Search

Paris: Joseph Barbou, 1755. 2 volume set, 6 inches tall. A beautiful set bound by White of Pall Mall in pristine condition in full crushed morocco. A flat back with gilt bands and delicate tooling in the style of Derome. Gilt dentelles and all edges. Frontispiece and two folding maps. A truly delightful set in the original Latin. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Charles Griffin & Co. (1865). Full morocco, 7 3/4 inches tall. A fabulously bound volume by Zaehnsdorf with gilt raised bands and a superb stylized floral device in the panels and en masse on the boards. Gilt tooled dentelles and all edges gilt. With the leather bookplate of W.A. Foyle of Beeleigh Abbey. Rubbing but perfectly firm. The frontispiece and 12 further images represent famous Shakesperean characters or creations. These are followed by 2 pages of illuminated text relating to the characters. We can find very few examples of this work in institutions and no other copies in the trade.

London: Macmillan, 1890, 1891. Full morocco, 10 1/2 inches tall. A stunning large paper copy in full crushed morocco bound by Riviere in 1893 in absolutely pristine condition. With gilt raised bands and exquisite floral gilt tooling to the panels. A gilt embossed ornate centre tool is framed within a series of gilt rolls and fillets on both boards. Wide gilt dentelles and gilt top edges, the remaining edges untrimmed. The original cloth wraps are bound in. Profusely illustrated by Hugh Thomson, who has signed the title page, throughout. A wonderful copy of one of the greatest comic 18th century novels.

Paris: Éditions d'art Édouard Pelletan, 1905. Full morocco, 11 1/2 inches tall. A beautiful work in an exquisite binding by Affolter with gilt raised bands and glorious floral gilt tooling to the panels and boards. Elaborately gilt tooled dentelles and all edges. Sparkling embroidered silk end papers. The leather trimmed, felt lined slip case is splitting, but has preserved the book in pristine condition. The plates in 3 and 5 states. Examplaire 9 of 165 copies.

London: R. Ackermann, 1815: 1815. Full morocco, 10 inches tall. A tall and sumptuous later full crushed morocco binding by the great firm of Bedford. With gilt raised bands and exceptional gilt tooling to the panels. Gilt dentelles and top edge. Very slight fading to the spine but still a wonderful copy from the library of a Scottish Gentleman. Hand-colored aquatint frontispiece, engraved title page and a further 16 hand-colored aquatint plates, as listed. First edition in book form. As good a copy of this highly entertaining work as one could hope to find.

London: William Pickering, 1846. 2 volume set, 12 inches tall. A magnificent crushed morocco by J. Clarke with gilt raised bands, very finely tooled panels, gilt dentelles and all edges. With the gilt embossed arms of Earl Cawdor on the boards. Beautifully embellished with 16 plates, 3 coloured, 1 folded and 60 illuminated initials. Some foxing to the engraved plates, otherwise pristine. A very fine set.

London: Printed by Bensley for Triphook, 1817. 2 volume set, 9.5 inches tall. A binding in full straight grain morocco of the highest quality attributed to C(harles) Lewis on an ancient tipped-in slip from an old catalogue. With wide gilt raised bands, exceptionally fine and dense gilt tooling to the panels and neat gilt tooling framing the boards. Superb gilt doublures. With the splendid armorial bookplate of the great bibliophile Prince Augustus Frederick, Duke of Sussex, whose magnificent library was housed at Kensington Palace. One of only 50 large paper sets with the woodcuts, after Thurston, being in 2 states, one on india paper. Some minor foxing.

Paris: L. Curmer, 1861. Full morocco, 13.25 inches tall. An extraordinary binding by Riviere with gilt titles to the spine and both boards and extraordinary blind tooling to the panels, boards and doublures. Vellum endpapers. All edges gilt. This is the text volume, red ruled throughout, and is offered WITHOUT the Plates. In 'Fine and Historic Bookbindings from the Folger Shakespeare Library', published in 1992 a very similar binding is described and illustrated (page 222, item 14:5). It is described as 'a Pastiche of a 16th Century Panel-Stamped Binding by Riviere and Son, c.1881'.

London: Macmillan and Co., 1892. Full morocco, 6 inches tall. A beautiful full morocco by Ramage with gilt raised bands, delicate, tiny gilt tooling to the panels and boards with a multitude of stars and flowers. Gorgeous gilt dentelles and watered silk doublures and free end paper. All edges gilt. From the Golden Treasury Series. A delightful little binding of great quality in pristine condition.

London: Macmillan and Co., 1899. Full morocco, 6 inches tall. A beautiful little binding by Ramage with gilt raised bands, dense gilt tooling of many stars and dots around heart centre tools to the panels. On the boards onlays of calf create rosebuds with a wide border of stars and hearts. Delicately gilt tooled dentelles and watered silk doublures and all edges gilt. The rather extraordinary bookplate of Sibell Cromartie (Countess Cromartie of Castle Leod) is found on the pastedown 'endpaper'. A delightful volume of the poetical works of John Keats.

London: Virtue & Co., 1875. 2 volume set, 15 inches tall. A tall and magnificent full morocco by Flude, Birch & Skelt, and with their ticket, with twin gilt raised bands and splendid gilt and blind tooling to the panels and boards. With fine gilt dentelles and all edges. Bookplate. Complete with all 39 full page engravings and 2 engraved vignettes on the title pages. Some light foxing and offsetting from a few plates, overall an usually clean and neat set of this monumental edition.

London: Ackermann, 1815. Full morocco, 9 1/2 inches tall. A magnificent copy in full navy blue morocco for Sawyer with gilt raised bands, very fine gilt tooled panels and top edge gilt. Triple gilt fillet framing the boards. With 2 maps, 1 folding and 17 superb hand coloured aquatints by Thomas Rowlandson.

London: Longman et al., 1814. Full morocco, 15 inches tall. A magnificent tall full hard grain morocco with gilt raised bands, superb twin labels and spectacular gilt tooling to the panels. The boards are framed by triple gilt fillets and centre tools. Gilt dentelles and all edges. Embellished with 95 splendid engravings. The tallest and best edition of this work in an exceptional binding.

London: Remington and Co., 1884. Full morocco, 8 1/2 inches tall. A remarkably beautiful binding by Zaehnsdorf with gilt raised bands, twin olive labels and dense, ornate gilt tooling with green calf onlays to the panels and boards. Wide and ornate gilt dentelles. All edges gilt. Extra-illustrated with a further 30 plates. 'An Essay on some of the Characteristics of Reynolds as a Designer, with especial Reference to his Portraiture of Children'. With the bookplate of Chippenham Lodge. A charming work in sparkling condition.

London: G. Virtue, 1830. Full morocco, 10 inches tall. An exceptionally tall copy in a beautiful later full straight grain morocco binding by Sotheran of Piccadilly. With gilt raised bands, a superb boxing centre tool within an ornate cartouche in the panels and the boards, gilt dentelles and top edges, the remaining edges untrimmed. With 2 armorial bookplates. Embellished with all 36 hilarious hand-coloured aquatints from designs by Robert Cruikshank. A pristine example of this great comic work, in which our heroes continue with their debauched adventures around London.

London: Sherwood, 1825. 2 Volume set, 9 1/2" tall. A later beautiful full crushed Morocco by Ramage with gilt raised bands and superb gilt tooling to the panels. Gilt corner tools and fillets frame the boards. Gilt dentelles and top edges, and the book plate of Joseph Turner. Embellished with 71 witty hand coloured aquatints, 2 engraved title pages and many engraved vignettes. A wonderful set of this highly entertaining work.

London: Virtue, 1836. Full straight grain morocco, 11 inches tall. A fabulously bound set with extraordinary gilt and white metal tooled spine and boards.the elaborate 'cathedral' design on all four boards is made up from individual tooling, as is the superb tooling on the spines. All edges gilt. Illustrated with 2 engraved titles and 106 full page engraved views and I folding map. Some foxing to the plates and slight fading to the spine, but still a fine and spectacular set.