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London: Constable and Company, 1909. Full morocco, 7 3/4 inches tall. A very neat binding by Zaehnsdorf with gilt raised bands, framed gilt panels and ornate gilt tooling to the boards within a series of gilt fillet panels. Gilt dentelles and top edge. Before establishing himself as a very successful novelist Meredith's first emphasis was as a romantic poet, Oscar Wilde described his poetry as "chaos illumined by brilliant flashes of lightning".

Paris: Printed by Fain, 1821. 4 volume set, 7 inches tall. A scarce Paris English language edition of these influential and popular works in full roan with gilt bands, twin labels and distinctive gilt tooling to the panels including a roll of vines at the tail. Bumped corners and a couple of nicks on the head caps. Thomas Moore was an Irish writer, poet, and lyricist famed for his Irish Melodies.

London: Richard Bentley, 1838. 4 volume set, 9 inches tall. A very good looking full Victorian calf with gilt raised bands, twin labels and fine gilt tooling to the panels. Twin gilt fillets and corner tools frame the boards. Gilt dentelles and top edges. With the bookplate of Charles B. Cochran, the English theatrical producer. Embellished with 16 engraved plates, many folding. The life and career of Charles Mathews, celebrated English theatre manager and comic actor in theatre and entertainment in the 18th and 19th centuries.

Edinburgh: James Nichol, 1853. 2 volume set, 8 1/2 inches tall. A wonderful early Victorian full straight grain morocco by J. Wright with gilt raised bands and absolutely superb gilt tooling to the panels and boards. Gilt dentelles and all edges. A fine set of the poetical works of John Milton the great 17th century poet who in 'Paradise Lost' wrote perhaps the greatest of all English epic poems.

London: Longman, Orme, Brown, green & Longmans, 1838. Full morocco, 9 1/2 inches tall. A terrific full morocco binding by J. Wright of Noel Street, Soho, who was one of the greatest London book binders of the period. With gilt raised bands, extra gilt tooling to the panels, flamboyant gilt tooling in the French style to the boards, dentelles and all edges gilt. With splendid full page engravings under the supervision of Charles Heath. With the leather bookplate of W.A.Foyle of Beeleigh Abbey which has somehow adhered to the free endpaper tearing a small section away. Dublin born poet Thomas Moore is today mostly remembered for his Irish Melodies.

London: Cadell and Davies, 1811. 2 volumes bound in 1, complete, 8 1/4 inches tall. Full Regency calf with wide blind tooled raised bands and ornate gilt and blind panels. A series of blind and gilt fillets and rolls frame the boards. With the armorial bookplate of Benj. Philpot Chr. Coll. Cant. Soc. , the neat ink inscription 'Gustavus Wulff from B. Philpot 1832' on the first blank and a partly obscured neat ink inscription at the head of the title page. Some rubbing and marking but still an interesting binding.

London: Bickers, 1899. Tree Calf, 9 inches tall. A very smart Edwardian tree calf with gilt raised bands, label and very fine floral gilt tooling to the panels. A gilt roll frames the tree calf and prize blocks. Single volume edition of this classic history of The Dutch Republic.

Paris: Combet, c. 1910. 2 volume set, 9 inches tall. Splendid Edwardian tree calf with gilt raised bands, twin labels and very fine gilt floral tooling to the panels. A gilt fillet frames the tree calf and Eton prize block of the boards. Each work is preceded by an engraved plate. Eton prize bookplate dated 1912. With a life of Molière by Voltaire. A handsome, heavy set. In the original French.

London: Arthur L. Humphreys, 1912. Full morocco, 5 1/2 inches tall. A beautiful little volume bound for Hatchards of Piccadilly with raised bands, blind tooling over the shoulders and gilt tittles and floral brackets on the spine and upper board. Three tales finely printed on hand made paper, top edge gilt, the rest untrimmed, by Humhpreys.

London : Henry Colburn, 1826. Half Calf, 7 1/2 inches tall. A very scarce work in a splendid half pink calf from the library of Lord Londonderry, but without his bookplate. Speckled pink edges. With gilt bands and a striking blind centre tool. Translated from the German, this is a terrific tale of adventure and travels of a young soldier just after the French Revolution. Other than a nasty scuff to the centre of the lower board, in lovely condition.

London: J. F. Dove, c.1835. 4 volumes bound in 1, 5 inches tall. A delightful early Victorian half calf binding with red label and dense gilt tooling to the smooth back. 2 engraved frontispieces and title pages, each covering 2 volumes.

London: Scott, Webster, and Geary, 1839. 3 works bound in 1, 5 1/4 inches tall. A delightful little early Victorian full calf binding with gilt raised bands, contrasting green label, elegant gilt tooling to the panels and blind scales within a series of fillets. Engraved frontispiece and title page.

London: Chatto & Windus, 1884. 4 volume set, 8 3/4 inches tall. A most elegant set in half straight grain morocco with wide gilt bands, ornate centre tools within gilt framed panels. Gilt top edges. A celebrated history of the first 4 king Georges from the library of Alfred de Rothschild.

London: Longman, Rees, Orme, Brown, Green, and Longmans, 1840. Full morocco, 8 1/4 inches tall. A really splendid binding by TOUT with raised bands, classic hunting gilt centre tools within a cartouche and delicate gilt borders. Similar exquisite gilt tooling and quadruple fillets frame the boards. Fine woodcuts throughout. Slight marking to the boards, overall a lovely copy.

Paris: Baudouin Fréres, 1824. Half vellum, 8 inches tall. an elegant volume in a neat half vellum binding with gilt pallets and centre tools and contrasting green label. With the bookplate of Vane Londonderry. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. Engraved frontispiece. Following the revolution, Antoine, the younger brother of the last King of France, fled France and died in exile in England. In the original French.

London: John Murray, 1831. 3 volume set, 8 1/2 inches tall. Full early Victorian full calf with gilt raised bands, twin olive labels and exceptionally fine gilt tooling to the panels. The boards are marked and scuffed but with no splitting. A rather splendid, though somewhat worn set of this important and scarce work.

London: Longman, Hurst, Rees and Orme, 1807. Half morocco, 11 inches tall. A superb copy in Georgian half morocco. With gilt bands and very ornate gilt centre tooling, typical of the period. With 4 engraved portraits. With the bookplate of Stewart, Lord Londonderry. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.