Signed Binding

London, Paris & Edinburgh: Goupil & Co., 1898. Half morocco, 12 3/4 inches tall. Splendid half morocco by Hatchard with gilt raised bands and impressive regal gilt tooling to the panels. The royal coat of arms is blocked in gilt on the upper boards. Gilt top edge. This is the deluxe edition on Japan Paper, limited to 500 copies, with the large plates in 2 states. With a superb colour frontispiece and further plates, vignettes and ornate initials throughout. A magnificent example of Goupil's luxurious publications.

London: John Fairburn, 1822. Full calf, 9 1/2 inches tall. A sparkling later full calf binding by Tout with gilt raised bands, superb extra gilt tooling to the panels and triple labels. Delicate gilt tooling frames the boards. Gilt dentelles and all edges. With the armorial bookplate of George Seton Veitch. Original wrapper bound in. Embellished with 21 hand comic hand-coloured aquatints by George Cruikshank and a further 22 wood engravings. This unique copy also contains a tipped in signature of George Cruikshank, a tipped in note by Robert Cruikshank and a tipped in letter of George Bell. Slightly rubbed but still a super copy of the rollicking adventures of a band of young English Gentlemen enjoying life to the full in Paris.

London: T. Nelson and Sons, 1890. Full calf, 8 inches tall. A classic late Victorian tree calf binding by Griffiths with gilt raised bands and exceptional extra gilt panels. With the gilt prize block of Waterloo College on the upper board and their bookplate on the front paste down end paper. Well illustrated throughout. Some light foxing. The title continues "...the Natural History and geology of the Countries Visited during the Voyage of H.M.S. Beagle Round the World, under the Command of Captain Fitz Roy, R.N.."

London: G. Virtue, 1830. Full morocco, 10 inches tall. An exceptionally tall copy in a beautiful later full straight grain morocco binding by Sotheran of Piccadilly. With gilt raised bands, a superb boxing centre tool within an ornate cartouche in the panels and the boards, gilt dentelles and top edges, the remaining edges untrimmed. With 2 armorial bookplates. Embellished with all 36 hilarious hand-coloured aquatints from designs by Robert Cruikshank. A pristine example of this great comic work, in which our heroes continue with their debauched adventures around London.

London: Richard Bentley, 1891. 9 volume set, 9 inches tall. A handsome Victorian half calf by Bickers with gilt raised bands, twin labels, ornate gilt centre tools and gilt edges.With the striking bookplate of Dorothy Moulton Mayer. Illustrated with frontispieces, a vignette on the title pages and and engraved portraits. Horatio Walpole the 4th Earl of Orford, creator of the Gothic masterpiece Strawberry Hill House, wrote 'The Castle of Otranto', considered the first Gothic novel. Slightly rubbed but a good looking set.

Edinburgh: John Grant, 1911-12. 12 volume set, 8 1/2 inches tall. An elegant Edwardian half crushed morocco binding by the great firm of Birdsall with raised bands, delicate centre tools and gilt top edges. This is the first edition of the celebrated Winchester Edition of 1911, with the 2 volumes that appeared in 1912 that include 'Lady Susan', 'The Watsons' and 'The Letters of Jane Austen'. It is not easy to locate sets of the Winchester Edition in this superb condition bound in the period of publication, the majority of sets being offered are in highly inferior 'recent morocco bindings'. A splendid set of these hugely popular works.

Edinburgh: William Paterson, 1879. 3 volume set, 8 inches tall. A neat crushed morocco by Ramage with gilt raised bands and neat gilt floral tooling to the panels. Gilt top edges. From a limited to 485 copies. Sir David Lyndsay was a 16th century knight and herald whose poetry is still celebrated today.

London: Philip Lee Warner Publisher to the Medici Society, 1912. Full morocco, 10 1/4 inches tall. A wonderful and unique binding by Bumpus with raised bands and onlays on the panels. The crushed morocco on the boards is framed with a beautiful gilt border with a green Greek key design and further onlays. Watered silk doublures and all edges gilt. Printed on hand-made Riccardi Paper in a limited edition of 500 copies. With 12 superb illustrations in colour by William Russell Flint. A unique volume, in pristine condition, of Kingsley's great retelling of the Myths and Legends of Greek Mythology.

London: Longman, Brown, Green, and Longmans, 1854. 3 volume set, 6 3/4 inches tall. A classic Victorian full calf binding by the great firm of Hayday with gilt raised bands, twin labels and very fine gilt tooling to the panels. Armorial bookplate. Sir James Mackintosh was a politician and liberal philosopher most remembered for his views on the French Revolution.

London: G. Bell and Sons, 1910. 2 volume set, 7 1/2 inches tall. A classic Edwardian full calf binding by Spottiswoode with gilt raised bands, twin labels and delicate gilt tooling to the panels. The tree calf boards have a gilt armorial block and a gilt fillet border. Embellished with 25 maps and plans. A handsome copy of this life of Napoleon Buonaparte.

London: Adam and Charles Black, 1894. Half morocco, 7 1/4 inches tall. An ornate and very fine binding by Zaehnsdorf with the title in a cartouche surrounded by pointillist gilt tooling on a smooth back. Gilt top edge. With the rather foxed 'Arthurian' bookplate upside down on the rear paste down endpaper. Subtitled ...'as Connecting Religion and Science. The Confession of Faith of a Man of Science'. Translated into English from the original German. Haeckel was an extraordinary and flamboyant figure who, amongst many other claims to fame, promoted and popularised Charles Darwin's work in Germany.

Edinburgh: William Paterson, 1874. 4 volume set, 8 inches tall. A superb full crushed morocco by the great Edinburgh firm of bookbinders Andrew Grieve. With gilt bands, splendid gilt tooling to the panels and a green label on a smooth back. Triple gilt fillets and corner tools frame the boards. Gilt dentelles and top edges. Illustrated. Gavin Douglas, Bishop of Dunkeld was a Scottish poet of the late 15h and early 16th centuries whose major literary achievement is the Eneados, a translation of Virgil's Aeneid into Scottish, completed in 1513, it is the first full translation of a major poem from classical antiquity into any modern Germanic language. His translation is faithful throughout. A fine and beautiful set.

London: Edward Moxon, 1849. 7 volume set, 7 inches tall. A very pretty Victorian full calf binding by Zaehnsdorf with floral gilt tooling and a green shield label on a smooth back. A single gilt fillet frames the boards. Gilt dentelles and top edges. Portrait. The spines are slightly darkened and rubbed but overall a fine little set of the poetical works of one of the greatest English romantic poets.

Edinburgh: Silvester Doig et al. and London: Longman et al., 1812. 2 volumes bound in 1, 7 inches tall. A lovely full crushed morocco by Ramage with gilt raised bands, superb extra gilt panels and a gilt 'Cambridge ' panel to both boards. Gilt dentelles and top edge. With the armorial bookplate of Robert Kirk M.D.. On the dedication page and the title page of volume II is the neat ink stamp of Hill (booksellers of) Perth. Embellished with 2 portrait frontispieces and a further 6 engraved plates.

London: Macmillan, 1893. Half morocco, 9 inches tall. A very fine binding by Zaehnsdorf with gilt raised bands and exceptional extra gilt tooling to the panels. Top edge gilt. An impressive 'Arthurian' bookplate. Some light pencil annotations. This is the very scarce first edition, which caused an international sensation on its appearance. Theodore Roosevelt wrote to Pearson to praise the book; Prime Minister William Ewart Gladstone recommended it highly, but today its theme of the white man under siege is less enthusiastically received.

Edinburgh: William Paterson, 1877-79. 6 volume set, 9 inches tall. A superb late Victorian full straight grain morocco binding by Kerr & Richardson with gilt raised bands, delicately gilt framed panels and a gilt bust of Burns in the top panels. Twin gilt fillets frame the boards. Gilt dentelles and all edges. The text block is exceptionally clean. Profusely illustrated with portraits, plates and vignettes. A first edition of the the great William Scott Douglas edition in which the poems are arranged chronologically and in which the text and notes are the most complete and correct. A splendid set of this great edition in a fine binding by a great firm of Glasgow binders.

Edinburgh: Constable and London: Vernor & Hood, 1801. 2 volume set bound as 1, 7 1/2 inches tall. A later Victorian beautiful full crushed morocco binding by the great firm of Ramage with gilt raised band and ornate gilt tooling to the panels. Gilt fillets frame the boards. Gilt dentelles and all edges. Bound with the glossary, errata and advertisements. Sir John Graham Dalyell was a Scottish advocate, antiquary and naturalist who studied 700 manuscripts in the preparation of this work.

London: Longmans, Green and Co., 1870. 3 volume set, 9 inches tall. A classic Victorian full calf by Bickers with gilt raised bands, twin labels and extra gilt tooling to the panels. With the bookplate of Charles J. Dobson. Foxing to the preliminaries, otherwise perfectly clean.

London: George Bell & Sons 1878. 2 volume set, 8 3/4 inches tall. A neat Victorian full calf binding by Hatchards with gilt raised bands, twin labels and delicate gilt tooling to the panels. A gilt prize block is framed on the upper boards by gilt and blind fillets. Prize bookplate. A very fine copy of the revised 4th edition.

London, Savoy: Printed by Tho. Newcomb, for the author, 1667. Full morocco, 14 1/2 inches tall. A superb tall later binding by the great firm of Bedford, with gilt raised bands, twin labels and magnificent gilt tooling to the panels. A series of gilt fillet frame the boards, wide dentelles and all edges gilt. First edition in red and black, embellished with 5 double page engraved plates and 57 full page. With the armorial bookplates of the Hon. Hugh Howard and the Fox Pointe Collection. Slight rubbing but a very good, clean copy with wide margins.