Search

London: G. Bell and Sons, 1910. 2 volume set, 7 1/2 inches tall. A classic Edwardian full calf binding by Spottiswoode with gilt raised bands, twin labels and delicate gilt tooling to the panels. The tree calf boards have a gilt armorial block and a gilt fillet border. Embellished with 25 maps and plans. A handsome copy of this life of Napoleon Buonaparte.

London & Glasgow: Blackie and Son, 1840. 5 volume set, 6 1/2 inches tall. A very attractive little set in early Victorian full calf with gilt raised bands, twin labels and smart gilt tooled panels. Fine gilt and blind tooling decorate the boards. All edges gilt. Engraved frontispieces and title pages. Popular poet in his day much admired by his peers including Sir Walter Scott. He came from a humble background working as a shepherd, before achieving success as a poet in both English and Scottish.

London: C. & J. Rivington, 1826-1827. 16 volume set, 9 inches tall. A lovely Regency full calf with gilt raised bands, twin labels and superb extra gilt panels. Triple blind fillets and corner tools frame the boards. Speckled edges. There is foxing, fugitive from the endpapers, to the title pages and blanks, the rest of the text is perfectly clean. There is some superficial staining to a few volumes which has not effected the shape of the boards or text block. There is a neat ink inscription (Dudley Pelham (?)) on the reverse of the free endpaper. Edmund Burke was an 18th century philosopher and statesman who is considered to be the philosophical founder of Conservatism.

Edinburgh: William Paterson, 1874. 4 volume set, 8 inches tall. A superb full crushed morocco by the great Edinburgh firm of bookbinders Andrew Grieve. With gilt bands, splendid gilt tooling to the panels and a green label on a smooth back. Triple gilt fillets and corner tools frame the boards. Gilt dentelles and top edges. Illustrated. Gavin Douglas, Bishop of Dunkeld was a Scottish poet of the late 15h and early 16th centuries whose major literary achievement is the Eneados, a translation of Virgil's Aeneid into Scottish, completed in 1513, it is the first full translation of a major poem from classical antiquity into any modern Germanic language. His translation is faithful throughout. A fine and beautiful set.

London: Edward Moxon, 1849. 7 volume set, 7 inches tall. A very pretty Victorian full calf binding by Zaehnsdorf with floral gilt tooling and a green shield label on a smooth back. A single gilt fillet frames the boards. Gilt dentelles and top edges. Portrait. The spines are slightly darkened and rubbed but overall a fine little set of the poetical works of one of the greatest English romantic poets.

Edinburgh: William Paterson, 1877-79. 6 volume set, 9 inches tall. A superb late Victorian full straight grain morocco binding by Kerr & Richardson with gilt raised bands, delicately gilt framed panels and a gilt bust of Burns in the top panels. Twin gilt fillets frame the boards. Gilt dentelles and all edges. The text block is exceptionally clean. Profusely illustrated with portraits, plates and vignettes. A first edition of the the great William Scott Douglas edition in which the poems are arranged chronologically and in which the text and notes are the most complete and correct. A splendid set of this great edition in a fine binding by a great firm of Glasgow binders.

London: Nichols; Rivington et al., 1816. 12 volume set, 8 1/2 inches tall. A very smart Regency full speckled calf with an usually bright patina. With gilt raised bands, red labels and delicate gilt tooling to the panels. There are some very small superficial niblings of a long defunct insect on some edges but no splitting or wear. An essay on his life by Arthur Murphy. An exceptionally splendid set of this great title.

London: Longmans, Green and Co., 1870. 3 volume set, 9 inches tall. A classic Victorian full calf by Bickers with gilt raised bands, twin labels and extra gilt tooling to the panels. With the bookplate of Charles J. Dobson. Foxing to the preliminaries, otherwise perfectly clean.

Glasgow: Hopkins, 1869. 2 volume set, 8 inches tall. A handsome edition in a full crushed morocco binding by Grieve with gilt bands on a smooth back, twin olive labels and superb gilt floral tooling to the panels. Gilt triple fillets and floral corner tools frame the boards. Gilt dentelles and top edges. Portrait and engraved vignettes. Joseph Ritson was an 18th century English Antiquarian who first published his 'Scotish Songs' in 1794, this mid Victorian edition is printed on hand-made paper and is in pristine condition.

London: T. Cadell and W.Davies, 1811. 6 volume set. 8 1/2 inches tall. A very handsome late Victorian full straight grain morocco by Sotheran with gilt raised bands and remarkable blind and gilt tooling to the panels and boards. Ornate gilt dentelles and all edges gilt. There is some fading to the spines but the set remains bright and very good looking. Joseph Addison, 1672-1719, is perhaps best remembered for founding the Spectator magazine with Ricard Steele, he was an English essayist, poet, playwright, and politician.

London: Nimmo, 1898. 24 volume set, 7 1/2 inches tall. A very bright and good looking classic late Victorian half calf with gilt raised bands, twin labels and ornate gilt tooling to the panels. This the 'Large Type Border Edition' and is illustrated throughout. An unusually fine set directly from a country house.

London: George Bell & Sons 1878. 2 volume set, 8 3/4 inches tall. A neat Victorian full calf binding by Hatchards with gilt raised bands, twin labels and delicate gilt tooling to the panels. A gilt prize block is framed on the upper boards by gilt and blind fillets. Prize bookplate. A very fine copy of the revised 4th edition.

London: Chapman & Hall, 1895. 17 volume set, 8 inches tall. A classic late Victorian half calf in remarkably sparkling, pristine condition with gilt raised bands, twin labels and elaborate gilt tooling to the panels. Embellished profusely with over 700 illustrations by, amongst others, Phiz and George Cruikshank. This edition is complete in 17 volumes and is most readable and manageable.

London: George Allen, 1893. 3 volume set, 7 1/2 inches tall. A neat Edwardian half calf with gilt pallets and top edges. Profusely illustrated throughout. Previous owners ink names on the paste down end papers and half title.

London: Sharpe and Son et al., 1819. 4 volume set, 9 inches tall. A beautiful Regency full red morocco by the great firm of White of Pall Mall with gilt raised bands, gilt pallets and simple centre tools. Double gilt fillets frame the boards. Gilt dentelled and all edges. Portraits in volume I and an engraved frontispiece in volume II, as called for. Very slight fading to the spines of volumes III & IV, but overall an exceptionally fine set.

London: Longman, and Co. et al., 1847. 8 volume set, 8 1/2 inches tall. A classic Victorian half calf with gilt raised bands, twin labels and bold gilt tooling to the panels. There is foxing to, and facing, the engraved portrait in volume I, otherwise clean. A fine edition of the works of one of the greatest English poets of the 18th century with a new life of Pope by William Roscoe.

Paris: Garnier Frères, c.1900. 8 volume set, 9 inches tall. A striking set in half vellum with hand painted love birds and rosebuds framing the volume number. Vignettes throughout. A handsome set, in the original French, of possibly the most reliable and entertaining description of European social life during the 18th century.

Edinburgh: At the Apollo Press, 1777. 4 volume set, 5 inches tall. A very pretty little set in 18th century tree calf with twin labels and dense gilt tooling on a smooth back. With a neat ink previous owner's name on the first blanks. Engraved portrait and 4 engraved title pages. Excellent condition with no splits or loss. Complete in 4 volumes but printed as part of Bell's 'Poets of Great Britain'. A delightful little set of Young's Poetical works including his "Complaint: or, Night Thoughts", one of the most popular and influential poems of the 18th century.

London: John Murray, 1834-1838. 12 volume set, 8 3/4 inches tall. An exceptionally good looking late Victorian full calf with wide blind tooled raised bands, twin labels and extra gilt tooling to the panels. A gilt roll and fillets frame the monogram on the upper boards. Scuffs on the upper board of volume XII, otherwise a clean and very smart set. An extraordinary insight into the Napoleonic campaigns from the dispatches of Arthur Wellesley, the Duke of Wellington.