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Hertford: Stephen Austin, 1855. Full calf, 9 inches tall. A superb Cosway style binding with a portrait miniature of an Oriental King in the upper board framed within very ornate and fine gilt tooling. Gilt raised bands and dense elaborate gilt tooling to the panels. Gilt dentelles and all edges. A neat leather monogrammed book plate. Every page is decorated with delightful borders and decorated title-page, frontispiece and 14 further illustrations. Very slight rubbing but overall a splendid copy of this celebrated tale.

Boston & New York: Houghton Miflin Company, 1909. 16 volume set, 9 inches high. A truly splendid set bound by OLDASH in full morocco with raised bands, fine gilt tooling to the panels, wide dentelles and top edge. Watered silk doublures and endpapers. With full page illustrations throughout. With the armorial bookplate of John J. Raskob. A superb set in pristine condition.

London: Sherwood, Jones & Co., 1825-1826. 2 volume set, 9.5 inches tall. A magnificent set of the first edition of this brilliant comic work bound in full straight grain morocco by Riviere. With gilt raised bands, gilt paletts, dentelles and all edges. 71 very fine hand coloured aquatints of which 68 are by Robert Cruikshank and 2 by Thomas Rowlandson and 1 by T. Wageman. Featuring rollicking adventures in London, Eton, Brighton, The Isle of Wight and other fashionable hotspots, we follow the 'raffish life of English pleasure seekers'. The author Charles Molloy Westmacott, using the nom de plume Bernard Blackmantle, partly to deflect the torrent of controversy that welcomed the book's publication, was renowned for his satirisation of English high society.

London: Orr, 1853. Full morocco, 10 1/4 inches tall. A stunning mid-Victorian full straight grain morocco by Mansell. With gilt raised bands and superb extra gilt tooling to the panels. The straight grain of the boards is framed within a series of gilt fillets and rolls. All the edges are gauffered. Embellished with 25 full page steel engraved views and further vignettes and full page wood engravings throughout. Slight foxing to the frontispiece and title page, otherwise clean and with minor abrasions to the upper board. A remarkable example of this fine edition.

London: Privately Printed, 1871. Full straight grain calf, 8.75 inches tall. A superb copy of this notorious item of erotica. With wide gilt raised bands, fine gilt tooled panels, boards, dentelles and all edges. Printed in black and red, reportedly in a deluxe edition of 250. The extraordinary Wilkes, member of the Knights of St. Francis of Wycombe, also known as the Hellfire Club, wrote this pornographic poem dedicated to the courtier Fanny Murray entitled "An Essay on Woman" as a parody of Alexander Pope's "An Essay on Man". Having been outlawed in 1769 he became Lord Mayor of London in 1774!

London: Fisher, 1841. 4 volume set, 9 inches tall. A most attractive early Victorian half calf with gilt raised bands, twin labels and gilt tooled panels. With frontispieces, engraved half titles, maps including 1 folding map of the Battle of Waterloo and 50 engraved plates. Armorial bookplate. Slight foxing to some plates and slightly rubbed boards but still a striking set of this stirring work.

Chester: J.Seacombe & London: Baldwin and Cradock, 1834. Full morocco, 8.75 inches tall. A beautiful binding by Bickers with gilt raised bands, very fine floral gilt tooling to the panels and a triple gilt fillet framing the boards. Top edge gilt. Armorial bookplate of Sir William Bass. Striking and sometimes fantastic full page engraved plates.

London: Richard Bentley, 1841-42. 8vo (9½" tall). Superb full red crushed morocco, by TOUT. Gilt raised bands and pallets, fine gilt tooling to panels. Boards framed with gilt floral corner tool. Gilt doublures with floral patterned endpapers. Top edge gilt. Slightly foxed. Armorial bookplate. Original issues of Bentley's Magazine, bound with special title page, contents and a preface dated 1889 by the collector John Waugh.

London: Robinson et al., 1783. Full calf, 11 inches tall. A splendid 18th century tree calf with raised bands, gilt pallets and red label. Blue edges. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry, and with his elaborate bookplate. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. A little scuffing, otherwise a superb copy.

London: Richard Bentley, 1836. 3 volume set, 8 3/4 inches tall. A striking set in half green early Victorian calf with gilt bands and contrasting red labels. Red speckled edges. The splendid armorial bookplate of Lord Londonderry. A fascinating memoir decorated with 6 full page engraved portraits.

London: Fisher,n.d (1839). Half morocco, 11 inches tall. A very handsome copy with wide gilt raised bands, delicate gilt tooling to the panels and embossed cloth boards. All edges gilt. A folding map and 63 fine full page engravings.

London: The Author, Rodwell & Martin, Moule, 1821. Half calf, 11.5 inches tall. With gilt bands, blind tooled centre tooling and label. With fine engravings throughout, including 32 hand coloured pages. The spine is slightly faded but overall a lovely copy of this finely illustrated work.

London: Cadell and Davies, 1815. 2 volume set, 8.5 inches tall. An unusual and rather splendid full calf with twin raised bands, blind tooled panels and exceptionally bright labels. Portrait. Pink edges. Slight fading and rubbing but very solid. The first and best edition, in subsequent edition the libellous passages were removed. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry, and with his elaborate bookplate. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Routledge, Warne and Routledge, 1862. Full morocco, 9 inches tall. A splendid Victorian binding by Hayday with raised bands and dense and elaborate gilt tooling to the panels. Gilt dentelles and all edges. Wide gilt rolls frame the boards. Engraved throughout. A degree of foxing. From the Library and with the bookplate of Robert J. Hayhurst. An interesting anthology in a fine example of this type of binding.

London: Longmans,Green, and Co, 1905. 2 volume set, 9 inches tall. A luxurious Edwardian half crushed morocco with wide gilt raised bands, simple but elegant gilt framed panels and gilt top edge. Armorial bookplate. Illustrated throughout. Some foxing to the edges. A handsome set.

London: Swan Sonnenschein, 1888. 3 volume set, 9.25 inches tall. A most handsome set with gilt raised bands, twin labels and delicate gilt tooling to the panels. A revised edition with full page engraved portraits throughout. A splendid neat set.

London: Henry Colburn, 1846. 3 volume set, 7.5 inches tall. A classic full Victorian calf by Riviere with gilt raised bands, twin labels and fine gilt tooling to the panels. A splendid set of this work by one of the most respected female historians in Victorian Britain. Armorial bookplate. Small stain on the upper board of volume III.

London: Longman, Hurst, Rees and Orme, 1808. 2 vols., 8vo (8½" tall). Half calf with gilt bands on spine. Twin green and black labels with unusual gilt banner motif, gilt patterned tooling to panels. Marbled boards.

London: Dodsley, 1759. 2 volume set, 6 3/4 inches tall. An elegant later binding in fill speckled calf by Strakley of Cambridge with gilt raised bands, label and fine gilt tooling to the panels. Engraved frontispiece which, with the title page, is foxed, otherwise clean. A lovely set.

London: Van Voorst, 1843. Full calf, 6.5 inches tall. A most attractive full calf by Stratford of Worcester and with their crest shaped tin ticket. With gilt raised bands, finely gilt panels framing an unusually good looking centre tool and a series of rolls and fillets framing the boards. With the bookplate of Jasper More of Linley Hall. A neat ink inscription on the first blank. Embellished with 26 engraved vignettes.