Theology

London: Cassell, Petter & New York, c.1890. 2 volume set, 8 1/2 inches tall. A lovely Victorian tree calf with gilt raised bands, sparkling twin labels and extra gilt panels. A gilt roll frames the boards and the gilt prize block of Rossall School on the upper boards. With the prize bookplate of Rossall school on the first paste down endpaper. Embellished with colour maps showing St. Paul's missionary journeys.

London: J. G. & F. Rivington, 1838. 2 volume set, 8 1/2 inches tall. A handsome early Victorian half calf from the recently dispersed Country House library of Bridehead in Dorset, with gilt raised bands, twin labels and delicate gilt tooling to the panels. Pink speckled edges. With the armorial bookplate of Robert Williams of Bridehead. A fine copy of the first edition of this treatise 'Designed Chiefly for the use of Students in Theology'.

London: James Duncan, 1834. 6 volumes, 8 1/2 inches tall. Two fine sets in uniform early Victorian full calf with gilt raised bands, gilt tooling to the panels and twin labels. Blind fillets and corner tools frame the boards. Portrait. Foxing to the preliminaries and then clean. From the recently dispersed Country House library of Bridehead in Dorset.

Edinburgh: Sutherland and Knox and London: Hamilton, Adams, and Co., 1850. 4 volume set, 8 1/2 inches tall, A classic Victorian full calf by Hatchards of Piccadilly with gilt raised bands, twin labels and ornate gilt tooling to the panels. An ink inscription dated Christmas Day, 1850 on the third blank. From the country house 'Bride Head' Library. With 2 engraved portraits and 4 engraved title pages. A fine set on the life of the great Scottish economist and churchman, Thomas Chalmers, by his sin-in-law.

Oxford: J. Cooke et al.. 1795. 5 volumes, 8 3/4 inches tall. A superb English Country House 18th century tree calf with gilt bands on a smooth back, triple labels and delicate gilt tooling to the panels. A Greek key pattern roll frames the boards. Gilt dentelles and speckled blue edges. All in pristine condition. George Horne was a great defender of the High Church tradition in Anglicanism.

London: Scott, Webster, & Geary, 1839. 4 volume set, 9 inches tall. In a magnificent Victorian full calf with gilt raised bands, twin labels and superb extra-gilt tooling to the panels. Twin gilt fillets frame the boards. With an engraved frontispiece and 22 engraved portraits. Slight foxing to the plates and the preliminaries, otherwise clean. From the library of George Capron of Southwick Hall. An extremely smart set of this classic history of the Reformation of the Church of England by this great historian, philosopher and theologian.

London and Edinburgh: Adam and Charles Black, 1861; 1864. Nimmo, 1869. 3 volumes, 7 1/2 inches tall. Fine Victorian uniform full calf bindings with gilt raised bands, contrasting twin labels and gilt tooling to the panels by J. Maclaren of Edinburgh. A good looking run of these works by the great Scottish folklorist, paleontologist and geologist, Hugh Miller.

London: T. Cadell and W. Davies, 1816. 4 Volumes, 8 1/2" tall. A splendid half calf binding with all the typical Regency features on a smooth back. With gilt, inked and blind bands and an elaborate center tooling and a curious blind crest framing the volume number. Speckled edges. Each volume covers various centuries, and a fifth volume was published at a later date. This history is rarely found in such good condition.

London: Longman and Co., et al., 1838. 4 volume set, 8 3/4" tall. A classic Victorian full calf by the great firm of Hayday with raised bands, twin labels, and neat gilt tooling to the panels. Twin gilt fillets, one blind fillet and gilt corner tools frame the boards. Portrait. A handsome set of the works of the highly influential 18th century theologian, William Paley, mostly remembered for his work on natural theology and ethics.

London: George Bell & Sons 1878. 2 volume set, 8 3/4 inches tall. A neat Victorian full calf binding by Hatchards with gilt raised bands, twin labels and delicate gilt tooling to the panels. A gilt prize block is framed on the upper boards by gilt and blind fillets. Prize bookplate. A very fine copy of the revised 4th edition.

London: James Parker and Co., 1894. Full calf, 6 inches tall. A splendid little tree calf binding by Bickers with gilt raised bands, label and delicate gilt tooling to the panels. Pink edges. With a gilt embossed prize block on the upper board and prize inscription on the first blank. A delightful copy of this great devotional work.

Chiswick: Printed by C. Whittingham for R. Triphook, 1822. Half Calf, 6 1/2 inches tall. A good looking later binding in half mottled calf with a smooth back, gilt pallets, centre tools and label. Gilt top edge. Portrait. Small split to the head of the upper board but perfectly firm and solid. Foxing to the preliminaries. Martyred for his opposition to the Protestant Reformation, More is venerated as a Saint by the Catholic Church.

London: Scott, Webster, & Geary, 1839. Full morocco, 5 1/2 inches tall. A very pretty little early Victorian binding in pristine condition with raised bands and ornate gilt tooling to the panels and boards. Gilt dentelles and all edges. With a neat ink inscription, dated 1842 on the first blank. Sturm's 'Reflections' was hugely popular and influential in its day and has been in print ever since. Beethoven owned A copy of 'Reflections' which he annotated extensively.

London: William Pickering, 1844. Full morocco, 9 1/2 inches tall. An extraordinary and magnificent full hard grain morocco by Catherall & Pritchard with gilt raised bands, ornate gilt tooling to the panels and boards, gilt dentelles and all edges gauffered. Unpaginated, including facsimile title page and colophon of Richard Grafton (1550), printed in red and black throughout. Ornamental initials and woodcut headbands and musical notations. Light foxing. From the library, and with the bookplate of, R.H.L.-C. de Beaumont.

A reprint of a volume of selections from the 'Book of Common Prayer' as set to music by John Marbecke (or Merbecke). First printed in 1550 by Richard Grafton, and here reprinted by Charles Whittingham at the Chiswick Press.