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Edinburgh: Adam and Charles Black, 1857. 25 volume set, 8.75 inches tall. A truly spectacular set in full dark pink morocco in marvellous condition. With gilt raised bands, twin green labels and extra gilt panels. The boards are decorated with a very delicate and ornate panel framed within a triple roll. Gilt dentelles and all edges. Engraved frontispieces, title pages, portraits and views throughout. Other than a few very superficial marks this set is in pristine condition with no wear or fading.

London: Baynes, 1813. Full straight grain red morocco, 20 inches tall. A monumental binding with wide gilt raised bands and Superb gilt tooling to the panels. The boards are embellished with very wide blind and gilt rolls. Gilt dentelles and all edges. With the vignette on the title page and 108 engraved portraits. A spectacular example of this great book.

London: The Punch Office, 1847-1848. Bradbury and Evans. 3 volumes, 9 inches tall. A wonderful set of the first editions of these great comic works. Bound by Bradstreet in the finest full crushed morocco with raised bands and gilt dentelles. From the Duke of Gloucester's library at Kensington Palace, each volume with his bookplate. Prince Henry, Duke of Gloucester was the third son of King George V, brother of King George VI and King Edward VIII. Original wrappers bound in. With a total of 30 hand coloured engravings and over 300 woodcuts by John Leech.

London: Chatto & Windus, 1892-94. 2 volume set, 9 1/2 inches tall. A beautiful full crushed morocco binding by RIVIERE, dated 1895 with the title in a gilt cartouche on a smooth back embellished with gilt Art Nouveau leaves within a double fillet. The boards have twin gilt fillets framing Art Nouveau leaf sprays. Decorated gilt dentelles and top edge. With all 23 plates called for. These tall deluxe editions are respectively numbers 19 of 250, and 15 of 200 copies only. Signed by Dobson on the limitation leaf of the first series.

Amsterdam: sumptibus Jacobi Wetstenii, 1743. 4 volume set, 11.5 inches tall. A magnificently bound set with gilt raised bands and superb gilt tooling to the panels. Simple gilt fillets framing the boards, dentelles and all edges gilt. The index was published in 1746. With the armorial bookplate of Tatton Park. Slightly rubbed but with no loss or splitting. Beautifully printed in Greek and Latin. Dibdin considered this to be the most accurate and most beautiful edition of the works of Lucian, the great satirist and rhetorician.

London: William Miller, 1808. 18 volume set, 9.5 inches tall. A magnificent set in a binding typical of the beginning of the 19th century. Bound in full straight grain morocco with gilt raised bands, blind tooled panels and dentelles. The boards are framed within gilt and blind rolls. Portrait. With the ticket of Upham & Beet (Booksellers) of New Bond Street. With the bookplate of Lt. General Sir John Macdonald, Adjutant-General to the Forces, friend and supporter the Duke of Wellington. 'Glorious' John Dryden, poet, critic and playwright was a dominant figure in the English Restoration.

Paris: L’auteur des Estampes, 1786-1793. 3 volume set, 12 inches tall. An old tipped in catalogue entry attributes this magnificent binding to Charles Lewis. With wide gilt raised bands, delicate and ornate gilt tooling to the panels, twin labels, dentelles and all edges gilt. Complete with 3 engraved title pages, portrait and 73 engraved plates after Le Barbier. There are an extra 18 stipple engraved plates and 70 highly decorative vignettes. Some speckling and scuffing to the boards. A super copy of this beautiful 18th century deluxe edition.

London: T. Edgerton, Military Library, Whitehall, 1815. Full morocco, 9 1/2 inches tall. A wonderful copy of a scarce book in full Regency straight grain morocco with gilt raised bands, gilt pallets, the board framed with a wide blind roll and a double gilt fillet. All edges gilt. Embellished with 27 folding hand coloured engraved plans illustrating the cavalry manouevers. This copy is inscribed ' from the author' and was from the library of Lord Londonderry, though without his bookplate.

Edinburgh, 1803. 3 volume set, 13.5 inches tall. A magnificent set in Georgian full red straight grain morocco with wide gilt raised bands and superb gilt and blind tooling to the panels and boards, so typical of the period. Gilt dentelles and all edges. The armorial bookplate of Arthur G. Soames of Sheffield Park. Containing 374 splendid etchings. Some foxing and rubbing but overall a remarkable set of this celebrated work.

London: Johnson et al., 1801. 6 volume set, 9 inches tall. A glorious Georgian full straight grain morocco with twin gilt raised bands, dense geometric gilt tooling to the panels and twin labels. A fine gilt roll and twin fillets frame the boards. Gilt dentelles and all edges. A portrait of Milton is in volume I and an engraved plate in volume VI. A celebrated edition of the works of one of the greatest of all 17th century poets in a remarkable binding.

Newcastle: Charnley, Baldwin, Cradock and Joy, 1820. Full morocco, 11 inches tall. A fabulous full morocco binding by Tout, With gilt raised bands, exceptionally fine gilt tooling to the panels and boards. Wide gilt dentelles and all edges. With the bookplate of Archer Ryland. Illustrated throughout with cuts designed and engraved by Thomas and John Bewick. A wonderful copy of this fine edition.

London: Macmillan, 1920. Full morocco, 6 inches tall. A glorious binding by Ramage with gilt raised bands, and very intricate and elaborate gilt tooling and inlays to the panels and boards. Gilt dentelles and all edges. Watered silk doublures and free endpapers. We have seen this Ramage binding on other volumes but none in this pristine condition. The Meditations of the great Roman emperor and Stoic philosopher (AD 121 - 180), in English.

Boston & New York: Houghton Miflin Company, 1909. 16 volume set, 9 inches high. A truly splendid set bound by OLDASH in full morocco with raised bands, fine gilt tooling to the panels, wide dentelles and top edge. Watered silk doublures and endpapers. With full page illustrations throughout. With the armorial bookplate of John J. Raskob. A superb set in pristine condition.

London: Longman, Rees, Orme, Brown, and Green; and Adam Black, 1829. Full morocco,12 inches tall. Two volumes bound in one, complete. A magnificent early Victorian binding by Wright, one of the greatest binders of the period with gilt raised bands, label and glorious gilt tooling to the panels and boards. Gilt dentelles and all edges. The Gosford copy, large paper with all 64 india paper proof plates. A little rubbing and minor foxing. A superb copy of this lovely volume showing the glories of Greece.

London: Sherwood, Jones & Co., 1825-1826. 2 volume set, 9.5 inches tall. A magnificent set of the first edition of this brilliant comic work bound in full straight grain morocco by Riviere. With gilt raised bands, gilt paletts, dentelles and all edges. 71 very fine hand coloured aquatints of which 68 are by Robert Cruikshank and 2 by Thomas Rowlandson and 1 by T. Wageman. Featuring rollicking adventures in London, Eton, Brighton, The Isle of Wight and other fashionable hotspots, we follow the 'raffish life of English pleasure seekers'. The author Charles Molloy Westmacott, using the nom de plume Bernard Blackmantle, partly to deflect the torrent of controversy that welcomed the book's publication, was renowned for his satirisation of English high society.

London: The Florence Press by Chatto & Windus, 1909. Full crushed morocco, 11 inches tall. A remarkable binding by J(ulius) Dratva of Vienna with large raised bands and simple gilt framed panels. The upper board shows St Francis kneeling before a winged Christ through an arch with dragon heads in the top corners. All edges have very unusual floral gilt gauffering. A gilt armorial device G.T. with a Griffin wielding an anchor and sword on the paste down endpaper. Number 191 from a limited edition of 500. An exceptional item.

London: Rivington et al., 1811. Full morocco, 12 inches tall. A spectacular binding by Bedford in full red morocco with gilt raised bands, superb floral gilt tooling to the panels and triple gilt fillets framing the boards. Gilt dentelles and all edges. With the bookplate of Joseph Spencer Graydon. With 18 magnificent woodcuts, mostly of the early English monarchs. This is the most well known work of the 16th century John Rastell, being a chronicle dealing with English history from the earliest times to the reign of Richard III. Rastell was also the first English printer of polyphonic music. A wonderful copy of this entertaining history.

London: Septimus Prowett, 1825. 13 volume set, 9 inches tall. A splendid tall paper set in a magnificent hard grain morocco by one of London's most celebrated binders, Clarke & Bedford. With gilt raised bands, ornate gilt tooling to the panels and the play titles in the surely smallest type a binder could use. The boards framed within triple fillets, gilt dentelles and all edges. Some speckles to the boards. With the striking bookplate of John Wodehouse, Earl of Kimberley Foreign secretary under Queen Victoria. This collection of Elizabethan and Jacobean plays was significant in reacquainting the public with many previously neglected works. A very fine set.

Paris: KELLERHOVEN Franz, 1860. Full morocco, 12 inches tall. A remarkable full morocco binding with gilt raised bands and sumptuous gilt tooling to the panels and to the boards framing the gilt coat of arms of Pope Pius IX. Gilt dentelles and all edges. Frontispiece and a further 21 splendid full page chromolithographs. The text is embellished with elaborate borders. Dedication page by Pius IX. With the bookplate of the Sienna Convent Drogheda and a presentation page to the Convent from Maria, Countess of Lavradio, Lisbon. Light foxing. A magnificent volume, internally and externally.