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London: John Sharpe, 1817. Full calf, 6 1/4 inches tall. A delightful Regency full calf binding with gilt and ink raised bands, so typical of the period, extra gilt panels and contrasting label. The diced boards are framed within triple gilt fillets and a wide gilt roll. With the Bookseller's Ticket of Bowdery & Kerby of 190 Oxford Street. With an engraved title page and 3 further full page engravings, all of which have some foxing, the rest of the text being clean. A fine copy of this charming tale.

London: James Duncan, 1834. 6 volumes, 8 1/2 inches tall. Two fine sets in uniform early Victorian full calf with gilt raised bands, gilt tooling to the panels and twin labels. Blind fillets and corner tools frame the boards. Portrait. Foxing to the preliminaries and then clean. From the recently dispersed Country House library of Bridehead in Dorset.

Edinburgh: C. Elliot, 1809. 5 volume set, 8 1/2 inches tall. A very neat Georgian full calf with gilt raised bands, pallets and contrasting twin labels. With the armorial bookplate of John Burton Philips of Heath House. Embellished with an engraved portrait and 26 splendid engravings by Rowlandson and others. Although entitled Miscellaneous Works, this charming set includes all of Smollett's major literary works other than his continuation of Hume's History of England. Each work has its own title page and collation. Slight rubbing and slight foxing to the plates but overall a fine set of the Works of one of Scotland's best novelists.

London: John W. Parker and Son, 1858-1870. 12 volume set, 8 3/4 inches tall. A splendid set in Victorian full straight grain calf with gilt raised bands and fine gilt tooling to the panels. Foxing to the preliminaries, then clean. The 12 volume set is divided into two sets of 6 volumes both entitled 'The Fall of Wolsey to the Death of Elizabeth'. Portrait. A fine Country House set from the Library of Bridehead in Dorset.

London: T. Caddell, 1822. 10 volume set, 8 1/2 inches tall. A very smart country house set in full Georgian blue straight grain calf with wide gilt raised bands and ornate gilt tooling to the panels. There is an armorial device on the boards, framed within a wide blind roll and twin gilt fillets. With the Fothergill bookplate of the library from which the books were recently dispersed. Although perfectly smart on the shelf and with no splitting and with a clean text, many of the boards have evidence of being nibbled by long defunct insects. An early octavo edition in a very good looking, though blemished, Georgian full calf binding.

London: John Murray, 1842. Full Calf, 9 3/4 inches tall. An extraordinary Victorian binding by the great firm of White of Pall Mall, and with their binder's ticket. With gilt raised bands, splendid extra gilt panels , very wide dentelles and all edges gauffered. With remarkable mosaic gilt tooling to the boards with green and black onlays with richly gilt tooled panels. There is rubbing to the boards, some superficial staining and bumped corners but still a wonderful example of this great binding. The borders and ornamental vignettes are by the great Victorian designer Owen Jones and the numerous illustrations are by David Roberts and others.

London: Macmillan and Co., 1911. Full calf, 6 inches tall. An exceptionally pretty full calf with raised bands and highly ornate gilt tooling to the panels and boards. The binder's stamp 'Bound by Otto Schultze & Co. Edinburgh' has been partially erased. From the 'Golden Treasury Series', which were regularly beautifully bound for the 'West End Carriage Trade' at Christmas.

Edinburgh: Sutherland and Knox and London: Hamilton, Adams, and Co., 1850. 4 volume set, 8 1/2 inches tall, A classic Victorian full calf by Hatchards of Piccadilly with gilt raised bands, twin labels and ornate gilt tooling to the panels. An ink inscription dated Christmas Day, 1850 on the third blank. From the country house 'Bride Head' Library. With 2 engraved portraits and 4 engraved title pages. A fine set on the life of the great Scottish economist and churchman, Thomas Chalmers, by his sin-in-law.

London: Longman, Brown, Green, and Longmans, 1848. 3 volume set, 9 inches tall. A remarkable Victorian full mottled extra gilt calf binding. We have never seen a binding quite like it, with gilt raised bands, twin labels, the volume labels being extraordinarily ornate and with very fine extra gilt panels. Gilt dentelles and all edges. A neat ink inscription 'on leaving Eton, 1866' on the first black. Slight foxing to the preliminaries, otherwise clean, the bindings themselves are in pristine condition.

London: John Murray, 1835. 2 volume set, 8 1/2 inches tall. A very good looking Victorian full calf with gilt raised bands, twin labels and handsome gilt tooling to the panels. Triple blind fillets frame the boards. Speckled edges. With the armorial bookplate of Charles Finch Foster of Anstey Hall in Trumpington. The engraved portrait is foxed, the rest of the text and further engravings are all clean. With fine engraved portraits throughout. Samuel Butler's great 17th century satirical mock-heroic poem, inspired by Cervantes' 'Don Quixote', was written just before the restoration of Charles II. The plot is one of continuous humiliation for Hudibras, one of Cromwell's knights in the New Model Army.

London: F.C. and J. Rivington, 1823. Full calf, 5 inches tall. A delightful little Georgian full calf binding with wide gilt raised bands, superb extra gilt panels and a series of gilt and blind fillets and rolls framing the boards. The neat previous owners name, "Anne Sandars", dated 1827 on the first blank. A superb little edition of two highly influential and, in their day, very popular 18th century poets in pristine condition.

London: J. Johnson, 1808. 2 volume set, 5 1/4 inches tall. Beautiful little Regency mottled calf in pristine condition. With extra gilt tooling on a smooth back with twin labels and extraordinary mottling to the boards within a fine gilt roll. With the Fothergill bookplate and the stenciled mark of the Earls of Belmore, one of the great Irish titles. Portrait. William Cowper was one of the greatest of all English 18th century poets. His description of nature and of everyday life and scenes of the English countryside inspired the great Romantic Poets.

London: Thomas and William Boone, 1853. 6 volume set, 7 3/4 inches tall. A very neat Victorian full calf by T. Hatchard with gilt raised bands, twin labels and handsome gilt tooling to the panels. Triple blind fillets and corner tools frame the boards. Red speckled edges. Embellished with 55 full page engraved maps and battle plans. A fine set of one of the most celebrated works on the battles on the Iberian Peninsular during the Napoleonic Wars fought between the ultimately successful forces of Great Britain, Spain and Portugal against the invading and occupying forces of the First French Empire.

London: John Sharpe, 1818. Full calf, 6 3/4 inches tall. A lovely Regency binding with gilt raised bands, extra gilt panels and twin gilt fillets and a gilt roll frame the boards. With the Fothergill armorial bookplate and the ink stamp of Baron Belmore, of Castle Coole in County Fermanagh. Embellished with the engravings of Richard Westall, which all have a degree of foxing. A splendid copy of one of the 18th century's most popular poems.

Paris: Chez Pierre Ribou, 1715. 5 volume set, 6 1/2 inches tall. A lovely full early 18th century mottled calf with raised bands, twin labels, which vary in colour, and ornate floral gilt tooling to the panels, so typical of the period. Triple gilt fillets frame the boards. Gilt dentelles and all edges. With the bookplate of N. F. B. le Sage and that of the Bibliotheque de Cirey, the library of Madame de Simiane at the Chateau de Cirey. With fine engraved plates throughout. Quinault was a celebrated playwright and perhaps most famous for composing libretti for Lully's works. A very scarce edition, in the original French.

London: Baynes and Son et al., 1825. Full calf, 5 inches tall. A gorgeous Georgian full calf binding with gilt raised bands and splendid gilt tooling around a Tudor rose centre tool. A fine gilt roll and blind floral roll frame the boards. Very slight foxing to the engraved frontispiece and engraved title page. A selection of the great poems of Alexander Pope, one of the greatest English poets of the early 18th century enlightenment.

London: Baynes and Son et al., 1825. Full calf, 5 inches tall. A beautiful little Georgian full calf with wide gilt raised bands and exquisite gilt tooling to the panels. A wide gilt roll and floral blind roll frame the boards. There is some slight foxing to the engraved frontispiece and the engraved title page, otherwise perfectly clean. Very popular in his day, James Thomson was a great 18th century poet, famous for these two poems and also for writing the lyrics of "Rule, Britannia!"

London: John Slark, 1886. 6 volume set, 7 1/2 inches tall. A most good looking Victorian full calf binding with gilt raised bands, twin labels and extra gilt panels. Portrait. Some loss to the head cap of the third volume. Best know for his 'Tales from Shakespeare' and 'Essays of Elia', Charles Lamb was at the heart of a major English literary circle, which included Samuel Taylor Coleridge, Robert Southey, William Wordsworth, Dorothy Wordsworth and William Hazlitt. His great biographer, E. V. Lucas described him as "the most lovable figure in English literature".