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London: Kegan Paul, Trench, Trubner & Co, 1895 & 1896. 2 volumes, 15 inches tall. Magnificently bound in full crushed morocco and signed 'Tregaskis Caxton Head'. With tall gilt raised bands and neat geometric gilt tooling with fillets and rolls. There are vellum doublures framed within superb gilt tooling. The free endpapers are also vellum. The dentelles, with gilt tooling and calf onlays, are superb. Top edges gilt. Limited to 500 copies. There are 63 tissue guarded chromo-lithographs in each volume by Griggs, chromo-lithographer to Her Majesty Queen Victoria. There is a minor repair to the head of the Foreign volume. The green of the morocco has faded to a rich brown.

Printed for Private Circulation only, 1883-1884. 6 volume set, 10 inches tall. A truly magnificent full morocco binding with gilt raised bands, very fine gilt tooling to the panels and boards, dentelles and all edges. This is the first collected edition of the Works of Nashe, the great English Elizabethan pamphleteer, satirist, novelist, playwright and poet. Printed for the Huth Library in an edition of 50 sets for private circulation only.

Boston & New York: Houghton Miflin Company, 1909. 16 volume set, 9 inches high. A truly splendid set bound by OLDASH in full morocco with raised bands, fine gilt tooling to the panels, wide dentelles and top edge. Watered silk doublures and endpapers. With full page illustrations throughout. With the armorial bookplate of John J. Raskob. A superb set in pristine condition.

London: The Florence Press by Chatto & Windus, 1909. Full crushed morocco, 11 inches tall. A remarkable binding by J(ulius) Dratva of Vienna with large raised bands and simple gilt framed panels. The upper board shows St Francis kneeling before a winged Christ through an arch with dragon heads in the top corners. All edges have very unusual floral gilt gauffering. A gilt armorial device G.T. with a Griffin wielding an anchor and sword on the paste down endpaper. Number 191 from a limited edition of 500. An exceptional item.

London: H.S. Nichols, 1895. 28 volume set, 7.25 inches tall. A neat half morocco binding with gilt raised bands, fleur de lis centre tools to the panels and gilt top edge. The remaining edges are deckled. Limited to 1000 sets on hand made paper of which this is set number 2. Illustrated throughout. A superb and highly readable edition in English of which Les Miserable takes up 10 volumes and Notre-Dame of Paris (The Hunchback of Notre-Dame) takes up 4. This set is in pristine condition inside and out.

London: Printed by Bensley for Triphook, 1817. 2 volume set, 9.5 inches tall. A binding in full straight grain morocco of the highest quality attributed to C(harles) Lewis on an ancient tipped-in slip from an old catalogue. With wide gilt raised bands, exceptionally fine and dense gilt tooling to the panels and neat gilt tooling framing the boards. Superb gilt doublures. With the splendid armorial bookplate of the great bibliophile Prince Augustus Frederick, Duke of Sussex, whose magnificent library was housed at Kensington Palace. One of only 50 large paper sets with the woodcuts, after Thurston, being in 2 states, one on india paper. Some minor foxing.

Paris: Javal et Bourdeaux, 1928 & 1929. 3 volumes in paper and glassine wraps housed in 2 boxes, 14 inches tall. Number 26 of 60 copies on 'Japon Imperial'. With 30 plates by Jean Oberlé in two states and with an ORIGINAL watercolour. In an extra suite are 60 etchings by Louise Ibels, all signed and a further ORIGINAL watercolour. The two wooden boxes are leather bound with gilt titles, and heavily padded and lined with watered silk. The title page is dated 1928 whereas the wrapper is dated 1929. I believe these were publisher's copies. The boxes are slightly rubbed but fully functioning, the contents are pristine.

Paris: Javal et Bourdeaux, 1931. Text and 2 extra suites housed in 2 boxes, 14 inches tall. Number 23 of 60 copies on 'Japon Imperial'. With 30 colour plates by Dignimont in the main text. With a further suite of his illustrations in monochrome. There is also an ORIGINAL watercolour by Dignimont. With a further suite of 30 original etchings by Courbouleix, each is in 2 states, monochrome and sepia. The 30 sepia etchings are all numbered and signed. The two wooden boxes are leather bound with gilt titles, and heavily padded and lined with watered silk. I believe these were publisher's copies. The boxes are slightly rubbed and the main box lacks a popper, but they both still function., the contents are pristine. A unique set.

Paris: Chez Sylvian Sauvage, 1927. Half morocco, 9.5 inches tall. with raised bands and fine gilt tooling with onlays, gilt top edge. This is example V of XX lettered 'examplaires de collaboration'. With splendid illustrations by Andre Dignimont including an original watercolour signed and inscribed to Pierre Macorlan, the celebrated french novelist and songwriter.

London: Smith, Elder & Co., 1912. 10 volume set, 9 inches tall. A splendid set in a very smart Edwardian navy blue half crushed morocco binding with wide gilt bands, elegant gilt panels and gilt top edges. The Centenary edition is limited to just 276 set for sale in the United States, of which this is number 244. Portrait. A pristine set of the Works of one of Victorian England's greatest poets.

Paris: Javal et Bourdeaux, 1933. Text and 3 extra suites housed in 2 boxes, 14 inches tall. Number 33 of 60 copies on 'Japon Imperial'. With 30 hand coloured plates by Vertès in the main text. With 2 further suites of his illustrations in monochrome. With a further suite of 30 plates by William Ablett on Japanese tissue, each with an original pencil design in the margin. The two wooden boxes are leather bound with gilt titles, and heavily padded and lined with watered silk. I believe these were publisher's copies. The boxes are rubbed, the main box particularly so and without poppers, the smaller box, containing the suites is fully functioning, the contents are pristine.A unique set.

Paris: Javal et Bourdeaux, 1928. Text and 2 extra suites housed in 2 boxes, 14 inches tall. Number 22 of 60 copies on 'Japon Imperial'. With 30 colour plates by Falké in the main text. With a further suite of his illustrations in monochrome. There is also an ORIGINAL watercolour by Pierre Falké. With a further suite of 30 original etchings on Japanese tissue by Carlo Farneti. The two wooden boxes are leather bound with gilt titles, and heavily padded and lined with watered silk. I believe these were publisher's copies. The boxes are slightly rubbed but fully functioning, the contents are pristine. A unique set.

aris, Emile Hazan, 1930. Full crushed morocco, 10.5 inches tall. A striking binding with 3 wide gilt raised bands and fine gilt designs to the boards. Wide gilt dentelles and watered silk doublures. Top edge gilt, other edges untrimmed. On 'Japon Imperial'. From a limited edition of 833, one of only 7 examples with an original watercolour, this being number 6. Dignimont's wonderful illustrations are in 2 states. In pristine condition housed in a slightly worn slip case.

London, Paris & New York: Goupil & Co, 1901. Full crushed morocco, 12.75 inches tall. A superb binding by Gruel with raised bands, simple elegant framed panels and boards, gilt dentelles and top edge. Limited to 300 copies printed on Japanese paper of which this is number 11. With the plates in 2 states. Fine colour frontispiece. Slight blotchiness to the boards but still a magnificent copy.

London: The Society of English Bibliophilists, 1894. 5 volume set, 9 inches tall. A very neat half morocco of generous proportions with gilt raised bands, tooling and top edge. One of 312 copies on hand made paper. The 73 full page plates by Freudenberg printed on Japanese paper and mounted. 150 head and tail pieces by Dunker. Bookplates. A pristine set of this splendid edition.

Chicago: The Caxton Club, 1904. Half morocco, 12 inches tall. A very handsome binding with gilt, slightly rubbed, raised bands, extra gilt panels and gilt top edge. With 6 illustrations from wash drawings by Paul Avril, 14 facsimile binders labels and 20 plates of bookbindings. First edition, limited to 252 copies on handmade paper. Armorial bookplate. An excellent copy of a rare volume.

Paris: 'Disciples d'Hippocrate', 1942. Half crushed morocco, 11 inches tall. A simple binding with gilt tooled titles, fleurons and top edge. One of 250 copies on 'velin de rives', this being number 245. With 13 explicit illustrations in black and white and 12 in colour, with an extra suite of the 12 colour lithographs. A fine copy.

London: (Leonard Smithers) Privately Printed, 1896-1897. 4 Volume set, 7.5 inches tall. Superbly bound by Nichols in full calf with gilt raised bands, twin labels and dense gilt tooling to the panels. Top edge gilt, the other edges untrimmed. 'This edition is strictly limited to 1000 numbered copies, 500 of which are for America'. This copy unnumbered. A fascinating work by the team of Leonard Smithers and Harry Sidney Nichols, celebrated printers and publishers of erotic and pornographic volumes.

London: Lawrence & Bullen, 1895. 2 volume set, 11 inches tall. A most attractive half morocco binding by Harrison with gilt raised bands, titles, fine and delicate gilt tooling to the panels with onlays and gilt top edges. No 71 of a limited edition of 1000 copies. Full page illustrations by E.R. Hughes. A lovely set.

London: Lawrence and Bullen, 1892. 2 volume set, 11 inches tall. A very smart full morocco binding with gilt raised bands, gilt fillets to the panels and rolls to the boards. Gilt top edges. Limited to 1000 copies of which this is number 73. Portrait and 14 full page plates by Louis Chalon. Translated into English by Sir Thomas Urquart of Cromarty and Peter Anthony Motteux. A handsome set of this great 16th century fantasy.