Full Morocco

Amsterdam: 1745. 2 volume set, 6 1/2 inches tall. An exquisite full crushed morocco binding by Reymann with gilt raised bands and exceptionally fine and delicate tooling to the panels. Triple gilt fillets frame the boards. Gilt dentelles and all edges. The whole work is remarkably bright and clean. There is a small black ink stain in the margin of pages 3-6 in volume one and no frontispiece to volume 2 was ever bound in. Embellished with an engraved frontispiece to volume 1, engraved vignettes to both title pages, Engraved tailpieces and 68 engravings illustrating the tales. In the original French.

Antwerp: Ex Architypographia Plantiniana apud Albertum Moretus, 1837. Full morocco, 15 3/4 inches tall. A huge tome in a superb full morocco with gilt raised bands and extra gilt tooling to the panels. The boards have splendid gilt tooling framing the monogram of the Greek spelling of Jesus, Iota Eta Sigma, the traditional Christogram symbol of Western Christianity. There are 7 silk finger tabs. All edges gilt. There are some marks and slight sporadic foxing but no splitting or loss. A very impressive example of this great Roman Catholic liturgical work containing the instructions, prayers, chants and responses of the Roman service in Latin.

London: Shakespeare Press, for John Major, 1826-1828. 5 volume set, 10 inches tall. A beautiful later straight grain morocco binding by Riviere with gilt bands on green calf on a smooth back and gilt tooling to the panels. Triple gilt fillets and corner tools frame the boards. Gilt dentelles and all edges. Slight rubbing, but a fine clean set. Illustrated with 80 fine full page engraved portraits. Horace Walpole was an English politician, art historian and antiquarian, celebrated for writing this great work of art history and the first Gothic novel, 'The Castle of Otranto'.

London: Cadell and Moxon, 1834. Full morocco, 8 inches tall. A superb early Victorian full hard grain morocco binding by the great firm of Hayday with the following inscription in pencil on the paste down endpaper: "Bound in prize leather, Exhibited at the Great Exhibition, Hyde Park 1851". With raised bands, fine ornate gilding around a single 'Aldine' vine leaf. A series of gilt rolls and fillets frame the Grecian Urn device on the boards. Gilt dentelles and all edges. Armorial bookplate. Roger's poetry is mostly remembered for the fine engraved vignettes by Turner and others in this edition rather than for its artistic merit. Slight foxing, as usual.

London: Sherwood, 1825. 2 Volume set, 9 1/2" tall. A later beautiful full crushed Morocco by Ramage with gilt raised bands and superb gilt tooling to the panels. Gilt corner tools and fillets frame the boards. Gilt dentelles and top edges, and the book plate of Joseph Turner. Embellished with 71 witty hand coloured aquatints, 2 engraved title pages and many engraved vignettes. A wonderful set of this highly entertaining work.

London: Strahan and Co., 1870. 10 volume set, 5 1/4" . An usually heavy sumptuous morocco binding with gilt raised bands and gilt and onlayed calf tooling. With dentelles and all edges gilt . The text is decorated with initials and headings. A really lovely little set.

London: J. M. Dent & Co., c.1900. Full morocco, 5 3/4 inches tall. A wonderful example of one of Ramage's luxurious full morocco bindings (see our extensive selection), in pristine condition. With gilt raised bands, extraordinary extra gilt tooling to the panels and boards. With wide gilt doublures, watered silk 'end papers', and all edges gilt. Portrait and decorated title page. From the recently dispersed library of a Dorset Country House.

London: T. Cadell and W. Davies, 1820. 2 volume set, 10 inches tall. An impressive early Victorian full hard grain morocco binding by the great firm of Wright. With raised bands, gilt pallets and twin gilt fillets framing the boards. The initials J.R. are on the tail of both spines. All edges gilt. Embellished with 2 engraved vignettes on the title pages and 20 full page engravings, as called for, by Thomas Stothard. A little foxing to several plates, overall in pristine condition. A very handsome set of Defoe's early 18th century tale, which remains one of the most popular adventures ever written.

London: Shakspeare Printing Office, 1804. Full morocco, 9 inches tall. A superb later crushed morocco by the great firm of Bedford. With gilt raised bands and very fine gilt tooling to the panels. Gilt dentelles and all edges. Slight rubbing. With delightful full page engravings and engraved vignettes by Bewick. With lives of Goldsmith and Parnell, Parnell's greatest poem, 'The Hermit' and Goldsmith's 'The Traveller' and 'The Deserted Village'.

London: John Murray, 1869. Full morocco, 8 1/2 inches tall. A splendid heavy Victorian full hard grain morocco with the coronet and initials of Baron Saye et Sele of the Twisleton-Wykeham-Fiennes family in the top panel. With gilt raised bands and very fine gilt tooling to the panels, gilt dentelles and all edges. With a gilt blocked crest on both boards and prize bookplate on the paste down endpaper. Foxing to the preliminaries, then clean. Slight rubbing. An impressive copy of this biography of the great Roman statesman and philosopher.

London: Longmans, Green and Co., 1874. 2 volume set, 8 1/4 inches tall. A stunning dark pink hard grain morocco binding with gilt raised bands, extra gilt panels and magnificent gilt tooling to the boards. Gilt dentelles and all edges. Book plate. Illustrated throughout. A fine set of this classic work by the Dublin born art historian, Mrs. Jameson.

Oxford: The Clarendon Press, 1826. 8 volume set, 9 inches tall. A superb, if slightly faded, full William IV hard grain morocco with raised bands, gilt titles, dentelles and all edges. With the armorial bookplate of Laurence Currie. Slight rubbing but a very handsome and clean set of Clarendon's great 'History of the Rebellion'.

London: G. Virtue, 1830. Full morocco, 10 inches tall. An exceptionally tall copy in a beautiful later full straight grain morocco binding by Sotheran of Piccadilly. With gilt raised bands, a superb boxing centre tool within an ornate cartouche in the panels and the boards, gilt dentelles and top edges, the remaining edges untrimmed. With 2 armorial bookplates. Embellished with all 36 hilarious hand-coloured aquatints from designs by Robert Cruikshank. A pristine example of this great comic work, in which our heroes continue with their debauched adventures around London.

London: Philip Lee Warner Publisher to the Medici Society, 1912. Full morocco, 10 1/4 inches tall. A wonderful and unique binding by Bumpus with raised bands and onlays on the panels. The crushed morocco on the boards is framed with a beautiful gilt border with a green Greek key design and further onlays. Watered silk doublures and all edges gilt. Printed on hand-made Riccardi Paper in a limited edition of 500 copies. With 12 superb illustrations in colour by William Russell Flint. A unique volume, in pristine condition, of Kingsley's great retelling of the Myths and Legends of Greek Mythology.

London & New York: The Grolier Society, 1909. Full morocco, 9 1/4 inches tall. A remarkable binding with gilt raised bands and floral gilt tooling and green calf onlays in the Art Nouveau style to the panels and boards. Splendid gilt tooled doublures and watered silk free endpapers. Armorial bookplate of Henry von Beyr. Illustrated with 6 etched portraits by C.X. Harris. Signed by the author in an edition limited to 1250 copies of which this is number 2. The spine is faded by the sun and there are a few superficial marks to the blanks and limitation page, and there is some minor scratching to the back board, but overall still a lovely copy.

Edinburgh: Silvester Doig et al. and London: Longman et al., 1812. 2 volumes bound in 1, 7 inches tall. A lovely full crushed morocco by Ramage with gilt raised bands, superb extra gilt panels and a gilt 'Cambridge ' panel to both boards. Gilt dentelles and top edge. With the armorial bookplate of Robert Kirk M.D.. On the dedication page and the title page of volume II is the neat ink stamp of Hill (booksellers of) Perth. Embellished with 2 portrait frontispieces and a further 6 engraved plates.

Edinburgh: William Paterson, 1877-79. 6 volume set, 9 inches tall. A superb late Victorian full straight grain morocco binding by Kerr & Richardson with gilt raised bands, delicately gilt framed panels and a gilt bust of Burns in the top panels. Twin gilt fillets frame the boards. Gilt dentelles and all edges. The text block is exceptionally clean. Profusely illustrated with portraits, plates and vignettes. A first edition of the the great William Scott Douglas edition in which the poems are arranged chronologically and in which the text and notes are the most complete and correct. A splendid set of this great edition in a fine binding by a great firm of Glasgow binders.

Edinburgh: Constable and London: Vernor & Hood, 1801. 2 volume set bound as 1, 7 1/2 inches tall. A later Victorian beautiful full crushed morocco binding by the great firm of Ramage with gilt raised bands and ornate gilt tooling to the panels. Gilt fillets frame the boards. Gilt dentelles and all edges. Bound with the glossary, errata and advertisements. Sir John Graham Dalyell was a Scottish advocate, antiquary and naturalist who studied 700 manuscripts in the preparation of this work.

Glasgow: Hopkins, 1869. 2 volume set, 8 inches tall. A handsome edition in a full crushed morocco binding by Grieve with gilt bands on a smooth back, twin olive labels and superb gilt floral tooling to the panels. Gilt triple fillets and floral corner tools frame the boards. Gilt dentelles and top edges. Portrait and engraved vignettes. Joseph Ritson was an 18th century English Antiquarian who first published his 'Scotish Songs' in 1794, this mid Victorian edition is printed on hand-made paper and is in pristine condition.