Satire

London: T. Tegg, 1815. Full morocco, 10 inches tall. A fabulous later tall full crushed morocco by the great firm of Bedford from the library of a Scottish Gentleman. With gilt raised bands, superb gilt tooling to the panels of the highest quality, wide gilt denteles and gilt top edge. With 30 hand-coloured aquatints, by George Cruikshank, including the title page, as called for. There is a small gouge in one of the panels, otherwise a sparking, pristine and exceptionally tall copy of this great and highly disrespectful comic work by 'Doctor Syntax'.

London: John Fairburn, 1822. Full calf, 9 1/2 inches tall. A sparkling later full calf binding by Tout with gilt raised bands, superb extra gilt tooling to the panels and triple labels. Delicate gilt tooling frames the boards. Gilt dentelles and all edges. With the armorial bookplate of George Seton Veitch. Original wrapper bound in. Embellished with 21 hand comic hand-coloured aquatints by George Cruikshank and a further 22 wood engravings. This unique copy also contains a tipped in signature of George Cruikshank, a tipped in note by Robert Cruikshank and a tipped in letter of George Bell. Slightly rubbed but still a super copy of the rollicking adventures of a band of young English Gentlemen enjoying life to the full in Paris.

London: John Fairburn, 1822. Full morocco, 9 inches tall. A fabulous full morocco by Wood with gilt raised bands, superb gilt tooling to the panels and boards representing the gambling and fighting to be found in the text. Fine gilt dentelles and top edge. The armorial bookplate of Charles Tuller Garland and a pictorial bookplate. Embellished with 21 hand comic coloured aquatints by George Cruikshank. Some finger marks but still a super copy of the rollicking adventures of a band of young gentlemen enjoying life in Paris.

London: Sherwood, Neely, and Jones, 1821. Full morocco, 9 inches tall. A fabulous full morocco by Wood with gilt raised bands, superb gilt tooling to the panels and boards representing the gambling and fighting to be found in the text. Fine gilt dentelles and top edge. The armorial bookplate of Charles Tuller Garland and a pictorial bookplate. Embellished with 36 comic hand-coloured aquatints by George Cruikshank and 3 folding pages of songs. With 8 pages of adverts bound in. Some finger marks but still a super copy of the rollicking adventures of three young gentlemen enjoying life in the Metropolis.

London: Cooke, 1797. 3 volume set, 5 1/2 inches tall. Beautiful 18th century tree calf with gilt bands, twin labels and delightful gilt tooling to the panels. Slightly marked endpapers, otherwise pristine. Bookplate. Embellished with engraved frontispieces, title pages and full page plates. The plates dated 1797. This extraordinary dark satire spawned many imitations. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Jones & Co., 1822. Half morocco, 8 1/2 inches tall. A handsome Victorian binding by Murphy of Liverpool, with gilt raised bands, fine gilt tooling incorporating shamrocks in the panels and gilt top edge. With an hilarious hand-coloured frontispiece and 18 further outrageous plates by, amongst others, Henry Alken and William Heath. The binding is slightly faded, but still bright. There is some foxing, occasional creasing and slight grubbiness but overall an unusually good example of this scarce work in the style of Pierce Egan.