet. With her bookplate. A letter is slipped in reading: "June 24th 1889. My Dear Lady Londonderry, I send you a set of Carlyle's Works - Please accept in memory of such kindness received from Ireland's best of Kings & sweetest of Queens.....Edmund Talbot". A few marks and scratches but a superb set in near pristine condition. A fine set of the best edition of the works of one of the greatest influences of the Victorian Age.

London: Seeley and Co., 1889. 2 volume set, 10 1/2 inches tall. A glorious full morocco binding by S.David in pristine condition with gilt raised bands and flamboyant and luxurious gilt tooling to the panels and boards. Equally sumptuous tooling to the blue crushed morocco doublures and all edges gilt. This set has been embellished with around 200 extra-illustrations, many being very fine and rare images, making a single volume work a 2 volume set. This set is number 126 of a large paper limited edition of 150 copies. From the Library of the Late Christopher Foyle of Beeleigh Abbey. Frances Burney, known as Fanny Burney and then, at the age of 41, Madame d'Arblay, having married the French exile General Alexandre d'Arblay. She was the daughter of Charles Burney, English music historian, composer and musician. Frances Burney was a great English satirical novelist and diarist. She wrote her most celebrated novel, 'Evelina' in 1778 which she followed with 'Cecilia', 'Camilla' and 'The Wanderer'. Between the years 1786–1790 she was 'Keeper of the Robes' to Charlotte of Mecklenburg-Strelitz, George III's queen. A wonderful set.