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Paris: Joseph Barbou, 1755. 2 volume set, 6 inches tall. A beautiful set bound by White of Pall Mall in pristine condition in full crushed morocco. A flat back with gilt bands and delicate tooling in the style of Derome. Gilt dentelles and all edges. Frontispiece and two folding maps. A truly delightful set in the original Latin. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Macmillan, 1890, 1891. Full morocco, 10 1/2 inches tall. A stunning large paper copy in full crushed morocco bound by Riviere in 1893 in absolutely pristine condition. With gilt raised bands and exquisite floral gilt tooling to the panels. A gilt embossed ornate centre tool is framed within a series of gilt rolls and fillets on both boards. Wide gilt dentelles and gilt top edges, the remaining edges untrimmed. The original cloth wraps are bound in. Profusely illustrated by Hugh Thomson, who has signed the title page, throughout. A wonderful copy of one of the greatest comic 18th century novels.

London: R. Ackermann, 1815: 1815. Full morocco, 10 inches tall. A tall and sumptuous later full crushed morocco binding by the great firm of Bedford. With gilt raised bands and exceptional gilt tooling to the panels. Gilt dentelles and top edge. Very slight fading to the spine but still a wonderful copy from the library of a Scottish Gentleman. Hand-colored aquatint frontispiece, engraved title page and a further 16 hand-colored aquatint plates, as listed. First edition in book form. As good a copy of this highly entertaining work as one could hope to find.

London: William Pickering, 1846. 2 volume set, 12 inches tall. A magnificent crushed morocco by J. Clarke with gilt raised bands, very finely tooled panels, gilt dentelles and all edges. With the gilt embossed arms of Earl Cawdor on the boards. Beautifully embellished with 16 plates, 3 coloured, 1 folded and 60 illuminated initials. Some foxing to the engraved plates, otherwise pristine. A very fine set.

Paris: L. Curmer, 1861. Full morocco, 13.25 inches tall. An extraordinary binding by Riviere with gilt titles to the spine and both boards and extraordinary blind tooling to the panels, boards and doublures. Vellum endpapers. All edges gilt. This is the text volume, red ruled throughout, and is offered WITHOUT the Plates. In 'Fine and Historic Bookbindings from the Folger Shakespeare Library', published in 1992 a very similar binding is described and illustrated (page 222, item 14:5). It is described as 'a Pastiche of a 16th Century Panel-Stamped Binding by Riviere and Son, c.1881'.

London: Smith, Elder, & Co., 1889. 17 volume set, 7 inches tall. A classic Victorian full calf for Sotheran with gilt raised bands, twin labels and beautiful floral gilt tooling to the panels. Dentelles and all edges gilt. Twin gilt fillets and corner tools frame the boards. From the library and with the bookplates of Alfred de Rothschild. A wonderful set of the poetical works of one of the greatest and most influential English 19th century poets.

London: Macmillan and Co., 1899. Full morocco, 6 inches tall. A beautiful little binding by Ramage with gilt raised bands, dense gilt tooling of many stars and dots around heart centre tools to the panels. On the boards onlays of calf create rosebuds with a wide border of stars and hearts. Delicately gilt tooled dentelles and watered silk doublures and all edges gilt. The rather extraordinary bookplate of Sibell Cromartie (Countess Cromartie of Castle Leod) is found on the pastedown 'endpaper'. A delightful volume of the poetical works of John Keats.

London: Virtue & Co., 1875. 2 volume set, 15 inches tall. A tall and magnificent full morocco by Flude, Birch & Skelt, and with their ticket, with twin gilt raised bands and splendid gilt and blind tooling to the panels and boards. With fine gilt dentelles and all edges. Bookplate. Complete with all 39 full page engravings and 2 engraved vignettes on the title pages. Some light foxing and offsetting from a few plates, overall an usually clean and neat set of this monumental edition.

London: G. Virtue, 1830. Full morocco, 10 inches tall. An exceptionally tall copy in a beautiful later full straight grain morocco binding by Sotheran of Piccadilly. With gilt raised bands, a superb boxing centre tool within an ornate cartouche in the panels and the boards, gilt dentelles and top edges, the remaining edges untrimmed. With 2 armorial bookplates. Embellished with all 36 hilarious hand-coloured aquatints from designs by Robert Cruikshank. A pristine example of this great comic work, in which our heroes continue with their debauched adventures around London.

London: Sherwood, Neely, and Jones, 1821. Full morocco, 9.5 inches tall. A glorious later full morocco binding by Riviere in pristine condition. With gilt raised bands, ornate floral gilt tooling to the panels, triple gilt fillet framing the boards, wide gilt dentelles and all edges gilt. With 36 hand coloured aquatints by I.R. and George Cruikshank and 3 folding pages of songs. Some offsetting from the plates. The images illustrate the hilarious and bawdy adventures of Jerry and his companions in London. A superb volume.

London: Macmillan, 1877-1880; 1881; 1883. 6 volume collection, 9 inches tall. A set of the 3 great histories by Green bound beautifully by Hopkins of Glasgow. With gilt raised bands, triple olive green labels and exquisite gilt tooling in the panels. The boards are decorated in the style of 17th century Cambridge panels, speckled and stenciled. Gilt dentelles and top edges. A few superficial abrasions. As nice a late Victorian bound set as one could hope to find.

New York: Duprat & Co. 1893, 1894 & 1895. The first 3 volumes of this very rare limited edition, 7" tall. Beautifully bound by Canape in half red morocco with gilt raised bands, ornate tooling to the panels around a calf onlay. Gilt top edges. With the bookplates of Pierre Munier and I. Fernandez. With an ink inscription from the publisher on the first blank. Number 416 of 600 copies on handmade paper. The first volume has delightful coloured comic illustrations of various aspects of the book trade facing each month. The second and third volumes have fine monochrome plates. Copies of these volumes are exceedingly scarce and, especially in pristine condition and in fine bindings.

Oxford: Clarendon Press, 1816. 3 volume set, bound in 6, 10 inches tall. A magnificent Georgian binding in full crushed morocco by J. Mackenzie Bookbinder to the King with raised bands and superb extra gilt tooling to the panels. A smart series of gilt fillets frame the boards. Gilt dentelles on the unusually deep squares. With the armorial bookplate of Joseph Neeld. The binding which almost glows, and text are in pristine condition. A splendid set of this great seventeenth century history in defence of Henry VIII's reformation of the English Church and destruction of the monasteries.

London: Chatto and Windus, 1882. 2 volume set, 7 1/2 inches tall. A wonderful full crushed morocco binding by Riviere with gilt raised bands, very fine gilt tooling to the panels and with triple gilt fillets framing the boards. Gilt dentelles and top edges. With the armorial bookplates of W.H. Lever of Thornton Manor, Sir W. Hesketh Lever, Bart. and Baron, Lord Leverhulme of Bolton-Le Moors, all one and the same and the founder of 'Port Sunlight'. This beautiful set has an extra 89 plates, 34 hand-coloured, bound in, some particularly interesting ones, including Mr. Kean as Richard and as Count Bertram and 2 box tickets for His Majesty's Theatre. A unique set in pristine condition.

London, The Punch Office, 1845. Full morocco, 10 inches tall. A pristine example of this classic comic work bound in sumptuous full morocco by the great firm of Bedford, from the library of a Scottish Gentleman. An exceptionally tall copy with gilt raised bands, ornate floral gilt tooling to the panels, triple gilt fillet framing the boards, wide gilt dentelles and top edge gilt. Embellished with 12 full page steel engravings and 117 superb engraved vignettes. With over 50 leaves of highly entertaining advertisements. As fine a copy as one could hope to find.

London: C. Baldwyn, 1823. 2 volumes bound in 1, 9 1/4 inches tall. A wonderful full morocco binding by the great firm of Bedford from the library of a Scottish Gentleman. Gilt raised bands, exceptionally fine gilt tooling to the panels and triple gilt fillets framing the boards. Gilt dentelles and top edge. A curious comic work in which Cruikshank " selects or invents those incidents which might be interesting or amusing in themselves, while they afford scope for the peculiar talents of the artist who adorns them with his designs". Both volumes contains 10 themes, each illustrated with a full page wood engraving. There are further engraved vignettes on India paper throughout. With 6 leaves of advertisements bound in. An absolutely pristine copy of the first edition.

Edinburgh: William Paterson, 1877-79. 6 volume set, 9 inches tall. A superb late Victorian full straight grain morocco binding by Kerr & Richardson with gilt raised bands, delicately gilt framed panels and a gilt bust of Burns in the top panels. Twin gilt fillets frame the boards. Gilt dentelles and all edges. The text block is exceptionally clean. Profusely illustrated with portraits, plates and vignettes. A first edition of the the great William Scott Douglas edition in which the poems are arranged chronologically and in which the text and notes are the most complete and correct. A splendid set of this great edition in a fine binding by a great firm of Glasgow binders.