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London Baldwin and Becket, 1784. 4 volume set, 7 inches tall. A simple but elegant full 18th century tree calf with red label and gilt pallets and volume numbers. Portrait. Bookplate of Ellen James. Foxing facing the portrait and at the end of volume 4, otherwise a clean set. A curious work, rarely found in fine condition by philosopher, composer and writer, Rousseau, who was one of the most influential philosophers of the Age of Enlightenment.

London: Becket, Cadell and Evans, 1774. 4 volume set, 7 1/2 inches tall. A good looking 18th century full calf with gilt raised bands, twin labels and elaborate gilt tooling to the panels. A single gilt fillet frames the boards, With bookplate of Ellen James. Some rubbing and cracks to the joints but overall a perfectly firm and solid set of this English language edition.

London: Rivington et al., 1811. Full morocco, 12 inches tall. A spectacular binding by Bedford in full red morocco with gilt raised bands, superb floral gilt tooling to the panels and triple gilt fillets framing the boards. Gilt dentelles and all edges. With the bookplate of Joseph Spencer Graydon. With 18 magnificent woodcuts, mostly of the early English monarchs. This is the most well known work of the 16th century John Rastell, being a chronicle dealing with English history from the earliest times to the reign of Richard III. Rastell was also the first English printer of polyphonic music. A wonderful copy of this entertaining history.

Paris: Cellot, 1768. 7 volume set, 8 inches tall. A fine 18th century full mottled calf with gilt raised bands, twin labels and floral gilt tooling. Pink Edges. Decorated with a portrait of Racine, 12 plates designed by Gravelot. A splendid set, in the original French, of the works of one of the great French dramatists.

London: Ackermann, 1815. Full morocco, 9 1/2 inches tall. A magnificent copy in full navy blue morocco for Sawyer with gilt raised bands, very fine gilt tooled panels and top edge gilt. Triple gilt fillet framing the boards. With 2 maps, 1 folding and 17 superb hand coloured aquatints by Thomas Rowlandson.

London: Mawman et al., 1820. Full calf, 6 3/4 inches tall. Full Georgian lilac calf with gilt raised bands, olive label and delightful gilt and blind tooling to the panels. Gilt and blind fillets and corner tools frame the boards. Portrait.

London: Printed for the Ballad Society by Taylor, 1871. Hertford: Austin, 1874-1889. 6 volumes, 9 inches tall. A beautiful late Victorian half morocco with gilt raised bands, gilt pallets, titles and top edges. With the bookplate of West Dean Library (West Dean House, near Chichester, Sussex). Some foxing. A magnificent collection of ballads, originally formed by Robert Harley, Earl of Oxford, enlarged by successive owners, among them, by John, Duke of Roxburghe, after whom the collection is named. 3 further volumes were printed up to 1899. Any decent runs are scarce, but especially so in a fine binding. Illustrated with delightful cuts throughout.

London: Richard Bentley, 1854. Full calf, 6.5 inches tall. A splendid little full calf with gilt raised bands, triple labels and delicate floral gilt tooling to the panels. Gilt dentelles and all edges. Charles Reade, most well known for 'The Cloister and the Hearth', was a hugely popular Victorian novelist. Arthur Conan Doyle declared 'The Cloister and the Hearth' to be his favorite novel and Oscar Wilde called it Reade's "one beautiful book, after which he wasted the rest of his life in a foolish attempt to be modern". His very early Dramatic Works, such as 'Two Loves and One Life' written in collaboration with Tom Taylor, are extremely scarce, this copy being spectacularly well bound.

Paris: Chez la Veuve Estienne, 1741. 4 volume set, 6.5 inches tall. A lovely 18th century English tree calf set from the library of the 3rd Marquess of Londonderry, with gilt bands, labels and yellow edges. A very fine set in pristine condition. In the original French.

London: Lawrence and Bullen, 1892. 2 volume set, 11.25 inches tall. Magnificent full red morocco with bold and very unusual gilt tooling to the spine and upper boards and gilt top edge. Blind tooled pigskin endpapers. Number 153 of a Deluxe limited edition of 210 examples on japanese vellum. Embellished with portrait and 16 fine plates by Louis Chalon.

London: Humpreys, 1912. Half crushed morocco, 6.5 inches tall. A simple but handsome binding by Sangorski & Sutcliffe with gilt raised bands and gilt pallets and top edge. Neat ink owner's name on first blank. Finely printed on hand made paper. Founder member of the Pre-Raphaelite Brotherhood, Rossetti was a great painter and poet.

Chiswick Press: C. Whittingham, 1819. Full calf, 7.5 inches tall. A superbly bound volume with gilt raised bands and ornate blind tooling to the panels and boards, typical of the Regency period. Slight rubbing. Bookplate and Binder's Ticket for T.Sowler of St. Ann's Square, Manchester. A very curious and rare work containing 2 reprints, the first published originally by John Deane in 1609, the second by Thomas Thorp in 1612. Titled 'Ancient Humorous Poetry' on the spine.

London: Dilly, 1793. Full straight grain morocco, 9.5 inches tall. A fine example of the work of one of the greatest bookbinders of the late 18th century, with his bookplate. With his typical twin gilt raised bands, triple fillet framing the boards, dentelles and all edges gilt. Portraits.

London: Cadell et al, 1830 & 1834. 2 volumes, 8 inches tall. very fine full crushed morocco by Holloway. With gilt raised bands, exceptionally attractive gilt tooling to the panels and boards, gilt dentelles and all edges. Bookplate. Profusely illustrated throughout with engraved vignettes by J. M. W. Turner, Thomas Stothard, and others. These titles are frequently found in fine bindings of the period and these are of a particularly high quality.

London: Lawrence and Bullen, 1892. 2 volume set, 11 inches tall. A very smart full morocco binding with gilt raised bands, gilt fillets to the panels and rolls to the boards. Gilt top edges. Limited to 1000 copies of which this is number 73. Portrait and 14 full page plates by Louis Chalon. Translated into English by Sir Thomas Urquart of Cromarty and Peter Anthony Motteux. A handsome set of this great 16th century fantasy.

London: Longmans, 1860. 3 volume set, 6.5 inches tall. A classic full calf by Hayday. A neat binding with gilt raised bands, twin labels and gilt tooled panels. Armorial bookplate.

London: Chapman & Hall, 1887. Full morocco, 8 inches tall. Bound to the finest quality by Leighton of Soho with gilt raised bands and neat gilt tooling to the panels and boards. Dentelles and all edges gilt. Bookplate of Leopold de Rothschild. Colour title page and 6 further colour plates.