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London: John Murray, 1837. 13 volume set, 8 1/2 inches tall. An exceptionally neat and tidy set in an early Victorian half calf binding with wide raised bands, twin labels and pallets framing the boards. Pink speckled edges. Complete with the often absent index volume. Two bookplates. With an autographed letter from Colonel John Gurwood to Admiral Sir Philip Durham dated 1843 tipped in. A couple of very small marks otherwise a remarkably clean set, inside and out.

London: John Scott, 1806. 5 volume set, 9 inches tall. A wonderful full straight grain morocco with the ticket of C. Hering, one of the greatest English binders of the period. With gilt raised bands end dense and very finely tooling to the panels and gilt fillets, rolls and corner tools to the boards. Gilt dentelles and all edges. With over 145 superbly engraved portraits. From the library of Evelyn de Rothschild.

London: Printed by Bensley for Triphook, 1817. 2 volume set, 9.5 inches tall. A binding in full straight grain morocco of the highest quality attributed to C(harles) Lewis on an ancient tipped-in slip from an old catalogue. With wide gilt raised bands, exceptionally fine and dense gilt tooling to the panels and neat gilt tooling framing the boards. Superb gilt doublures. With the splendid armorial bookplate of the great bibliophile Prince Augustus Frederick, Duke of Sussex, whose magnificent library was housed at Kensington Palace. One of only 50 large paper sets with the woodcuts, after Thurston, being in 2 states, one on india paper. Some minor foxing.

London: Printed for the Villon Society by Private subscription and for Private Circulation Only, 1882-1884. 9 volume set, 9 inches tall. A very handsome set with raised bands and splendid gilt centre tools. Gilt top edges, the other edges deckled. This privately printed edition is limited to 500 copies of which this is number 14. Slight foxing to the preliminaries, otherwise pristine.

London: George Goulding and John Walker, 1793. 3 volume set, 10 1/2 inches tall. Superb 18th century 'Country House' full calf with raised bands and splendid gilt tooling to the panels and exceptionally fine twin labels. With the splendid martial bookplate of Stewart. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. There is an ink stain to one foredge and two stains on the reverse of the frontispiece, not affecting the portrait itself, otherwise very clean internally and magnificent externally.

London: Smith, Elder & Co., 1869. 24 volume set, 8 1/2 inches tall. A magnificent set extended from 22 volumes from the library of Evelyn de Rothschild and with his bookplate. A very neat mid-Victorian set in pristine condition with gilt raised bands, bright twin labels and elegant gilt tooling to the panels. Profusely illustrated by Thackeray himself.

Boston: Dana Estes, 1891. 32 volume set, 9 inches tall. A rather unusual and very good looking half morocco with gilt raised bands and splendid floral gilt tooling to the panels. A former owner's gilt monogram within a floral swag on the upper boards. Gilt top edges. The deluxe 'Warwick Edition' was limited to one thousand copies of which this set is number 264. A very popular novelist through the Victorian period today he is mostly remembered for coining the phrases "pursuit of the almighty dollar", "the pen is mightier than the sword" and "the great unwashed". A fine set profusely illustrated.

London: Longman et al., 1814. Full morocco, 15 inches tall. A magnificent tall full hard grain morocco with gilt raised bands, superb twin labels and spectacular gilt tooling to the panels. The boards are framed by triple gilt fillets and centre tools. Gilt dentelles and all edges. Embellished with 95 splendid engravings. The tallest and best edition of this work in an exceptional binding.

Cassell & Co., 1948-1954. 6 volume set, 8 1/4 inches tall. All First editions. A neat mid 20th century binding (as opposed to the many much inferior 'recent' or 'modern' leather 'cased' sets offered online) by Brian Frost of Bath. Light foxing. With raised bands, gilt English rose centre tools, titles and gilt top edges. An elegant set of this great history.

Nella Stamperia De Romanis, 1815-1817. 4 volume set, 11 inches tall. A magnificent straight grain morocco by J. Clarke, one of the finest binders in Georgian London. With gilt raised bands, elegant gilt tooling to the panels and boards. All edges gilt. Portrait and 3 engraved plans. With the armorial bookplate of William Strahan. Considered the greatest poem of the Middle Ages and the most important work in the Italian language. In the original Italian.

London: Longman, Hurst, Rees, et Orme, 1809. 4 volume set, 11 inches tall. A magnificent crushed and straight grain morocco with triple gilt and blind tooled raised bands and dense gilt tooling to the panels. The boards have a central straight grain panel framed by very fine and elaborate gilt and blind tooling. Gilt dentelles and all edges. Large Paper deluxe edition with india proof impressions of the plates by Smirke. Offsetting from the plates, otherwise clean. The armorial bookplate of William Strahan. Some rubbing and scuffing to the edges but with no splitting or loss. An exceptionally impressive example of this celebrated edition. In the original French.

Londini (London): Apud A. Dulae & Co., 1800. 2 volume set, 11 inches tall. A beautiful and magnificent large-paper edition in full diced calf with gilt raised bands, gilt pallets, dentelles and a gilt roll framing the diced boards. This " is certainly the most beautiful octavo publication of the poet extant... the text is supposed to be faultless. Some few copies are struck off on LARGE PAPER, in imperial octavo, and sell high" (Dibdin). With the leather bookplate of Granville Hastings Wheler of Otterden Place. Embellished with 15 plates by Bartolozzi, James Fittler, J. Neagle, and Sharp, after Gerard and Girode. Exceptionally clean inside and out. In the original Latin.

London: Macmillan, 1877-1880; 1881; 1883. 6 volume collection, 9 inches tall. A set of the 3 great histories by Green bound beautifully by Hopkins of Glasgow. With gilt raised bands, triple olive green labels and exquisite gilt tooling in the panels. The boards are decorated in the style of 17th century Cambridge panels, speckled and stenciled. Gilt dentelles and top edges. A few superficial abrasions. As nice a late Victorian bound set as one could hope to find.

Published by New York: Duprat & Co. 1893 - 97. 5 volume set, 7 inches tall. A superb complete set of this wonderful and very scarce title in a half crushed morocco binding of the period with gilt raised bands and ornate floral gilt tooling with red calf onlays to the panels. Limited to a total of 600 copies Beautifully illustrated throughout, volume I by Henriot, volume II by Robida, the remaining volumes are more serious in tone. Volume V contains an original watercolour.

London: Privately Printed for Subscribers only. The Casanova Society, 1922. 12 volume set, 10 inches tall. An elegant half morocco binding by Zaehnsdorf with gilt raised bands, delicate centre tools and top edges. This is the first complete edition in English, containing the two chapters discovered and translated by Arthur Symons. The rest is the Arthur Machen translation from 1896. This set is number 258 of a lilted edition of 1000 copies. The Celebrated memoirs cover the period 1725-1803. Published privately for subscribers only due to the erotic nature of many of the entries. It is unusual to find this edition bound by a top 'West End' firm of binders shortly after the date of its printing. A splendid set of this great work.

Oxford: Clarendon Press, 1816. 3 volume set, bound in 6, 10 inches tall. A magnificent Georgian binding in full crushed morocco by J. Mackenzie Bookbinder to the King with raised bands and superb extra gilt tooling to the panels. A smart series of gilt fillets frame the boards. Gilt dentelles on the unusually deep squares. With the armorial bookplate of Joseph Neeld. The binding which almost glows, and text are in pristine condition. A splendid set of this great seventeenth century history in defence of Henry VIII's reformation of the English Church and destruction of the monasteries.