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London & Paris: Ex Typographia Ludovici-Francisci Delatour via San-Jacobea. Londini apud Paulum Vaillant, 1771. 4 volume set, 11 inches tall. Superb 18th century full vellum bindings with most attractive blue gilt labels. Complete with all 4 folding maps and genealogy. With the bookplate of the Earl of Aylesford. A splendid set described by Brunet (V p.645) as the ...."Edition magnifiquement imprimee et qui a longtemps passe pour une des meilleures de cet historien".

Augsburg (Augustae Vindelicorum): Sumptibus ignatii adami & Francisci Antonii Veith, 1759. 6 volume set, 14.5 inches tall. Full vellum, dating from the middle of the 18th century with gilt tooled labels and unusual pink and green edges. The Codex Regularum, created in Aachen in 817, was designed by Benedict to restore the strict observation of monastic life which had been relaxed over recent centuries. Complete sets in contemporary bindings are scarce. There is some scuffing and staining to the vellum, in particular at the tails of each volume but there is no splitting and the bindings are in excellent condition. 2 bookplates. In the original Latin.

London: T. Cadell, 1788. 4 volume set, 8.75 inches tall. A wonderful full vellum, bound by Christian Kalthoeber, one of the greatest bookbinders of the period, and with his ticket. With delightful twin blue titles edged with several ornate pallets. Double fillets frame the boards. Yellow edges. There has been some loss to the foot of the fourth volume due to ancient water damage. This has not affected the text nor taken away the overall splendid look of the set.

Stockholm: Bectman, 1848. Full vellum, 5 inches tall. A delightful little binding with embossed and hand painted decoration to the spine and boards. Note the kissing cupids atop the heart. Fully working brass clasps on vellum tags. Gauffered edges.

London: Hodder and Stoughton, n.d. c.1914. Full vellum, 11 inches tall. A fine copy in excellent condition with gilt tooling to the spine and boards. Gilt top edge. Silk ties. With 12 colour tipped in plates. Number 112 of 250 signed limited editions. First edition thus. Some foxing to the edges and preliminaries but still a particularly fine edition of these stirring poems.

London: John Sharpe, Piccadilly, 1820. 2 volume set, 5.25 inches tall. A delightful little set in full Regency vellum with gilt bands and twin labels. Blue speckled edges. Slight foxing to the 2 engraved title pages, otherwise clean. A scarce edition of this important title.

London: John Murray, 1824. 2 volume set, bound in 1, 7.25 inches tall. Full vellum with splendid wide gilt bands. A very clean and bright copy of the third edition in an elegant contemporary binding.

Vellum wallet, 4.5 inches tall. Very fine gilt tooling by Guilio Giannini, the famous Florentine binders, covering a double pocket watered silk lining.

Vellum blotter, 18 x 11.5 inches when closed, 36.5 x 11.5 inches when open. Beautifully made and signed by Sangorski & Sutcliffe, one of the finest firms of bookbinders at the time. Vellum with gilt rolls and ornate gilt centre tools. V.C on the left hand 'panel', A.C on the right. In remarkably fine condition (with no ink stains!).

ünchen, Bremer Presse, 1921. Full vellum, 10.5 inches tall. A very attractive yapp edged vellum binding with simple gilt tooling to the panels and boards. Gilt top edge. No 49 of a limited edition of just 270. Bound by 'Bremer Binder F. TH.' A finely printed and bound collection of early French love songs in French.

London: Dove, 1827. Full vellum, 5 inches tall. A beautiful little vellum binding with label and fine gilt tooled panels, the boards are framed within a blue outline. A particularly clean copy inside and out. A collection of letters critical to George III, the true authorship has been much debated but never verified.

Venezia (Venice): Luigi Pavini, 1769. Full vellum, 7 inches tall. An 18th century vellum binding with gilt bands, centre tools and label. With very fine engraved plates by Guiseppe Lante.

Paris: Chez Corbet, 1820. 4 volume set, 7 inches tall. Full vellum with twin labels and dense gilt tooling to the spine. Engraved frontispieces to each volume. Neat owner's inscription on half title.

London: Essex House Press, 1901. Full vellum, 6 inches tall. A fine example with yapp edges and black lettering to the spine. Uncut. One of 250 copies, of which this is number 74. A delightful work printed at this great Private Press 'under the care of C.R. Ashbee'.

apoli, Presso Agnello Nobile, 1819. 4 volume set, 7 inches tall. Full vellum with gilt bands and twin labels. Armorial bookplate. Engraved frontispieces. The tiny blue ticket of P. Rolandl, foreign bookseller of Berners St.. Some marking to the boards but overall a fine set. Including examples of the poetry of Dante, Petrach, Tasso up to Metastasio and De'Coletti, selected by the Englishman, Mathias.

London: Routledge, 1905. Half vellum, 9 inches tall. A smooth back with a gilt label and fine gilt tooling in the 'Art Nouveau' style. Illustrated with12 photogravures.

London: J.F.Dove, 1826. Full vellum, 5 inches tall. A delightful little full vellum with gilt bands and delicate gilt tooling to the panels. A blue fillet frames the boards. Engraved frontispiece and title page.

London: J.F. Dove, 1826. Full vellum, 5 inches tall. A delightful little full vellum with gilt bands and delicate gilt tooling to the panels. A blue fillet frames the boards. With 'The Life of Robert Burns' by Dr. Currie. Engraved frontispiece and title page.

London: Dent, 1904. Full vellum, 8 inches tall. A most attractive binding with dense gilt floral tooling to the spine and boards. With 25 colour plates by Brock. A charming edition of this classic eighteenth century novel.

London: Chatto & Windus at the Florence Press, 1918. Half vellum, 8 inches tall. A charming and unusual binding with manuscript title in black and red. Red top edge.