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London: Whittaker, 1823. 2 volume set, 6 1/4 inches tall. A neat Georgian full calf binding with gilt raised bands, twin labels and gilt tooled panels. Red speckled edges. Bookplate. Engraved plates. A smart little set of this theological work that highly influenced Beethoven.

Glasgow: William Collins, 1841. Full morocco, 7 inches tall. A lovely bright hard grain morocco for Hatchards with raised bands, and very fine gilt tooling to the panels and boards. There is a neat ink on the free endpaper 'Mary Cornelia S(?) from dear Lady Corbet. 1846'. M.C.S. has her initials and coronet on the upper board. Gauffered edges. Slight foxing to the preliminaries, then clean. A fine copy.

London: Arthur L. Humphreys, 1907. Full morocco, 6 1/2 inches tall. A handsome full morocco by Hatchards with raised bands, geometric gilt and blind tooling to the panels and boards. With gilt dentelles and all edges. Slightly rubbed and darkened around the borders of the boards. Beautifully printed by Humphreys on handmade paper. A wonderful edition of this great devotional work.

London: Arthur L. Humphreys, 1902. Full morocco, 6 1/2 inches tall. A superb full crushed morocco with raised bands, simple, yet very pleasing, geometric gilt tooling to the panels and boards. With gilt dentelles and all edges. Beautifully printed by Humphreys on handmade paper. A wonderful edition of this great devotional work.

London: Chapman & Hall, 1911. Full morocco, 8 inches tall. A superb full morocco by Bayntun with gilt raised bands, elegant gilt tooled panels and boards, wide dentelles and top edge gilt. A fine edition of this great English 17th century theologian's select essays.

London: George Bell, 1904. Two volume set, 5 inches tall. Full crushed morocco with raised bands, splendid floral gilt tooling to the panels, dentelles and all edges. The upper boards are finely decorated, the lower boards have a simple gilt fillet. Ink inscriptions, dated 1906 on the first blanks.

London: Joseph Masters, 1853. Full calf, 6 1/2 inches tall. A classic divinity or Oxford binding from the middle of the 19th century with inked raised bands, pallets, centre tools to the panels and inked tooling to the boards. Pink edges. Red ruled throughout. Owners name pasted to the endpaper and written on the first blank. Contains the Sacraments and the Psalms of David. Slightly rubbed, but still a charming example of this style.

London: Robinson, 1786. Full calf, 10 1/2 inches tall. A splendid copy of this scarce work with the elaborate bookplate of the Earls of Londonderry at Wynyard Park in full 18th century calf with gilt bands in the Etruscan key style, red label and blue edges. Complete with folding map and 18 plates. A remarkable volume with splendid provenance.

London: Joseph Masters, 1869. Full morocco, 5 inches tall. A delightful little binding with two gilt raised bands, either end of the title and name, presumably of the original owner. There is dense and fine gilt tooling to the spine at the head and tail. The boards are framed with triple fillets and corner tools. GIlt dentelles and all edges.

Paris: Curmer, 1858. 2 volume set, 10.5 inches tall. A simple but pleasing mid 19th century full vellum with gilt bands, dentelles and all edges gilt. Each page decorated with wide lithographic borders. With the gilt stamp of 'Schafer of Piccadilly', purveyors of luxury items. A fine set of this classic Christian guide based on the monastic practice of devotional reading by the 'Gentleman Saint'.

Augsburg (Augustae Vindelicorum): Sumptibus ignatii adami & Francisci Antonii Veith, 1759. 6 volume set, 14.5 inches tall. Full vellum, dating from the middle of the 18th century with gilt tooled labels and unusual pink and green edges. The Codex Regularum, created in Aachen in 817, was designed by Benedict to restore the strict observation of monastic life which had been relaxed over recent centuries. Complete sets in contemporary bindings are scarce. There is some scuffing and staining to the vellum, in particular at the tails of each volume but there is no splitting and the bindings are in excellent condition. 2 bookplates. In the original Latin.

Paris: L. Curmer, 1861. Full morocco, 13.25 inches tall. An extraordinary binding by Riviere with gilt titles to the spine and both boards and extraordinary blind tooling to the panels, boards and doublures. Vellum endpapers. All edges gilt. This is the text volume, red ruled throughout, and is offered WITHOUT the Plates. In 'Fine and Historic Bookbindings from the Folger Shakespeare Library', published in 1992 a very similar binding is described and illustrated (page 222, item 14:5). It is described as 'a Pastiche of a 16th Century Panel-Stamped Binding by Riviere and Son, c.1881'.

La Haye (The Hague): Adrian Moetjens, 1682. 2 volumes bound in 1, 5.5 inches tall. A beautiful late 19th century full straight grain calf with raised bands, extra gilt panels and very fine and ornate gilt tooling to the boards. Gilt dentelles and all edges. Watered silk doublures and free endpapers. From the Robert J. Hayhurst collection. In the original French.

Delft et Leiden: Beman et Samuel Luchtmans, 1729. Full morocco, 8.5 inches tall. A glorious binding by Clarke & Bedford with gilt raised bands, superb gilt tooling around a pomegranate centre tool, dentelles quadruple gilt fillet framing the boards. All edges gilt over marble. Engraved frontispiece and title page. A superb copy of these dialogues on many and various subjects, hugely influential on Christian Humanists, by the greatest scholar of the northern Renaissance. In the original Latin.