Satire

London: T. Tegg, 1815. Full morocco, 10 inches tall. A fabulous later tall full crushed morocco by the great firm of Bedford from the library of a Scottish Gentleman. With gilt raised bands, superb gilt tooling to the panels of the highest quality, wide gilt denteles and gilt top edge. With 30 hand-coloured aquatints, by George Cruikshank, including the title page, as called for. There is a small gouge in one of the panels, otherwise a sparking, pristine and exceptionally tall copy of this great and highly disrespectful comic work by 'Doctor Syntax'.

London: John Fairburn, 1822. Full morocco, 9 inches tall. A fabulous full morocco by Wood with gilt raised bands, superb gilt tooling to the panels and boards representing the gambling and fighting to be found in the text. Fine gilt dentelles and top edge. The armorial bookplate of Charles Tuller Garland and a pictorial bookplate. Embellished with 21 hand comic coloured aquatints by George Cruikshank. Some finger marks but still a super copy of the rollicking adventures of a band of young gentlemen enjoying life in Paris.

London: Sherwood, Neely, and Jones, 1821. Full morocco, 9 inches tall. A fabulous full morocco by Wood with gilt raised bands, superb gilt tooling to the panels and boards representing the gambling and fighting to be found in the text. Fine gilt dentelles and top edge. The armorial bookplate of Charles Tuller Garland and a pictorial bookplate. Embellished with 36 comic hand-coloured aquatints by George Cruikshank and 3 folding pages of songs. With 8 pages of adverts bound in. Some finger marks but still a super copy of the rollicking adventures of three young gentlemen enjoying life in the Metropolis.

London: Cooke, 1797. 3 volume set, 5 1/2 inches tall. Beautiful 18th century tree calf with gilt bands, twin labels and delightful gilt tooling to the panels. Slightly marked endpapers, otherwise pristine. Bookplate. Embellished with engraved frontispieces, title pages and full page plates. The plates dated 1797. This extraordinary dark satire spawned many imitations. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.