Theology

London: James Parker and Co., 1894. Full calf, 6 inches tall. A splendid little tree calf binding by Bickers with gilt raised bands, label and delicate gilt tooling to the panels. Pink edges. With a gilt embossed prize block on the upper board and prize inscription on the first blank. A delightful copy of this great devotional work.

Chiswick: Printed by C. Whittingham for R. Triphook, 1822. Half Calf, 6 1/2 inches tall. A good looking later binding in half mottled calf with a smooth back, gilt pallets, centre tools and label. Gilt top edge. Portrait. Small split to the head of the upper board but perfectly firm and solid. Foxing to the preliminaries. Martyred for his opposition to the Protestant Reformation, More is venerated as a Saint by the Catholic Church.

London: Scott, Webster, & Geary, 1839. Full morocco, 5 1/2 inches tall. A very pretty little early Victorian binding in pristine condition with raised bands and ornate gilt tooling to the panels and boards. Gilt dentelles and all edges. With a neat ink inscription, dated 1842 on the first blank. Sturm's 'Reflections' was hugely popular and influential in its day and has been in print ever since. Beethoven owned A copy of 'Reflections' which he annotated extensively.

London: William Pickering, 1844. Full morocco, 9 1/2 inches tall. An extraordinary and magnificent full hard grain morocco by Catherall & Pritchard with gilt raised bands, ornate gilt tooling to the panels and boards, gilt dentelles and all edges gauffered. Unpaginated, including facsimile title page and colophon of Richard Grafton (1550), printed in red and black throughout. Ornamental initials and woodcut headbands and musical notations. Light foxing. From the library, and with the bookplate of, R.H.L.-C. de Beaumont.

A reprint of a volume of selections from the 'Book of Common Prayer' as set to music by John Marbecke (or Merbecke). First printed in 1550 by Richard Grafton, and here reprinted by Charles Whittingham at the Chiswick Press.

London: George Cowie, 1837. 5 volume set, 9 inches tall. A most attractive early Victorian full calf with gilt raised bands, twin labels and elegantly gilt tooled panels. A single gilt fillet frames the boards. There is a neat contemporary ink previous owner's name on the reverse of the paste down end paper. Portrait. Slight rubbing. A bookplate has been removed from the rear paste down end papers. A fine set of the works of this great English theologian and philosopher best known for his exposition of natural theology.

Oxford: Clarendon Press, 1816. 3 volume set, bound in 6, 10 inches tall. A magnificent Georgian binding in full crushed morocco by J. Mackenzie Bookbinder to the King with raised bands and superb extra gilt tooling to the panels. A smart series of gilt fillets frame the boards. Gilt dentelles on the unusually deep squares. With the armorial bookplate of Joseph Neeld. The binding which almost glows, and text are in pristine condition. A splendid set of this great seventeenth century history in defence of Henry VIII's reformation of the English Church and destruction of the monasteries.

Paris: Didot Junior, Typographiae Fratris Regis, 1788. Tree Calf with morocco spine, 13 1/2 inches tall. A magnificent and most unusual French 18th century binding with a straight grain morocco binding with two green calf labels and wonderful gilt floral tooling. A superb gilt vine roll frames the boards. Lovely printed bookseller's ticket on the paste down end paper. Engraved title page and frontispiece. Pristine condition. In the original Latin. Since its first printing in 1471-2, 'The Imitation of Christ' has remained one of the most enduring and popular of all Christian devotional works.

London: Crosby & Co., 1811. Half calf, 5 1/2 inches tall. A superb little Regency half calf binding with gilt bands and tooling to the panels and green label. With the binder's ticket of James Condie of Paisley. Engraved frontispiece.

London: John Murray, 1872. 9 volume set, 7 inches tall. A splendid full vellum bound set of this classic work with raised bands, fine gilt tooled panels and twin labels, double gilt fillets frame the gilt embossed crest of the Hulme Bequest on the boards. Pink edges. Some marks to the bindings and foxing confined to the preliminaries. A handsome set of the greatest work of this English historian and ecclesiastic.

London: T. Murphy, 1839. 2 volume set, 5 inches tall. A good looking early Victorian half calf with gilt raised bands, twin labels and ornate gilding to the panels. Engraved frontispiece and title page to both volumes. A neat set of the great work of this German author and theologian, an influence in his day, most famously on Beethoven.

London: Cadell and Davies, 1811. 2 volumes bound in 1, complete, 8 1/4 inches tall. Full Regency calf with wide blind tooled raised bands and ornate gilt and blind panels. A series of blind and gilt fillets and rolls frame the boards. With the armorial bookplate of Benj. Philpot Chr. Coll. Cant. Soc. , the neat ink inscription 'Gustavus Wulff from B. Philpot 1832' on the first blank and a partly obscured neat ink inscription at the head of the title page. Some rubbing and marking but still an interesting binding.

Cambridge: Merrill, Evans and Fletcher, 1785. 6 volume set, 9 inches tall.A good looking 18th century full calf with gilt raised bands, twin labels, the volume label being interesting, with a lion peering over a swag atop a cartouche bearing the number. An ornate gilt roll frames the boards. All edges gilt. On the reverse of the free endpaper is an ink inscription to the "Earl of Ailesbury from the Editor". Some expert restoration but a fine solid set of the first edition of a scarce title.

Leyden: Elzevir, 1658. Full morocco, 5 1/4 inches tall. A beautiful binding with gilt raised bands, delicate gilt tooling to the panels, triple fillet framing the boards and gilt dentelles and all edges. A tiny ink inscription on the reverse of the free endpaper. With the bookplate of Geoffrey Aspin who attributes the binding to Masson-Debonelle. A superb little Elzevir edition in excellent condition. In Latin.

London: The Religious Tract Society, 1836. Full Calf, 4 inches tall. A tiny and delightful devotional work in a charming early Victorian binding with gilt raised bands, label and superb extra gilt panels. With the neat ink former owner's inscription 'Mary Ann Ashley, January 1840.

Bristol: W. Richardson, 1828. Full blue calf, 5 1/2 inches tall. A delightful William IV diced calf on a very scarce title, we could only locate 2 examples of any edition in institutions. This copy is in remarkable condition with gilt raised bands, blind centre tool framed with gilt corner tools and a darker blue label. The dicing on the boards is framed within an ornate little gilt fillet. Bristol imprint. With the neat ink inscription "Mary Ann Marks. Aug. 1828 á Jesse" on the second blank. A little foxing on the engraved title page, otherwise clean. Some neat pencil underlining and highlighting.

London: Nunn et al., 1818. 2 volume set, 8 1/2 inches tall. A handsome set of this influential work in half calf with gilt raised bands and beautifully gilt tooled panels. Some scuffing to the boards. With a previous owner's name 'Mr Moon' neatly written in ink on the paste down end paper.

London: Rivington, 1818. 6 volume set, 8 1/2 inches tall. An elegant Regency full speckled calf in pristine condition with a flat back, gilt raised bands and ornate gilt tooling to the panels. Pink speckled edges.

London: At the Chiswick Press for the Paris Académie Des Bibliophiles, 1868. Full morocco, 8 inches tall. A superb full straight grain morocco with gilt raised bands and very fine and rich gilt tooling to the panels and boards. With gilt dentelles and all edges. Slightly rubbed at the head and with a little staining to the upper board. This example is number 98 of 265 copies. This is a study of the Talmud by Deutch who came from Berlin, but worked in the department of oriental manuscripts at the British Museum.

London: Whittaker, 1823. 2 volume set, 6 1/4 inches tall. A neat Georgian full calf binding with gilt raised bands, twin labels and gilt tooled panels. Red speckled edges. Bookplate. Engraved plates. A smart little set of this theological work that highly influenced Beethoven.