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Paris, aris: [Lachvardière for] Charles Gosselin 1829. 5 volume set, 7 inches tall. Quarter calf with gilt bands, twin labels and charming gilt tooling to the panels.First edition in French of Anne of Geierstein; or, the Maiden of the Mist (Edinburgh, 1829), which though separately issued also formed part of the Oeuvres complètes, as stated on the half-titles.

London: R. Ackermann, 1813. Half morocco, 12 inches tall. A tall, elegant half morocco by Hatchards with raised bands and gilt framed panels. Gilt top edge. Finely printed on hand-made paper with delightful engraved vignettes throughout. Slightly rubbed and scuffed.

London: Boydell, 1785. Full straight grain morocco, 10.5 inches tall. With wide blind tooled raised bands, exceptionally dense gilt panels, blind and gilt rolls framing the boards and all edges gilt. With 50 engraved plated. Somewhat rubbed and with heavy foxing to the preliminaries and less so to the plates. With the bookplate of Evelyn John Shirley of Ettington Park.

London: Clarke, 1807-1810. 7 volumes (of 10), 9 inches tall. A rather sombre half morocco by Zaehnsdorf with gilt lettering and centre tool in a smooth back. Top edges gilt, the rest deckled. Armorial bookplate. With 350 engraved plates. A further 3 volumes were printed. Here we have the first 7 volumes, exceptionally tall and clean in a fine signed binding.

London: Macmillan and Co., 1900. Full morocco, 7 1/2 inches tall. A very bright full straight grain morocco by Maclehose with gilt raised bands, gilt pallets, double fillets framing the boards, dentelles and all edges gilt. Portrait. A small mark on the lower board, otherwise a pristine copy of the works of Shelley, one of England's great Romantic Poets.

Boston: Little and Brown, 1845. 5 volume set, 7.75 inches tall. Tree calf with gilt raised bands, gilt tooled panels and twin labels. A gilt roll frames the boards. All the volumes have been expertly rebacked and there is a scuff on the title label of volume 1. Bookplates. A most good looking set of this important edition of the works of this great 16th century English poet.

Boston: Burnham, 1860. Full morocco, 8 3/4 inches tall. A splendid full morocco binding by Hawes of Cambridge with wide gilt raised bands and exceptional gilt tooling to the panels. the boards are framed within a series of gilt fillets and rolls. Gilt dentelles and all edges. Portraits. A previous owner's name is stamped on the title page. Although dying aged only 31 Sidney was one of the great Elizabethan figures, celebrated as a poet, scholar and soldier. A fine copy of his miscellaneous works.

London: Longmans et. al., 1816. Full straight grain morocco, 8.75 inches tall. A delightful volume in a fine regency binding. With wide gilt raised bands, titles, floral tooling to the panels, dentelles and all edges. The straight grain boards are framed within gilt and blind tooled rolls.

Paris: Curmer, 1858. 2 volume set, 10.5 inches tall. A simple but pleasing mid 19th century full vellum with gilt bands, dentelles and all edges gilt. Each page decorated with wide lithographic borders. With the gilt stamp of 'Schafer of Piccadilly', purveyors of luxury items. A fine set of this classic Christian guide based on the monastic practice of devotional reading by the 'Gentleman Saint'.

London: Hutchinson, (1921). Half morocco, 8 3/4 inches tall. A splendid binding by Sangorski and Sutcliffe with gilt raised bands, gilt lettering and pallets and a gilt top edge. A slight stain on the left of the title. 'A handy book of reference of the deeds that have won the Victoria Cross from the date of its institution in 1856 up to the present time' (revised up to 1921), 'arranged in order of regiment or corps. The account of each act of bravery is an extract from the 'London Gazette' of the time'.

Paris: Carrington, 1906. 2 volume set, 9 inches tall. A handsome set with raised bands, delicate gilt tooled panels and top edges. Limited to one thousand copies and published in Paris due to its somewhat racy contents. Sometimes known as 'The Pleasant Nights' or 'The Facetious Nights', these 16th century fables and tales contain several of the first appearances of fairy stories still that are still familiar today.

London: Rivington, et al., 1822. 2volume set, 8 3/4 inches tall. Splendid full plum Georgian straight grain calf with gilt raised bands, dense blind tooling around a gilt device to the panels and a simple gilt fillet framing the boards. Some foxing to the engraved title page, as usual, otherwise clean. A fine set of this great journal.

Bruxelles: Dumont, 1835. 3 volumes, bound in 2 complete, 6 inches tall. A pretty little set in full vellum with twin labels and sparkling gilt tooling to the spine. Blue speckled edges. A previous owner's neat ink inscription on the half titles reading: G.H. Gladstone (?) Rome April 1839. Engraved plates. A lovely little set by one of the great woman writers and political theorists of her time, in the original French.

Paris: Chez Prault, 1762. 4 volume set, 6.5 inches tall. A superb full mottled calf set with gilt bands, morocco and inked labels and fine floral gilt tooling to the panels. Ornamental woodcuts. A splendid set.

London: Longman, 1801. 2 volume set, 6.5 inches tall. A superb little set with gilt bands and exquisite gilt tooling, typical of the very beginning of the 19th century. Blue speckled edges. A scarce early edition of the Sermons of this famous English wit, writer and Anglican.

London: 'The New Shakespeare Society', Trubner, 1876. Full morocco, 9.5 inches tall. With gilt raised bands, fine gilt tooling to the panels and dentelles. All edges gilt. With a prize gilt embossed device on the upper board, prize bookplate and armorial bookplate. Somewhat foxed on the preliminaries, then clean. In 3 parts. A very impressive copy of this Jacobean tragicomedy, now generally accepted to have been written by William Shakespeare and John Fletcher. The plot is based on 'The Knight's Tale' in Geoffrey Chaucer's The Canterbury Tales.

London: Nimmo & Bain, 1882. Tree Calf, 9 inches tall. A very good looking late Victorian binding with gilt raised bands, elaborate gilt tooling to the panels and gilt roll and ornate corner tooling framing the boards. Gilt dentelles and top edge. 2 bookplates. Decorated with 5 etchings and portrait by Adolphe Lalauze. A fine copy of Jonathan Swift's greatest work.

London: John Sharpe, 1809. Full morocco, 9 inches tall. A remarkable and most attractive Regency straight grain morocco with twin gilt raised bands, twin labels and very fine gilt tooling to the panels and boards. With gilt dentelles and gilt gauffered edges. Engraved title page and full page plates from designs by Richard Westall. Very lightly foxed facing the plates. Overall a fine copy.

London: Macmillan and Co., 1926. Half Morocco, 9 1/2 inches tall. A smart half crushed morocco binding by Bayntun with raised bands, gilt centre tools and top edge. 12 superb colour illustrations and decorative headings and tailpieces by Thomas Mackenzie. A charming comic novel by the Irish writer James Stephens.

London: Routledge, 1838. Full morocco, 9 1/2 inches tall. A heavy Victorian hard grain morocco with raised bands, ornate gilt tooling to the panels and boards. Gilt dentelles and all edges. Double column. Portrait, engraved title page and full page illustrations. The bookplate of Queen's College London. A magnificent tome.