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  • Category = Limited Edition
  • LIMITED EDITION ON HANDMADE PAPER IN BEAUTIFUL FULL MOROCCO
    Poems. by SHAKESPEARE, William
    SHAKESPEARE, William
    Poems.

    London: Essex House, 1899. Full morocco, 9 inches tall. The poems of William Shakespeare according to the text of the earliest editions. Arranged, and collated with the originals by F.S. Ellis, and printed at the Essex House Press, under the care of C.R. Ashbee. Superbly printed in black with red headings on handmade paper. The Flat back spine and boards have superb gilt tooling in the finest 'arts and crafts' manner. Gilt dentelles and all edges. There are two ink inscription on the first blank. Elaborate initials throughout and one fine full page illustration of Venus and Adonis. Number 258 of 450 copies. Within a year of William Morris's death the Kelmscott Press closed and several of the key…

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    London: Essex House, 1899. Full morocco, 9 inches tall. The poems of William Shakespeare according to the text of the earliest editions. Arranged, and collated with the originals by F.S. Ellis, and printed at the Essex House Press, under the care of C.R. Ashbee. Superbly printed in black with red headings on handmade paper. The Flat back spine and boards have superb gilt tooling in the finest 'arts and crafts' manner. Gilt dentelles and all edges. There are two ink inscription on the first blank. Elaborate initials throughout and one fine full page illustration of Venus and Adonis. Number 258 of 450 copies. Within a year of William Morris's death the Kelmscott Press closed and several of the key designers under Ashbee moved to create the Essex House Press and retained much of the former's style of printing and binding.

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  • FINE PRINTING IN STUNNING SIGNED BINDING
    The Little Flowers of S. Francis of Assisi. by FRANCIS, Saint (translated into English by ARNOLD, T.W.)
    FRANCIS, Saint (translated into English by ARNOLD, T.W.)
    The Little Flowers of S. Francis of Assisi.

    London: The Florence Press by Chatto & Windus, 1909. Full crushed morocco, 11 inches tall. A remarkable binding by J(ulius) Dratva of Vienna with large raised bands and simple gilt framed panels. The upper board shows St Francis kneeling before a winged Christ through an arch with dragon heads in the top corners. All edges have very unusual floral gilt gauffering. A gilt armorial device G.T. with a Griffin wielding an anchor and sword on the paste down endpaper. Number 191 from a limited edition of 500. An exceptional item.

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  • STUNNING LARGE PAPER COPY IN VERY FINE BINDING WITH ROYAL PROVENANCE
    Godfrey of Bulloigne. (Translated into English by Edward Fairefax). by TASSO, Torquato
    TASSO, Torquato
    Godfrey of Bulloigne. (Translated into English by Edward Fairefax).

    London: Printed by Bensley for Triphook, 1817. 2 volume set, 9.5 inches tall. A binding in full straight grain morocco of the highest quality attributed to C(harles) Lewis on an ancient tipped-in slip from an old catalogue. With wide gilt raised bands, exceptionally fine and dense gilt tooling to the panels and neat gilt tooling framing the boards. Superb gilt doublures. With the splendid armorial bookplate of the great bibliophile Prince Augustus Frederick, Duke of Sussex, whose magnificent library was housed at Kensington Palace. One of only 50 large paper sets with the woodcuts, after Thurston, being in 2 states, one on india paper. Some minor foxing.

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  • COMPLETE WARWICK EDITION IN VERY GOOD LOOKING HALF MOROCCO
    The Works of Edward Bulwer Lytton. by LYTTON, Edward George Earle Lytton Bulwer-Lytton, 1st Baron
    LYTTON, Edward George Earle Lytton Bulwer-Lytton, 1st Baron
    The Works of Edward Bulwer Lytton.

    Boston: Dana Estes, 1891. 32 volume set, 9 inches tall. A rather unusual and very good looking half morocco with gilt raised bands and splendid floral gilt tooling to the panels. A former owner's gilt monogram within a floral swag on the upper boards. Gilt top edges. The deluxe 'Warwick Edition' was limited to one thousand copies of which this set is number 264. A very popular novelist through the Victorian period today he is mostly remembered for coining the phrases "pursuit of the almighty dollar", "the pen is mightier than the sword" and "the great unwashed". A fine set profusely illustrated.

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  • GLORIOUS RARE LIMITED EDITION
    The Book Lover's Almanac. by HENRIOT (Henri Maigrot) Illustrated by.
    HENRIOT (Henri Maigrot) Illustrated by.
    The Book Lover's Almanac.

    New York: Duprat & Co. 1893, 1894 & 1895. The first 3 volumes of this very rare limited edition, 7" tall. Beautifully bound by Canape in half red morocco with gilt raised bands, ornate tooling to the panels around a calf onlay. Gilt top edges. With the bookplates of Pierre Munier and I. Fernandez. With an ink inscription from the publisher on the first blank. Number 416 of 600 copies on handmade paper. The first volume has delightful coloured comic illustrations of various aspects of the book trade facing each month. The second and third volumes have fine monochrome plates. Copies of these volumes are exceedingly scarce and, especially in pristine condition and in fine bindings.

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  • COMPLETE SET OF THIS RARE TITLE IN FINE HALF MOROCCO BINDING
    The Book Lover's Almanac. by HENRIOT (MAIGROT, Henri) Illustrated by.
    HENRIOT (MAIGROT, Henri) Illustrated by.
    The Book Lover's Almanac.

    Published by New York: Duprat & Co. 1893 - 97. 5 volume set, 7 inches tall. A superb complete set of this wonderful and very scarce title in a half crushed morocco binding of the period with gilt raised bands and ornate floral gilt tooling with red calf onlays to the panels. Limited to a total of 600 copies Beautifully illustrated throughout, volume I by Henriot, volume II by Robida, the remaining volumes are more serious in tone. Volume V contains an original watercolour.

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  • ONE OF 50 COPIES IN OBSCENELY GILT TOOLED FULL MOROCCO
    Lettre à la Présidente. by GAUTIER Théophile
    GAUTIER Théophile
    Lettre à la Présidente.

    Paris: Privately Printed, 1850 (1890). Full morocco, 6 3/4 inches tall. An extraordinary and most attractive binding by Pétrus Ruban with gilt raised bands and gilt genitalia tooling to the panels, boards and dentelles, befitting the "indecent prose" of the text. All edges gilt. Limited to 50 copies on Japanese Paper. 'The President', was the honorary nickname attributed to Apollonie Sabatier, (pseudonym of Aglaé Savatier), who was 'one of the most bewitching Salon mistresses of the 19th century', and hosted nearly all of the French artists of her time. She was said to have astonishing wit, sensuality and beauty, and was the muse of sculptors, painters and authors alike. "In October 1850, Gautier addressed a letter to her "buffoonish and…

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    Paris: Privately Printed, 1850 (1890). Full morocco, 6 3/4 inches tall. An extraordinary and most attractive binding by Pétrus Ruban with gilt raised bands and gilt genitalia tooling to the panels, boards and dentelles, befitting the "indecent prose" of the text. All edges gilt. Limited to 50 copies on Japanese Paper. 'The President', was the honorary nickname attributed to Apollonie Sabatier, (pseudonym of Aglaé Savatier), who was 'one of the most bewitching Salon mistresses of the 19th century', and hosted nearly all of the French artists of her time. She was said to have astonishing wit, sensuality and beauty, and was the muse of sculptors, painters and authors alike. "In October 1850, Gautier addressed a letter to her "buffoonish and obscene, commenting with a Rabelaisian earthiness on what his friend and himself had learned in matters of sexuality during the journey they were making".......Madame Sabatier distributed copies to all her guests and the reading of Gautier's "indecent prose" became a popular event at Parisian evenings." It would not however be published until the death of its addressee in 1890, rather than the 1850 printed on the title page. "Tire a Tres Petit Nombre Pour quelques curieux Sur papier Imperial du Japon" The obscene frontispiece is lacking and clearly was never bound in. With the bookplate of Daniel Henry Holmes Ingalls.

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  • SUPERB COPY WITH ORIGINAL WATERCOLOUR INSCRIBED
    Le Train de 8 h. 47 by COURTELINE, GEORGES
    COURTELINE, GEORGES
    Le Train de 8 h. 47

    Paris: Chez Sylvian Sauvage, 1927. Half morocco, 9.5 inches tall. with raised bands and fine gilt tooling with onlays, gilt top edge. This is example V of XX lettered 'examplaires de collaboration'. With splendid illustrations by Andre Dignimont including an original watercolour signed and inscribed to Pierre Macorlan, the celebrated french novelist and songwriter.

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  • LIMITED EDITION IN WONDERFUL FULL CRUSHED MOROCCO
    Poems on Several Occasions. by DOBSON, Austin
    DOBSON, Austin
    Poems on Several Occasions.

    London: Kegan Paul, Trench, Trübner, & Co., 1895. 2 volume set, 7 1/2 inches tall. A wonderful full crushed morocco by Bumpus with gilt raised bands and extraordinary fine and elaborate gilt tooling to the panels and boards. Gilt dentelles and all edges. Number 61 of 750 copies printed on Deckle Edge Paper, with etchings on Handmade Paper. A truly spectacular binding in pristine condition.

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  • EXTRAORDINARY DELUXE EDITION IN WONDERFUL BINDING BY AFFOLTER
    Sainte Euphrosine. by FRANCE, Anatole
    FRANCE, Anatole
    Sainte Euphrosine.

    Paris: F. Ferroud, 1906. Full crushed morocco, 10 1/2 inches tall. A remarkable binding by Affolter with gilt raised bands and delicate gilt floral tooling framed within gilt pallets and a cream morocco onlay. The boards likewise are framed within a cream morocco between gilt fillets, An array of exquisite gilt floral tooling highlighted by blue, yellow and orange onlays. All edges gilt and doublures and free end paper of heavy silk. The secondary endpapers are of specially designed heavy paper. The text is framed with original designs by Louis Edouard-Fournier who also is the illustrator. The illustrations are in a total of 3 states. There is an extra suite of the borders. This is number 27 of 80…

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    Paris: F. Ferroud, 1906. Full crushed morocco, 10 1/2 inches tall. A remarkable binding by Affolter with gilt raised bands and delicate gilt floral tooling framed within gilt pallets and a cream morocco onlay. The boards likewise are framed within a cream morocco between gilt fillets, An array of exquisite gilt floral tooling highlighted by blue, yellow and orange onlays. All edges gilt and doublures and free end paper of heavy silk. The secondary endpapers are of specially designed heavy paper. The text is framed with original designs by Louis Edouard-Fournier who also is the illustrator. The illustrations are in a total of 3 states. There is an extra suite of the borders. This is number 27 of 80 examples 'in -4 carré réimpossés sur papierdu Japon ou grand vélin du Marais'. Light foxing. With its original, slightly worn, leather trimmed, felt lined case. A superb example of the work of this great binder.

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  • THE FIRST COLLECTED EDITION IN WONDERFUL FULL CRUSHED MOROCCO
    The Works of John Webster. by WEBSTER, John
    WEBSTER, John
    The Works of John Webster.

    London: William Pickering, 1830. 4 volume set, 7 1/2 inches tall. A beautifully bound set of the first collected edition. Full crushed olive morocco with gilt raised bands and very fine gilt tooling to the panels. Triple gilt fillets frame the boards. Gilt dentelles and top edges gilt. 250 copies were printed (Keynes p.95). A wonderful set in pristine condition of the plays of John Webster, the English Jacobean dramatist best known for his tragedies The White Devil and The Duchess of Malfi, still frequently performed today.

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  • CLASSIC HISTORY IN DELUXE LIMITED EDITION FULL ORANGE MOROCCO
    Oliver Cromwell. by GARDINER, Samuel Rawson
    GARDINER, Samuel Rawson
    Oliver Cromwell.

    London, Paris, New York: Goupil & Co., 1899. Full morocco, 12 1/2 inches tall. A sumptuous binding by Riviere in an unusual orange goat skin, with gilt raised bands and very fine extra gilt tooling to the panels and gilt roll and triple fillet framing the boards. Gilt dentelles and all edges. Beautifully printed and with illustrations throughout including the colour portrait of Oliver Cromwell. One of a series of extravagantly produced, mostly Royal, biographies. Deluxe limited edition in very fine condition.

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  • DELUXE LIMITED EDITION IN FULL CRUSHED MOROCCO
    Charles II. by AIRY, Omsund
    AIRY, Omsund
    Charles II.

    London, Paris & New York: Goupil & Co, 1901. Full crushed morocco, 12.75 inches tall. A superb binding by Gruel with raised bands, simple elegant framed panels and boards, gilt dentelles and top edge. Limited to 300 copies printed on Japanese paper of which this is number 11. With the plates in 2 states. Fine colour frontispiece. Slight blotchiness to the boards but still a magnificent copy.

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  • DELUXE LIMITED EDITION IN MAGNIFICENT FULL MOROCCO
    Charles II. by AIRY, Osmund
    AIRY, Osmund
    Charles II.

    London, Paris, New York: Goupil & Co., 1901. Full morocco, 13 inches tall. A magnificent binding with gilt raised bands and handsome Edwardian gilt tooled panels and boards. One of a limited edition of 1250 examples. Embellished with a splendid colour portrait frontispiece and monochrome plates throughout. A little foxing to the preliminaries and slight rubbing but still a fine example of Goupil's luxurious productions.

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  • DELUXE LIMITED EDITION IN MAGNIFICENT FULL MOROCCO
    Prince Charles Edward. by LANG, Andrew
    LANG, Andrew
    Prince Charles Edward.

    London, Paris, New York: Goupil & Co., 1900. Full morocco, 13 inches tall. A magnificent binding with gilt raised bands and handsome Edwardian gilt tooled panels and boards. One of a limited edition of 1500 examples. Embellished with a splendid colour portrait frontispiece and monochrome plates throughout. A little foxing to the preliminaries and slight rubbing but still a fine example of Goupil's luxurious productions.

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  • DELUXE LIMITED EDITION IN MAGNIFICENT FULL MOROCCO
    Henry VIII by POLLARD A. F.
    POLLARD A. F.
    Henry VIII

    London, Paris, New York: Goupil & Co., 1902. Full morocco, 13 inches tall. A magnificent binding with gilt raised bands and handsome Edwardian gilt tooled panels and boards. One of a limited edition of 1150 examples. Embellished with a splendid colour portrait frontispiece and monochrome plates throughout. A little foxing to the preliminaries, slight rubbing and some fraying to the foredges of a few leaves and chips to the frontispiece but still a fine example of Goupil's luxurious productions.

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  • RARE LIMITED EDITION IN SUPERB FULL MOROCCO BY J. WRIGHT
    Facetiae. Musarum Deliciae: or, The Muses Recreation. Conteining Severall Pieces of Poetique Wit. By Sr.J.M.and Ja:S. 1656. and Wit Restor'd, in Several Select Poems, not Formerly Publish't. 1658 etc etc. by MENNIS, Sir John & SMITH, Dr. James
    MENNIS, Sir John & SMITH, Dr. James
    Facetiae. Musarum Deliciae: or, The Muses Recreation. Conteining Severall Pieces of Poetique Wit. By Sr.J.M.and Ja:S. 1656. and Wit Restor'd, in Several Select Poems, not Formerly Publish't. 1658 etc etc.

    London: Longman et al., 1817. 2 volume set, 7 3/4 inches tall. A superb full crushed morocco by J. Wright, one of the greatest binders of the period. With gilt raised bands, smart labels and extra gilt panels. Gilt dentelles and all edges. From the Library of the Late Christopher Foyle of Beeleigh Abbey. Vice Admiral Sir John Mennis (or Mennes), was an English naval officer, who went on to be Comptroller of the Navy. He was also considered a wit. His comic and satirical verses, written in correspondence with James Smith, were published in 1656. He figures prominently in the Diary of Samuel Pepys, who reported directly to Mennes at the Navy Office and thought him an incompetent…

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    London: Longman et al., 1817. 2 volume set, 7 3/4 inches tall. A superb full crushed morocco by J. Wright, one of the greatest binders of the period. With gilt raised bands, smart labels and extra gilt panels. Gilt dentelles and all edges. From the Library of the Late Christopher Foyle of Beeleigh Abbey. Vice Admiral Sir John Mennis (or Mennes), was an English naval officer, who went on to be Comptroller of the Navy. He was also considered a wit. His comic and satirical verses, written in correspondence with James Smith, were published in 1656. He figures prominently in the Diary of Samuel Pepys, who reported directly to Mennes at the Navy Office and thought him an incompetent civil servant, but a delightful social companion. Pepys stated that Mennes's skills as a poet and mimic made him the best of company. He describes a memorable evening when Mennes and John Evelyn engaged in a mimicry contest. Mennes's highly entertaining verses first appeared in 1656 as Musarum Deliciæ or the Muses's Recreation. They appear here in a scarce Regency edition.

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  • LIMITED EDITION IN FINE HALF MOROCCO
    The Heptameron by NAVARRE, Margaret, Queen of
    NAVARRE, Margaret, Queen of
    The Heptameron

    London: The Society of English Bibliophilists, 1894. 5 volume set, 9 inches tall. A very neat half morocco of generous proportions with gilt raised bands, tooling and top edge. One of 312 copies on hand made paper. The 73 full page plates by Freudenberg printed on Japanese paper and mounted. 150 head and tail pieces by Dunker. Bookplates. A pristine set of this splendid edition.

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  • RARE LIMITED EDITION IN HALF MOROCCO
    Oeuvres Libres: Les Amies Femmes by VERLAINE, Paul. Louis Berthommé-Saint-André, (Illustrator)
    VERLAINE, Paul. Louis Berthommé-Saint-André, (Illustrator)
    Oeuvres Libres: Les Amies Femmes

    Paris: 'Disciples d'Hippocrate', 1942. Half crushed morocco, 11 inches tall. A simple binding with gilt tooled titles, fleurons and top edge. One of 250 copies on 'velin de rives', this being number 245. With 13 explicit illustrations in black and white and 12 in colour, with an extra suite of the 12 colour lithographs. A fine copy.

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  • DELUXE LIMITED EDITION IN FINE HALF MOROCCO
    French Bookbinders of the Eighteenth Century. by UZANNE, Octave
    UZANNE, Octave
    French Bookbinders of the Eighteenth Century.

    Chicago: The Caxton Club, 1904. Half morocco, 12 inches tall. A very handsome binding with gilt, slightly rubbed, raised bands, extra gilt panels and gilt top edge. With 6 illustrations from wash drawings by Paul Avril, 14 facsimile binders labels and 20 plates of bookbindings. First edition, limited to 252 copies on handmade paper. Armorial bookplate. An excellent copy of a rare volume.

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