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London: Macmillan and Co., 1908. Full calf, 6 inches tall. A delightful Edwardian full calf with raised bands and fine gilt tooling to the panels and boards. Gilt dentelles and all edges. There is some blotchiness to the title panel and a slight dark mark near the fore-edge of the upper board and slight rubbing. On the second blank is a long ink inscription dated, Edinburgh, 1911 and the letters T.Y.S. appear in the cartouche on the upper board. The binding has the stamp 'Bound by Otto Schultze & Co. Edinburgh'. A lovely little copy of this famous anthology "Selected from the Best Songs and Lyrical Poems in the English Language".

London: J. Robson, 1796. 2 volume set, 8 1/2 inches tall. A most attractive copy of this influential work in 18th century tree calf with gilt bands, red label and delicate gilt centre tooling, typical of the period. With the bookplate of Bride Head, a recently dispersed Dorset Country House. This enlarged 2 volume edition compares the picturesque with "the sublime and the beautiful; and, on the use of studying pictures, for the purpose of improving real landscape".

London: Baynes and Son et al., 1825. Full calf, 5 inches tall. A gorgeous Georgian full calf binding with gilt raised bands and splendid gilt tooling around a Tudor rose centre tool. A fine gilt roll and blind floral roll frame the boards. Very slight foxing to the engraved frontispiece and engraved title page. A selection of the great poems of Alexander Pope, one of the greatest English poets of the early 18th century enlightenment.

Oxford: University Press, 1845 & 1846. Velvet binding, 3 1/2 inches tall. A beautiful early Victorian miniature velvet binding with brass edges and perfectly functioning clasp. Superb velvet and floral sprig decorated silk doublures and gilt trimmed silk free end papers. A neat ink inscription dated 1846 on the first blank. On the clasp are the initials M.J.A.L. for Mary Jane Annabella Legh of Adlington Hall in Cheshire. Internally spotless. The velvet on the upper board is very slightly paler than on the lower board.

London: Longman and Co., et al., 1838. 4 volume set, 8 3/4" tall. A classic Victorian full calf by the great firm of Hayday with raised bands, twin labels, and neat gilt tooling to the panels. Twin gilt fillets, one blind fillet and gilt corner tools frame the boards. Portrait. A handsome set of the works of the highly influential 18th century theologian, William Paley, mostly remembered for his work on natural theology and ethics.

London: Macmillan, 1893. Half morocco, 9 inches tall. A very fine binding by Zaehnsdorf with gilt raised bands and exceptional extra gilt tooling to the panels. Top edge gilt. An impressive 'Arthurian' bookplate. Some light pencil annotations. This is the very scarce first edition, which caused an international sensation on its appearance. Theodore Roosevelt wrote to Pearson to praise the book; Prime Minister William Ewart Gladstone recommended it highly, but today its theme of the white man under siege is less enthusiastically received.

London: George Bell & Sons 1878. 2 volume set, 8 3/4 inches tall. A neat Victorian full calf binding by Hatchards with gilt raised bands, twin labels and delicate gilt tooling to the panels. A gilt prize block is framed on the upper boards by gilt and blind fillets. Prize bookplate. A very fine copy of the revised 4th edition.

London: Longman, and Co. et al., 1847. 8 volume set, 8 1/2 inches tall. A classic Victorian half calf with gilt raised bands, twin labels and bold gilt tooling to the panels. There is foxing to, and facing, the engraved portrait in volume I, otherwise clean. A fine edition of the works of one of the greatest English poets of the 18th century with a new life of Pope by William Roscoe.

London: Macmillan and Co., 1904. Full morocco, 6 inches tall. A beautiful example of one of Ramage's luxury bindings, so popular in the Edwardian period. Full crushed morocco gilt raised bands and sumptuous gilt tooling to the panels and boards. With wide and elaborate gilt dentelles and watered silk doublures and free 'endpapers'. Light foxing to the preliminaries and slight rubbing but still a remarkable and impressive binding on this charming anthology 'selected from the best songs and lyrical poems in the English language'.

London: William Pickering, 1835. 2 volume set, 6 1/2 inches tall. A handsome little set in a Victorian full straight grain calf binding with raised bands, twin labels and ornate gilt tooling to the panels. All edges gilt. Portrait. Slight foxing to the preliminaries otherwise a neat, clean set of the poetic works of this 'charmingly humorous' lyric poet.

London: William Pickering, 1844. Full morocco, 9 1/2 inches tall. An extraordinary and magnificent full hard grain morocco by Catherall & Pritchard with gilt raised bands, ornate gilt tooling to the panels and boards, gilt dentelles and all edges gauffered. Unpaginated, including facsimile title page and colophon of Richard Grafton (1550), printed in red and black throughout. Ornamental initials and woodcut headbands and musical notations. Light foxing. From the library, and with the bookplate of, R.H.L.-C. de Beaumont.

A reprint of a volume of selections from the 'Book of Common Prayer' as set to music by John Marbecke (or Merbecke). First printed in 1550 by Richard Grafton, and here reprinted by Charles Whittingham at the Chiswick Press.

Paris: Isidore Liseux, 1879. 2 volume set, 6 3/4 inches tall. A superb half morocco by Bumpus with gilt raised bands and fine extra gilt panels and gilt top edge. The title pages are printed on vellum. Very slight wear to the joints but very solid and in a beautiful binding. From the Library of the Late Christopher Foyle of Beeleigh Abbey. Poggio Bracciolini, writing in the 16th century is celebrated for rediscovering many classical Latin manuscripts, many otherwise unknown, from monastic libraries. He made important finds in St. Gallen, Cluny Abbey, Langres, Monte Cassino and Hersfeld Abbey, amongst many others. The texts here are in English with the original Latin in a smaller type below.

London: William Fearman, 1819. Half morocco, 11 inches tall. A splendid later binding by Zaehnsdorf with raised bands, gilt title and top edge. From the Library of the Late Christopher Foyle of Beeleigh Abbey. With 19 bright hand-coloured plates "By an artist Recently Returned from the Continent". Each view is most illuminating particularly the 'Interior of a Coffee House', 'The Morgue' with a young child come to have a look and 'The Gaming Table'. A fine clean copy of this scarce colour plate book. With the text in English and French.

London: Henry Colburn & Co., 1849. 2 volume set, 9 inches tall. An unusual and very elegant half crushed morocco with three raised gilt bands and ornate gilt tooling to the panels. Gilt top edges. The early 16th century King of France, great patron the the Arts. In his enthusiasm for the Italian Renaissance he brought many great Italian artists to France including Leonardo da Vinci. Under his reign several of the finest French Renaissance buildings were constructed including the great chateau at Chambord. Miss Julia Pardoe was an English poet, novelist, historian and traveller. Her most enduring works are her French histories which continued to be printed into the twentieth century.

London: Henry Colburn & Co., 1849. 3 volume set, 9 inches tall. An unusual and very elegant half crushed morocco with three raised gilt bands and ornate gilt tooling to the panels. Gilt top edges. The Sun King, Louis XIV, was king of France from 1643 until his death in 1715, the longest reign of any sovereign at 72 years and 110 days. Miss Julia Pardoe was an English poet, novelist, historian and traveller. Her most enduring works are her French histories which continued to be printed into the twentieth century.