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London: Longman, Green, Longman, and Roberts, 1860: 2 Volume set, 8 3/4" tall. An elegant Victorian full calf binding with raised bands and floral gilt tooling framing the panels. Corner tools, twin fillets and one blind fillet frame the boards. Portrait. A very handsome set of these great essays.

London: Henry G. Bohn, 1849. 2 volume set, 7 inches tall. A very smart little set in a Victorian half calf with gilt raised bands, twin labels and a straight grain embossed on the spines. A folding frontispiece. With a previous owner's neat ink name dated 1849 at the head of the title page. An interesting early text from Bohn's Antiquarian Library.

London: Longmans, Green, and Co., 1875 & 1877. 10 volume set, 8 1/2 inches tall. A very handsome Victorian full calf with gilt raised bands, twin labels and finely gilt panels around a pomegranate centre tool. A splendid set of the Works complete in 8 volumes and the Life complete in 2 volumes. There is some minor rubbing and the engraved frontispiece of the Life is offset, otherwise a clean and pristine set of this great history.

London: Macmillan and Co., 1890. 4 volume set, 8 1/2 inches tall. A splendid late Victorian tree calf by Riviere with gilt raised bands, delicate floral gilt tooling to the panels and twin labels. A gilt roll frames the boards. With 8 folding maps. Scratching to the lower board of the fourth volume, but still a fine and elegant set of this classic history.

Shaftesbury: Printed and Published by the author & London: Longman, Rees et al., 1829. Half calf, 10 inches tall. A charming Georgian binding with wide gilt raised bands and extra gilt panels. Armorial bookplate. Embellished with engraved frontispiece, folding map and 12 lithographs. A fine tall copy.

London: A. Wilson, 1812. Full Calf, 8 1/2 inches tall. A most attractive Regency full diced calf with inked and gilt raised bands and ornate gilt centre tools. The diced boards are framed within a delicate gilt fillett. Double Column. A single volume edition of Smolletts' great history covering the period..."from the Revolution in 1688, to the Death of George the Second. Designed as a Continuation of Hume".

Oxford: The Clarendon Press, 1826. 8 volume set, 9 inches tall. A superb, if slightly faded, full William IV hard grain morocco with raised bands, gilt titles, dentelles and all edges. With the armorial bookplate of Laurence Currie. Slight rubbing but a very handsome and clean set of Clarendon's great 'History of the Rebellion'.

London: Longman, Brown, Green, and Longmans, 1854. 3 volume set, 6 3/4 inches tall. A classic Victorian full calf binding by the great firm of Hayday with gilt raised bands, twin labels and very fine gilt tooling to the panels. Armorial bookplate. Sir James Mackintosh was a politician and liberal philosopher most remembered for his views on the French Revolution.

London: John Murray, 1901. 2 volume set, 8 3/4 inches tall. A beautiful Edwardian full calf binding from the library of Alfred de Rothschild, but without his bookplate. With gilt raised bands, twin labels and fine gilt tooling to the panels. Gilt and blind fillets frame the boards. Foxing to the preliminaries, then pristine. Illustrated throughout. The notorious Lady Sarah Lennox was 'Daughter of Charles, 2nd Duke of Richmond, and successively the Wife of Sir Thomas Charles Bunbury, Bart,; and of the Hon: George Napier'. The work also includes 'a short political sketch of the years 1760 to 1763 by Henry Fox, 1st Lord Holland'. A favorite of both King George II and King George III she led a remarkable and scandalous life.

London: Longmans, Green and Co., 1870. 3 volume set, 9 inches tall. A classic Victorian full calf by Bickers with gilt raised bands, twin labels and extra gilt tooling to the panels. With the bookplate of Charles J. Dobson. Foxing to the preliminaries, otherwise perfectly clean.

London and Paris: Boussod, Valadon & Co. (GOUPIL), 1896. Full calf, 12 3/4 inches tall. A superb full calf binding by Henderson & Bisset with raised bands and 'regal' centre tools framed within a series of pallets to the panels. A series of gilt and blind fillets with the gilt 'regal' corner tools frame the rose and crown insignia of Elizabeth Regina. Gilt dentelles and top edge.. This is the best edition of this lavish work with the plates in 2 states in a limitation of 200 numbers and 100 lettered copies of which this is number 70. Colour frontispiece and many monochrome plates throughout. A bookplate has been removed and there is some superficial damage caused by a long defunct insect, overall a magnificent copy.

London: John W. Parker, 1855: 1855. 4 volume set, 8 3/4 inches tall. A spectacular mid-Victorian full hard grain pink morocco by Grieve of Edinburgh, with gilt raised bands, green labels and a blind Aldus leaf centre tool. Wide gilt rolls and blind fillets frame the boards. With the armorial bookplate of Peter Carmichael. Maps, including 2 double page. A superb set of this great history devoted to the relationship between the conquering Spanish forces and the native American Indians.

London & Edinburgh: W. & R. Chambers, 1885. 2 volume set, 10 inches tall. A very handsome set in late Victorian half calf with gilt raised bands, twin labels , gilt and blind pallets and neat gilt centre tools. With full page plates. A chronological encyclopaedia of English Literature from the 'earliest times to the second half of the nineteenth century.

London: C and J Rivington, T. Cadell et al., 1827. 6 volume set, 9 inches tall. A very handsome early Victorian full calf by Wiseman of Cambridge. With blind tooled raised bands and smart gilt framing to the panels. The gilt embossed crest of Queen's College Cambridge within gilt and blind fillets frames the boards. Some rubbing but a solid and firm set. Subtitled 'The History of Modern Europe with an account of the Decline and Fall of the Roman Empire; and a View of the Progress of Society, from the Rise of the Modern Kingdoms to the Peace of Paris in 1763, in a Series of Letters from a Nobleman to his Son. A New Edition with a Continuation, Terminating at the Death of Alexander, the Russian Emperor, in 1825.

Chiswick: Printed by C. Whittingham for R. Triphook, 1822. Half Calf, 6 1/2 inches tall. A good looking later binding in half mottled calf with a smooth back, gilt pallets, centre tools and label. Gilt top edge. Portrait. Small split to the head of the upper board but perfectly firm and solid. Foxing to the preliminaries. Martyred for his opposition to the Protestant Reformation, More is venerated as a Saint by the Catholic Church.

London: William Pickering, 1840; Cambridge: Deighton, 1848. 5 volume set, 9 inches tall. A most handsome Victorian full calf binding with gilt raised bands, twin labels and delicate gilt tooling to the panels. A fine set of the lectures of William Smyth, an English poet and historian celebrated for his analysis of both the American and French revolutions.

London: John Murray, 1845. 2 volume set, 8 3/4 inches tall. A classic Victorian full calf binding by Bickers with gilt raised bands, twin labels and extra gilt tooling to the panels. Twin gilt fillets and corner tools frame the boards. A neat inscription "....On his leaving Eton Xmas 1866." on the first blank. A handsome clean set of Lappenberg's greatest work translated into English for the first time.

Edinburgh: Archibald Constable, 1819. Half calf, 8 1/2 inches tall. A splendid Regency binding on half 'Russia' calf, with gilt raised bands, blind pallets and ornate, dense extra gilt panels. Particularly interesting marbled paper on the boards. From the library of Alfred de Rothschild but without the bookplate. Some foxing on the engraved frontispiece, otherwise clean. A tear on one leaf, not affecting the text. Romanticized by Sir Walter Scott and John Buchan, 'The Great Montrose', Seventeenth century Scottish nobleman, poet and soldier, fought for Charles I in the Civil War.

London: Baldwin, Cradock et Joy, 1824. 2 volume set, 8 1/2 inches tall. A splendid Regency binding on half 'Russia' calf, with gilt raised bands, blind pallets and ornate, dense extra gilt panels. Particularly interesting marbled paper on the boards. From the library of Alfred de Rothschild but without the bookplate. An anonymous work on the life of this extraordinary woman with 'correlative details of the literature and manners of Italy and Provence in the thirteenth and fourteenth centuries'. With some foxing and a couple of paper tears not affecting the text. A lovely set.