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London: Longman, Brown, Green, Longmans, & Roberts, 1858. 3 vols., 8vo (8.75 x 5.75 inches). Full calf, with twin red and green labels, gilt raised bands and floral gilt tooling to panels, marbled edges and endpapers, blind dentelles. Armorial bookplates. Slightly sunned at spine. The binder has had to correct the volume number on two of the three volumes. A very good set.

London: Longmans, 1873. 3 volume set, 8.5 inches tall. A classic Victorian full calf with gilt raised bands, twin labels and delicate gilt tooling to the panels. An ink inscription 'on leaving Eton' on the reverse of the free endpaper. A superb set of this great work.

London: Doewney & Co., 1902. Half morocco, 8 3/4 inches tall. Half straight grain morocco binding by L. Broca, one of the finest and most interesting binders of his day. With gilt raised bands and superb gilt tooling to the panels. Gilt top edge. This deluxe reprint is limited to 100 copies, of which this is numbered 83 and has the 12 plates and engraved title page hand coloured. From the Library of the Late Christopher Foyle of Beeleigh Abbey. A satire on English society and specifically the Count d'Orsay. A lovely copy.

London: Longman, Brown, Green, and Longmans, 1854. 3 volume set, 6 3/4 inches tall. A classic Victorian full calf binding by the great firm of Hayday with gilt raised bands, twin labels and very fine gilt tooling to the panels. Armorial bookplate. Sir James Mackintosh was a politician and liberal philosopher most remembered for his views on the French Revolution.

London and Edinburgh: Adam and Charles Black, 1861; 1864. Nimmo, 1869. 3 volumes, 7 1/2 inches tall. Fine Victorian uniform full calf bindings with gilt raised bands, contrasting twin labels and gilt tooling to the panels by J. Maclaren of Edinburgh. A good looking run of these works by the great Scottish folklorist, paleontologist and geologist, Hugh Miller.

London: Longman, 1846. Full crushed morocco, 10.5 inches tall. Splendid heavy Victorian binding with raised bands, extra floral gilt panels and boards, titles, dentelles and all edges. Illustrated throughout by Maclise with beautiful illustrations all within decorative borders. Some foxing throughout and light scuffing, a patch of leather on the lower board has been squidged with no loss.

Paris: Chez Chasseriau, 1823. Full straight grain morocco, 8 inches tall. Gilt raised bands, titles, fine gilt floral panels, gilt and blind tooled boards, dentelles and pink endpapers. All edges gilt. Portrait. A very elegant copy in pristine condition.

London: William Pickering, 1831. Full crushed morocco, 9 inches tall. A top quality binding by HAYDAY, one of the finest binders of the period. Gilt raised bands, extra gilt panels and superb tooling to the boards. Dentelles and all edges gilt. Bookplate. A neat ink owner's inscription on the first blank. A fine copy of this important archival work.

London: Constable and Company, 1909. Full morocco, 7 3/4 inches tall. A very neat binding by Zaehnsdorf with gilt raised bands, framed gilt panels and ornate gilt tooling to the boards within a series of gilt fillet panels. Gilt dentelles and top edge. Before establishing himself as a very successful novelist Meredith's first emphasis was as a romantic poet, Oscar Wilde described his poetry as "chaos illumined by brilliant flashes of lightning".

Edinburgh & London: James Nichol & James Nisbet, 1853. 2 volume set, 8 3/4 inches tall. A very smart Victorian pink full calf by Bickers, with gilt raised bands, twin labels and fine gilt tooling to the panels. A readable edition 'With Life, Critical Dissertation, and Explanatory Notes' by Gilfillan. Slight rubbing, but a clean set in excellent condition of the works of one of the greatest 17th century English poets.

Edinburgh: Tait, 1845. Full morocco, gilt, 8.5 inches tall. A splendid binding with gilt raised bands, 'hunting, shooting and fishing' centre tools to the panels and large gilt devices to the boards framed within gilt fillets and corner tools. All edges gilt. With 10 fine lithographs. Spine slightly faded and light foxing to the portrait. Neat ink inscription '.........on leaving Eton 1857' on first blank.

London: Arthur L. Humphreys, 1901. Full Morocco, 9 inches tall. A splendid full terracotta crushed morocco by Hatchards with raised bands and classic gilt framed panels and boards with triple dot corner tools and triple inked Aldine leaf clusters terminating the bands. Gilt dentelles and all edges. A superb copy of one of Humphrey's fine printings on handmade paper.

Paris: Combet, c. 1910. 2 volume set, 9 inches tall. Splendid Edwardian tree calf with gilt raised bands, twin labels and very fine gilt floral tooling to the panels. A gilt fillet frames the tree calf and Eton prize block of the boards. Each work is preceded by an engraved plate. Eton prize bookplate dated 1912. With a life of Molière by Voltaire. A handsome, heavy set. In the original French.

Paris: Printed by Fain, 1821. 4 volume set, 7 inches tall. A scarce Paris English language edition of these influential and popular works in full roan with gilt bands, twin labels and distinctive gilt tooling to the panels including a roll of vines at the tail. Bumped corners and a couple of nicks on the head caps. Thomas Moore was an Irish writer, poet, and lyricist famed for his Irish Melodies.

London: Routledge, Warne & Routledge, 1860. Full calf, 9 inches tall. An unusual cream calf with raised gilt bands and extra gilt panels and boards. Gilt dentelles and edges. 100 fine engraved vignettes by John Gilbert, Birket Foster et al.. An interesting example of these heavy ornate Victorian bindings.

Paris: Baudouin Fréres, 1824. Half vellum, 8 inches tall. an elegant volume in a neat half vellum binding with gilt pallets and centre tools and contrasting green label. With the bookplate of Vane Londonderry. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. Engraved frontispiece. Following the revolution, Antoine, the younger brother of the last King of France, fled France and died in exile in England. In the original French.

London: John Murray, 1839. 3 volume set, 6 1/2" tall. Delightful set in a splendid half morocco binding with gilt raised bands and extra gilt panels. Armorial bookplate. A neat little set of the works of Henry Hart Milman, historian and professor of poetry at Oxford.

London: Longman, Green, Longman, and Roberts, 1860: 2 Volume set, 8 3/4" tall. An elegant Victorian full calf binding with raised bands and floral gilt tooling framing the panels. Corner tools, twin fillets and one blind fillet frame the boards. Portrait. A very handsome set of these great essays.

London: Longmans, Green, Reader, & Dyer, 1877. 2 volume set, 7 1/2 inches tall. A great history in a classic Victorian full calf with gilt raised bands, twin labels fine floral gilt tooling to the panels. There is a gilt prize block on the upper boards and a 'prize bookplate' on the inner paste down of volume 1. This is a popular edition of this history which covers the period "from the Accession of James the Second" to the Reign of Queen Victoria, and, as such, has very small type. Scratch on the lower board of the first volume but still a lovely looking set.

London: John Murray, 1850. Full calf, 8 1/2 inches tall. A splendid binding with gilt raised bands, contrasting label and extra gilt panels. Some rubbing, foxing and slight fraying to the fore edge of one plate. With 12 colour plates and vignettes throughout.