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London: Charles Knight, 1833. 27 volume set bound in 14, 11 1/2 inches tall. First edition. A very handsome set in an early Victorian half calf with gilt raised bands, smart twin labels, gilt and blind pallets and blind centre tools. Foxing, mostly confined to the first few leaves. A little blue has run from the marbling to the very edges of some leaves. Embellished throughout with engraved vignettes and some full page illustrations. Highly influential in its day, Herman Melville famously used the Penny Cyclopædia when writing Moby-Dick. Very few sets have survived in this state.

London: Henry G. Bohn, 1851. 6 volume set, bound in 3, 10 inches tall. An exceptionally good looking mid-Victorian full calf with gilt raised bands, twin labels and really fine dense gilt tooling to the panels. Twin gilt fillets frame the boards. With the armorial bookplate of Evan Charles Sutherland-Walker of Skibo Castle. A superb copy of this profusely illustrated and highly entertaining work.

London: Chapman & Hall, 1844. Full morocco, 8.75 inches tall. A splendid copy in pristine condition with gilt raised bands, titles and extra gilt panels. Very fine gilt rolls framing the boards and all edges gilt. Folding map. A celebrated work covering: 'St Petersburg, Moscow, Kharkoff, Riga, Odessa, The German Provinces On The Baltic, The Steppes, The Crimea and The Interior of The Empire'.

London: Robert Riviere, 1928. Full calf, 8 inches tall. A pristine copy of this most attractive edition having been housed in its original slip case. With gilt raised bands, olive label and gilt tooling to the panels on sprinkled calf. The boards have an ornate arabesque gilt tooled panel against a sprinkled calf border. Vine gilt tooled dentelles and all edges gilt. With striking full page illustrations by Gilbert James.

London: Whittaker, 1824. 3 volume set, 7 inches tall. An elegant Georgian half calf with gilt bands and simple blind tooled panels. Pink speckled edges. With the heraldic crest of Vane Londonderry in the top panel. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. A scarce and elegant set of this first edition triple decker.

London: Bradbury and Evans, 1856. 8 volume set, 8.75 inches tall. A classic Victorian half calf with gilt raised bands, twin labels and very impressive regal gilt tooling to the panels. This 'Popular' edition is illustrated throughout with full page and vignette engravings. Some rubbing and scuffing but a good looking set with no splitting or loss.

London: Richard Phillips, 1802. 3 volume set, 6 1/4 inches tall. An exquisite full Georgian calf with gilt bands, twin labels and ornate and delicate gilt tooling to the panels. Portrait and one engraved frontispiece showing 'A Scene in a Tartar Village'. Blue speckled edges. A scarce title describing the extraordinary life of this German dramatist, notoriously murdered by a liberal student. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Methuen, 1903. Full morocco, 8 3/4 inches tall. A beautiful volume in full crushed morocco with raised bands, dentelles and gilt top edge. This edition on handmade paper is limited to 200 copies with the inscription on the paste down endpaper admitting the Duke of Gloucester as a fellow of the Royal College of Surgeons. From the Duke of Gloucester's library at Kensington Palace.

London: Arthur L. Humphreys, 1902. Full morocco, 6 1/2 inches tall. A superb full crushed morocco with raised bands, simple, yet very pleasing, geometric gilt tooling to the panels and boards. With gilt dentelles and all edges. Beautifully printed by Humphreys on handmade paper. A wonderful edition of this great devotional work.

London: Johnson, Baldwin et al., 1805 & 1807, 1806. 4 books, bound in two volumes, 9 inches tall. A splendid 2 volume set in full Georgian tree calf with raised bands, gilt pallets, red labels and blue speckled edges. With four engraved title pages. With the bookplate of M. General Sir Charles Stewart of Wynyard Park. Two classic and highly influential anthologies drawing on references from classical times through to the greatest writers of the 18th century. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Macmillan, 1923. Full morocco, 7 3/4 inches tall. A splendid and remarkable full crushed morocco with gilt raised bands, fine gilt tooling to the panels and boards. Gilt dentelles and all edges gilt and gauffered. Illustrated by Frank Craig.

London: Arthur L. Humphreys, 1902. Full morocco, 6.25 inches. with raised bands and simple gilt and blind tooling in the manner of Cobden-Sanderson. Dentelles and all edges gilt. Bookplate. An unusual printing which, to suit Anglican Protestant sensibilities, omits the fourth book which deals with the Roman catholic Mass. A delightfully bound copy.

London: Macmillan and Co., 1889. Half calf, 7 1/2 inches tall. A smart copy of this great Victorian morality 'Fairy Tale' in a mid 20th century binding for Sotheran with gilt raised bands, twin labels and handsome gilt tooling to the panels. Top edge gilt. A new edition with 100 illustrations by Linley Sambourne. A lovely copy of this tale of the horrors endured by child labour, specifically by chimney sweeps and their eventual Christian redemption.

London: Arthur L. Humphreys, 1907. Full morocco, 6 1/2 inches tall. A handsome full morocco by Hatchards with raised bands, geometric gilt and blind tooling to the panels and boards. With gilt dentelles and all edges. Slightly rubbed and darkened around the borders of the boards. Beautifully printed by Humphreys on handmade paper. A wonderful edition of this great devotional work.

London: Samson Low, 1859. Full Morocco, 8 inches tall. A remarkable Victorian embossed binding with raised bands, blind centre tools and pallets to the spine and complex blind embossed tooling around a much decorated gilt title to the boards. All edges gilt. 20 engraved illustrations by Wehnert. Ink inscription to the second blank 'Miss M. Hogoboom Sharon'. There has been some near invisible expert restoration to the tooling on the upper board, overall a splendid copy.

London: Routledge, 1905. Half vellum, 9 inches tall. A smooth back with a gilt label and fine gilt tooling in the 'Art Nouveau' style. Illustrated with12 photogravures.

Oxford: James Parker, c.1850. Full calf, 8.25 inches tall. A handsome heavy Victorian full straight grain calf with gilt raised bands, fine gilt tooling to the panels and boards. All edges gilt. An elegantly printed and finely bound copy of this great devotional work.

Paris: Borel, 1902. Full vellum, 7.5 inches tall. With a label and gilt tooling to the spine and a charming gilt design on the upper board with a butterfly alighting on a lotus. Tales of love from classical writers. From the Selbourne collection and with their tiny ink stamp on the reverse of the title page.