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Paris: Didot Junior, Typographiae Fratris Regis, 1788. Tree Calf with morocco spine, 13 1/2 inches tall. A magnificent and most unusual French 18th century binding with a straight grain morocco binding with two green calf labels and wonderful gilt floral tooling. A superb gilt vine roll frames the boards. Lovely printed bookseller's ticket on the paste down end paper. Engraved title page and frontispiece. Pristine condition. In the original Latin. Since its first printing in 1471-2, 'The Imitation of Christ' has remained one of the most enduring and popular of all Christian devotional works.

London: Philip Lee Warner Publisher to the Medici Society, 1912. Full morocco, 10 1/4 inches tall. A wonderful and unique binding by Bumpus with raised bands and onlays on the panels. The crushed morocco on the boards is framed with a beautiful gilt border with a green Greek key design and further onlays. Watered silk doublures and all edges gilt. Printed on hand-made Riccardi Paper in a limited edition of 500 copies. With 12 superb illustrations in colour by William Russell Flint. A unique volume, in pristine condition, of Kingsley's great retelling of the Myths and Legends of Greek Mythology.

London: Macmillan and Co., 1910. Full morocco, 6 inches tall. An exquisite binding by Ramage with gilt raised bands, dense gilt tooling with tiny blue band onlays and exceptionally fine gilt tooling with extensive blue onlays to the boards. With elaborate gilt tooled dentelles on watered silk doublures and free 'end papers'. Ink inscriptions on first blank. One of the best titles in Ramage's repertoire of little luxury binding in pristine condition.

London: Macmillan and Co., 1899. Full morocco, 6 inches tall. A beautiful little binding by Ramage with gilt raised bands, dense gilt tooling of many stars and dots around heart centre tools to the panels. On the boards onlays of calf create rosebuds with a wide border of stars and hearts. Delicately gilt tooled dentelles and watered silk doublures and all edges gilt. The rather extraordinary bookplate of Sibell Cromartie (Countess Cromartie of Castle Leod) is found on the pastedown 'endpaper'. A delightful volume of the poetical works of John Keats.

London: Chapman & Hall, 1844. Full morocco, 8.75 inches tall. A splendid copy in pristine condition with gilt raised bands, titles and extra gilt panels. Very fine gilt rolls framing the boards and all edges gilt. Folding map. A celebrated work covering: 'St Petersburg, Moscow, Kharkoff, Riga, Odessa, The German Provinces On The Baltic, The Steppes, The Crimea and The Interior of The Empire'.

London: Whittaker, 1824. 3 volume set, 7 inches tall. An elegant Georgian half calf with gilt bands and simple blind tooled panels. Pink speckled edges. With the heraldic crest of Vane Londonderry in the top panel. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. A scarce and elegant set of this first edition triple decker.

Oxford: University Press, 1925. Full calf, 7 3/4 inches tall. A sparkling copy in full calf by Riviere with gilt raised bands and extra gilt tooling to the panels. The boards have fine gilt tooling adorning a large onlayed panel. Gilt dentelles and all edges. Bookplate. A lovely volume of the poetry of the great romantic poet who died tragically at the age of only 25.

London: John Murray, 1863. 3 volume set, 8 1/2 inches tall. A sparkling Victorian full calf with gilt raised bands, triple labels and ornate gilt panels. Yellow edges. Armorial bookplate. 2 portrait frontispieces. Chip to the foot of volume 1. From the Library of the Late Christopher Foyle of Beeleigh Abbey. Charles consolidated the growing Burgundian State into one continuous Kingdom upsetting several European powers and instigating the Burgundian wars in which he died on the battlefield in 1476. An exceptionally good looking set.

London: Richard Phillips, 1802. 3 volume set, 6 1/4 inches tall. An exquisite full Georgian calf with gilt bands, twin labels and ornate and delicate gilt tooling to the panels. Portrait and one engraved frontispiece showing 'A Scene in a Tartar Village'. Blue speckled edges. A scarce title describing the extraordinary life of this German dramatist, notoriously murdered by a liberal student. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Methuen, 1903. Full morocco, 8 3/4 inches tall. A beautiful volume in full crushed morocco with raised bands, dentelles and gilt top edge. This edition on handmade paper is limited to 200 copies with the inscription on the paste down endpaper admitting the Duke of Gloucester as a fellow of the Royal College of Surgeons. From the Duke of Gloucester's library at Kensington Palace.

London: Arthur L. Humphreys, 1902. Full morocco, 6 1/2 inches tall. A superb full crushed morocco with raised bands, simple, yet very pleasing, geometric gilt tooling to the panels and boards. With gilt dentelles and all edges. Beautifully printed by Humphreys on handmade paper. A wonderful edition of this great devotional work.

London: Johnson, Baldwin et al., 1805 & 1807, 1806. 4 books, bound in two volumes, 9 inches tall. A splendid 2 volume set in full Georgian tree calf with raised bands, gilt pallets, red labels and blue speckled edges. With four engraved title pages. With the bookplate of M. General Sir Charles Stewart of Wynyard Park. Two classic and highly influential anthologies drawing on references from classical times through to the greatest writers of the 18th century. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Arthur L. Humphreys, 1902. Full morocco, 6.25 inches. with raised bands and simple gilt and blind tooling in the manner of Cobden-Sanderson. Dentelles and all edges gilt. Bookplate. An unusual printing which, to suit Anglican Protestant sensibilities, omits the fourth book which deals with the Roman catholic Mass. A delightfully bound copy.

London: Henry S. King, 1877. 2 volume set, 8 1/2 inches tall. A smart Victorian half calf binding with gilt raised bands, twin labels and very fine gilt tooling to the panels. Neat ink inscription on the first blank. Foxing to the preliminaries then clean. Portrait.

London: Macmillan and Co., 1889. Half calf, 7 1/2 inches tall. A smart copy of this great Victorian morality 'Fairy Tale' in a mid 20th century binding for Sotheran with gilt raised bands, twin labels and handsome gilt tooling to the panels. Top edge gilt. A new edition with 100 illustrations by Linley Sambourne. A lovely copy of this tale of the horrors endured by child labour, specifically by chimney sweeps and their eventual Christian redemption.

London: Arthur L. Humphreys, 1907. Full morocco, 6 1/2 inches tall. A handsome full morocco by Hatchards with raised bands, geometric gilt and blind tooling to the panels and boards. With gilt dentelles and all edges. Slightly rubbed and darkened around the borders of the boards. Beautifully printed by Humphreys on handmade paper. A wonderful edition of this great devotional work.

London: Methuen and Co., 1894. Half morocco, 7 1/2 inches tall. A delightful binding by Zaehnsdorf with elaborate gilt floral tooling around a crossed brace of pistols on a smooth back. Gilt top edge. With an impressive 'Arthurian' bookplate. Foxing to the text. A splendid copy of these great poems and songs based on the men of the British army during the reign of Queen Victoria, including such classics as 'Gunga Din' and 'Mandalay'.

London: Routledge, 1905. Half vellum, 9 inches tall. A smooth back with a gilt label and fine gilt tooling in the 'Art Nouveau' style. Illustrated with12 photogravures.