Search

Edinburgh: Archibald Constable, 1819. Half calf, 8 1/2 inches tall. A splendid Regency binding on half 'Russia' calf, with gilt raised bands, blind pallets and ornate, dense extra gilt panels. Particularly interesting marbled paper on the boards. From the library of Alfred de Rothschild but without the bookplate. Some foxing on the engraved frontispiece, otherwise clean. A tear on one leaf, not affecting the text. Romanticized by Sir Walter Scott and John Buchan, 'The Great Montrose', Seventeenth century Scottish nobleman, poet and soldier, fought for Charles I in the Civil War.

Florence: G. Barbèra, 1887. Full morocco, 4 inches tall. A beautiful little binding by Zaehnsdorf, with their stamp obscured, with gilt raised bands, superb extra gilt panels ans ornate gilt corner tooling to the boards. Gilt top edge and dentelles. From the Library of the Late Christopher Foyle of Beeleigh Abbey. Portrait. Light Foxing. The poetry, letters and Life of the great Renaissance Florentine painter, sculptor and architect, in the original Italian.

London: John Murray, 1853-54 & 1871. 8 volumes, 9 inches tall. The Earl Stanhope was styled Viscount Mahon between 1816-1855, the later volume precedes the text of the 7 volume set and is uniformly bound in an elegant half crushed morocco by Roger De Coverley, one of the greatest binders of the period. The bindings have gilt raised bands, splendid gilt centre tools and gilt top edges. There is some foxing to the preliminaries, then perfectly clean. Stanhope was an antiquarian politician and much respected historian.

London: Longmans, Green and Co., 1903. 2 volume set, 9 inches tall. A superb half crushed morocco by Zaehnsdorf with raised bands and splendid gilt tooling in the Art Nouveau style and gilt top edges. Some rubbing to the edges and bumps to the corners but still an impressive set. From the Library of the Late Christopher Foyle of Beeleigh Abbey. This very scarce work has been controversial since its publication with vociferous critics for and against. Myers was a British poet and a founder of the Society for Psychical Research whose conception of human self and its survival of bodily death was influential up to the present day. Aldous Huxley considered this work to be "an amazingly rich, profound and stimulating book."

London: Doewney & Co., 1902. Half morocco, 8 3/4 inches tall. Half straight grain morocco binding by L. Broca, one of the finest and most interesting binders of his day. With gilt raised bands and superb gilt tooling to the panels. Gilt top edge. This deluxe reprint is limited to 100 copies, of which this is numbered 83 and has the 12 plates and engraved title page hand coloured. From the Library of the Late Christopher Foyle of Beeleigh Abbey. A satire on English society and specifically the Count d'Orsay. A lovely copy.

London: John Murray, 1858. 7 volume set, 7 inches tall. A most attractive Victorian full calf binding with gilt raised bands, twin labels and extra gilt panels. Gilt corner tools and fillets and a blind fillet frame the boards. A couple of edges are badly scuffed, otherwise in fine condition. Philip Henry Stanhope, 5th Earl Stanhope, Viscount Mahon was a politician, antiquarian and historian, this history of England being his greatest work.

London: Constable and Company, 1909. Full morocco, 7 3/4 inches tall. A very neat binding by Zaehnsdorf with gilt raised bands, framed gilt panels and ornate gilt tooling to the boards within a series of gilt fillet panels. Gilt dentelles and top edge. Before establishing himself as a very successful novelist Meredith's first emphasis was as a romantic poet, Oscar Wilde described his poetry as "chaos illumined by brilliant flashes of lightning".

Paris: Printed by Fain, 1821. 4 volume set, 7 inches tall. A scarce Paris English language edition of these influential and popular works in full roan with gilt bands, twin labels and distinctive gilt tooling to the panels including a roll of vines at the tail. Bumped corners and a couple of nicks on the head caps. Thomas Moore was an Irish writer, poet, and lyricist famed for his Irish Melodies.

London: Richard Bentley, 1838. 4 volume set, 9 inches tall. A very good looking full Victorian calf with gilt raised bands, twin labels and fine gilt tooling to the panels. Twin gilt fillets and corner tools frame the boards. Gilt dentelles and top edges. With the bookplate of Charles B. Cochran, the English theatrical producer. Embellished with 16 engraved plates, many folding. The life and career of Charles Mathews, celebrated English theatre manager and comic actor in theatre and entertainment in the 18th and 19th centuries.

London: Longman, Orme, Brown, green & Longmans, 1838. Full morocco, 9 1/2 inches tall. A terrific full morocco binding by J. Wright of Noel Street, Soho, who was one of the greatest London book binders of the period. With gilt raised bands, extra gilt tooling to the panels, flamboyant gilt tooling in the French style to the boards, dentelles and all edges gilt. With splendid full page engravings under the supervision of Charles Heath. With the leather bookplate of W.A.Foyle of Beeleigh Abbey which has somehow adhered to the free endpaper tearing a small section away. Dublin born poet Thomas Moore is today mostly remembered for his Irish Melodies.

London: Cadell and Davies, 1811. 2 volumes bound in 1, complete, 8 1/4 inches tall. Full Regency calf with wide blind tooled raised bands and ornate gilt and blind panels. A series of blind and gilt fillets and rolls frame the boards. With the armorial bookplate of Benj. Philpot Chr. Coll. Cant. Soc. , the neat ink inscription 'Gustavus Wulff from B. Philpot 1832' on the first blank and a partly obscured neat ink inscription at the head of the title page. Some rubbing and marking but still an interesting binding.

London: Bickers, 1899. Tree Calf, 9 inches tall. A very smart Edwardian tree calf with gilt raised bands, label and very fine floral gilt tooling to the panels. A gilt roll frames the tree calf and prize blocks. Single volume edition of this classic history of The Dutch Republic.

Paris: Combet, c. 1910. 2 volume set, 9 inches tall. Splendid Edwardian tree calf with gilt raised bands, twin labels and very fine gilt floral tooling to the panels. A gilt fillet frames the tree calf and Eton prize block of the boards. Each work is preceded by an engraved plate. Eton prize bookplate dated 1912. With a life of Molière by Voltaire. A handsome, heavy set. In the original French.

London: Arthur L. Humphreys, 1912. Full morocco, 5 1/2 inches tall. A beautiful little volume bound for Hatchards of Piccadilly with raised bands, blind tooling over the shoulders and gilt tittles and floral brackets on the spine and upper board. Three tales finely printed on hand made paper, top edge gilt, the rest untrimmed, by Humhpreys.

London : Henry Colburn, 1826. Half Calf, 7 1/2 inches tall. A very scarce work in a splendid half pink calf from the library of Lord Londonderry, but without his bookplate. Speckled pink edges. With gilt bands and a striking blind centre tool. Translated from the German, this is a terrific tale of adventure and travels of a young soldier just after the French Revolution. Other than a nasty scuff to the centre of the lower board, in lovely condition.

London: J. F. Dove, c.1835. 4 volumes bound in 1, 5 inches tall. A delightful early Victorian half calf binding with red label and dense gilt tooling to the smooth back. 2 engraved frontispieces and title pages, each covering 2 volumes.

London: Scott, Webster, and Geary, 1839. 3 works bound in 1, 5 1/4 inches tall. A delightful little early Victorian full calf binding with gilt raised bands, contrasting green label, elegant gilt tooling to the panels and blind scales within a series of fillets. Engraved frontispiece and title page.