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Paris: Didot Junior, Typographiae Fratris Regis, 1788. Tree Calf with morocco spine, 13 1/2 inches tall. A magnificent and most unusual French 18th century binding with a straight grain morocco binding with two green calf labels and wonderful gilt floral tooling. A superb gilt vine roll frames the boards. Lovely printed bookseller's ticket on the paste down end paper. Engraved title page and frontispiece. Pristine condition. In the original Latin. Since its first printing in 1471-2, 'The Imitation of Christ' has remained one of the most enduring and popular of all Christian devotional works.

London: Crosby & Co., 1811. Half calf, 5 1/2 inches tall. A superb little Regency half calf binding with gilt bands and tooling to the panels and green label. With the binder's ticket of James Condie of Paisley. Engraved frontispiece.

London: Cadell and Davies, 1811. 2 volumes bound in 1, complete, 8 1/4 inches tall. Full Regency calf with wide blind tooled raised bands and ornate gilt and blind panels. A series of blind and gilt fillets and rolls frame the boards. With the armorial bookplate of Benj. Philpot Chr. Coll. Cant. Soc. , the neat ink inscription 'Gustavus Wulff from B. Philpot 1832' on the first blank and a partly obscured neat ink inscription at the head of the title page. Some rubbing and marking but still an interesting binding.

Leyden: Elzevir, 1658. Full morocco, 5 1/4 inches tall. A beautiful binding with gilt raised bands, delicate gilt tooling to the panels, triple fillet framing the boards and gilt dentelles and all edges. A tiny ink inscription on the reverse of the free endpaper. With the bookplate of Geoffrey Aspin who attributes the binding to Masson-Debonelle. A superb little Elzevir edition in excellent condition. In Latin.

London: The Religious Tract Society, 1836. Full Calf, 4 inches tall. A tiny and delightful devotional work in a charming early Victorian binding with gilt raised bands, label and superb extra gilt panels. With the neat ink former owner's inscription 'Mary Ann Ashley, January 1840.

Bristol: W. Richardson, 1828. Full blue calf, 5 1/2 inches tall. A delightful William IV diced calf on a very scarce title, we could only locate 2 examples of any edition in institutions. This copy is in remarkable condition with gilt raised bands, blind centre tool framed with gilt corner tools and a darker blue label. The dicing on the boards is framed within an ornate little gilt fillet. Bristol imprint. With the neat ink inscription "Mary Ann Marks. Aug. 1828 á Jesse" on the second blank. A little foxing on the engraved title page, otherwise clean. Some neat pencil underlining and highlighting.

London: Nunn et al., 1818. 2 volume set, 8 1/2 inches tall. A handsome set of this influential work in half calf with gilt raised bands and beautifully gilt tooled panels. Some scuffing to the boards. With a previous owner's name 'Mr Moon' neatly written in ink on the paste down end paper.

London: At the Chiswick Press for the Paris Académie Des Bibliophiles, 1868. Full morocco, 8 inches tall. A superb full straight grain morocco with gilt raised bands and very fine and rich gilt tooling to the panels and boards. With gilt dentelles and all edges. Slightly rubbed at the head and with a little staining to the upper board. This example is number 98 of 265 copies. This is a study of the Talmud by Deutch who came from Berlin, but worked in the department of oriental manuscripts at the British Museum.

London: Whittaker, 1823. 2 volume set, 6 1/4 inches tall. A neat Georgian full calf binding with gilt raised bands, twin labels and gilt tooled panels. Red speckled edges. Bookplate. Engraved plates. A smart little set of this theological work that highly influenced Beethoven.

Glasgow: William Collins, 1841. Full morocco, 7 inches tall. A lovely bright hard grain morocco for Hatchards with raised bands, and very fine gilt tooling to the panels and boards. There is a neat ink on the free endpaper 'Mary Cornelia S(?) from dear Lady Corbet. 1846'. M.C.S. has her initials and coronet on the upper board. Gauffered edges. Slight foxing to the preliminaries, then clean. A fine copy.

London: Arthur L. Humphreys, 1907. Full morocco, 6 1/2 inches tall. A handsome full morocco by Hatchards with raised bands, geometric gilt and blind tooling to the panels and boards. With gilt dentelles and all edges. Slightly rubbed and darkened around the borders of the boards. Beautifully printed by Humphreys on handmade paper. A wonderful edition of this great devotional work.

London: Arthur L. Humphreys, 1902. Full morocco, 6 1/2 inches tall. A superb full crushed morocco with raised bands, simple, yet very pleasing, geometric gilt tooling to the panels and boards. With gilt dentelles and all edges. Beautifully printed by Humphreys on handmade paper. A wonderful edition of this great devotional work.

London: Chapman & Hall, 1911. Full morocco, 8 inches tall. A superb full morocco by Bayntun with gilt raised bands, elegant gilt tooled panels and boards, wide dentelles and top edge gilt. A fine edition of this great English 17th century theologian's select essays.

London: George Bell, 1904. Two volume set, 5 inches tall. Full crushed morocco with raised bands, splendid floral gilt tooling to the panels, dentelles and all edges. The upper boards are finely decorated, the lower boards have a simple gilt fillet. Ink inscriptions, dated 1906 on the first blanks.

London: Robinson, 1786. Full calf, 10 1/2 inches tall. A splendid copy of this scarce work with the elaborate bookplate of the Earls of Londonderry at Wynyard Park in full 18th century calf with gilt bands in the Etruscan key style, red label and blue edges. Complete with folding map and 18 plates. A remarkable volume with splendid provenance.

London: Joseph Masters, 1869. Full morocco, 5 inches tall. A delightful little binding with two gilt raised bands, either end of the title and name, presumably of the original owner. There is dense and fine gilt tooling to the spine at the head and tail. The boards are framed with triple fillets and corner tools. GIlt dentelles and all edges.

Paris: Curmer, 1858. 2 volume set, 10.5 inches tall. A simple but pleasing mid 19th century full vellum with gilt bands, dentelles and all edges gilt. Each page decorated with wide lithographic borders. With the gilt stamp of 'Schafer of Piccadilly', purveyors of luxury items. A fine set of this classic Christian guide based on the monastic practice of devotional reading by the 'Gentleman Saint'.

Augsburg (Augustae Vindelicorum): Sumptibus ignatii adami & Francisci Antonii Veith, 1759. 6 volume set, 14.5 inches tall. Full vellum, dating from the middle of the 18th century with gilt tooled labels and unusual pink and green edges. The Codex Regularum, created in Aachen in 817, was designed by Benedict to restore the strict observation of monastic life which had been relaxed over recent centuries. Complete sets in contemporary bindings are scarce. There is some scuffing and staining to the vellum, in particular at the tails of each volume but there is no splitting and the bindings are in excellent condition. 2 bookplates. In the original Latin.

Paris: L. Curmer, 1861. Full morocco, 13.25 inches tall. An extraordinary binding by Riviere with gilt titles to the spine and both boards and extraordinary blind tooling to the panels, boards and doublures. Vellum endpapers. All edges gilt. This is the text volume, red ruled throughout, and is offered WITHOUT the Plates. In 'Fine and Historic Bookbindings from the Folger Shakespeare Library', published in 1992 a very similar binding is described and illustrated (page 222, item 14:5). It is described as 'a Pastiche of a 16th Century Panel-Stamped Binding by Riviere and Son, c.1881'.