Fine Engravings

Criteria:
  • Category = Fine Engravings
  • BRILLIANT COMIC WORK IN WONDERFUL FULL MOROCCO BY BEDFORD
    Points of Humour; Illustrated by the Designs of George Cruikshank. by CRUIKSHANK, George
    CRUIKSHANK, George
    Points of Humour; Illustrated by the Designs of George Cruikshank.

    London: C. Baldwyn, 1823. 2 volumes bound in 1, 9 1/4 inches tall. A wonderful full morocco binding by the great firm of Bedford from the library of a Scottish Gentleman. Gilt raised bands, exceptionally fine gilt tooling to the panels and triple gilt fillets framing the boards. Gilt dentelles and top edge. A curious comic work in which Cruikshank " selects or invents those incidents which might be interesting or amusing in themselves, while they afford scope for the peculiar talents of the artist who adorns them with his designs". Both volumes contains 10 themes, each illustrated with a full page wood engraving. There are further engraved vignettes on India paper throughout. With 6 leaves of advertisements bound in. An absolutely pristine copy of the first edition.

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  • PRISTINE TALL COPY IN SUMPTUOUS FULL MOROCCO BY BEDFORD
    George Cruikshank's Table-Book. by CRUIKSHANK, George (illustrator). À BECKETT, Gilbert Abbott (Edited by).
    CRUIKSHANK, George (illustrator). À BECKETT, Gilbert Abbott (Edited by).
    George Cruikshank's Table-Book.

    London, The Punch Office, 1845. Full morocco, 10 inches tall. A pristine example of this classic comic work bound in sumptuous full morocco by the great firm of Bedford, from the library of a Scottish Gentleman. An exceptionally tall copy with gilt raised bands, ornate floral gilt tooling to the panels, triple gilt fillet framing the boards, wide gilt dentelles and top edge gilt. Embellished with 12 full page steel engravings and 117 superb engraved vignettes. With over 50 leaves of highly entertaining advertisements. As fine a copy as one could hope to find.

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  • CLASSIC COMIC WORK IN SUPERB TALL FULL MOROCCO
    George Cruikshank's Omnibus by CRUIKSHANK, George. (Edited by BLANCHARD, Laman).
    CRUIKSHANK, George. (Edited by BLANCHARD, Laman).
    George Cruikshank's Omnibus

    London: Tilt and Bogue, 1842. Full morocco, 9 1/2 inches tall. In pristine condition in a wonderful binding by the great firm of Bedford from the library of a Scottish Gentleman. With gilt raised bands and very fine gilt floral tooling to the panels. Triple gilt fillets frame the boards, gilt dentelles and top edge. The first edition of this classic comic work embellished with 22 full page engravings and a further 78 woodcut vignettes by George Cruikshank. Bound with 48 leaves of advertisements and the original covers of the original parts. As fine a copy of this splendid work as one could hope to find.

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  • RARE TITLE WITH ALL 84 PLATES IN BEAUTIFUL REGENCY FULL CALF
    Antiquities of Great Britain. Illustrated in views of Monasteries, Castles, and Churches, now existing. by HEARNE, Thomas (drawings by). BYRNE, William (engraved by).
    HEARNE, Thomas (drawings by). BYRNE, William (engraved by).
    Antiquities of Great Britain. Illustrated in views of Monasteries, Castles, and Churches, now existing.

    London: T. Hearne and W. Byrne, 1786 & London: Cadell and Davies, 1807. 2 volumes bound in one, 16 1/2 inches tall. A beautiful tall, full Regency diced calf with blind tooled raised bands, ornate gilt tooling to the panels and a wide gilt roll framing the boards. The first title page is engraved and the second undecorated title page to volume 1 is not bound in. The title page to the second volume is present, as are all the large and highly attractive engraved views, 52 (including the first title page) in the first volume and 32 in the second, making a total of 84. Each engraved view is followed by a leaf with details in English and…

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    London: T. Hearne and W. Byrne, 1786 & London: Cadell and Davies, 1807. 2 volumes bound in one, 16 1/2 inches tall. A beautiful tall, full Regency diced calf with blind tooled raised bands, ornate gilt tooling to the panels and a wide gilt roll framing the boards. The first title page is engraved and the second undecorated title page to volume 1 is not bound in. The title page to the second volume is present, as are all the large and highly attractive engraved views, 52 (including the first title page) in the first volume and 32 in the second, making a total of 84. Each engraved view is followed by a leaf with details in English and French. Copies with all the plates are very rare, especially in such a magnificent binding of the period. There is some rubbing to the shoulders but no splitting or loss. There is some foxing to the preliminaries but otherwise remarkably clean.

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  • FIRST EDITION IN FULL MOROCCO BY TINOT
    Les Femmes du Temps Passé. by HOUSSAYE, Arsène
    HOUSSAYE, Arsène
    Les Femmes du Temps Passé.

    Paris: Morizot, 1863. Full red morocco, 10 1/2 inches tall. A spectacular binding by Jean-Baptiste Tinot with gilt raised bands and delicate gilt tooling with green calf onlays to the panels and boards. Gilt dentelles and all edges. First edition with 20 steel engraved portraits with somewhat browned tissues. This work celebrates the lives of 20 famous 18th century women, including Madame de Pompadour, Madame du Chastelet and Marie-Antoinette. With a couple of marks to the binding and a little foxing to the plates but overall a fine and impressive binding. In the original French.

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  • SCARCE EDITION WITH OVER 700 PLATES IN FULL DICED CALF
    Encyclopaedia Britannica. The Sixth Edition. by ENCYCLOPAEDIA BRITANNICA
    ENCYCLOPAEDIA BRITANNICA
    Encyclopaedia Britannica. The Sixth Edition.

    Edinburgh: Archibald Constable and Company, 1822-24. 26 volumes (Complete 6th Edition in 20 volumes with the Supplementary edition in 6 volumes), 11 inches tall. A superb full diced calf with gilt raised bands and very fine gilt tooling to the panels. The diced boards are framed within twin gilt fillets. There is blotchiness to the panels of the first 20 volumes, some foxing and browning of leaves, a small amount of ancient superficial loss to long defunct insects, there is also a slight musty smell but the vast majority of plates and leaves are clean and there is no splitting. The first 20 volumes contain all 581 numbered engraved full page plates. The Supplement appears to lack I plate…

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    Edinburgh: Archibald Constable and Company, 1822-24. 26 volumes (Complete 6th Edition in 20 volumes with the Supplementary edition in 6 volumes), 11 inches tall. A superb full diced calf with gilt raised bands and very fine gilt tooling to the panels. The diced boards are framed within twin gilt fillets. There is blotchiness to the panels of the first 20 volumes, some foxing and browning of leaves, a small amount of ancient superficial loss to long defunct insects, there is also a slight musty smell but the vast majority of plates and leaves are clean and there is no splitting. The first 20 volumes contain all 581 numbered engraved full page plates. The Supplement appears to lack I plate but has a total of 123 (more than called for) engraved full page plates and all 19 engraved maps. The 6th edition is difficult to find in remotely presentable condition and for all its minor faults this is a splendid set. With the green ticket of G. & J. Robinson Booksellers (and Binders) Liverpool.

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  • FIRST ILLUSTRATED EDITION OF ENTERTAINING WORK IN BRIGHT HALF MOROCCO
    Mystères de L'inquisition et Autres Sociétés Secrètes d'Espagne. by FÉRÉAL, M.V. de
    FÉRÉAL, M.V. de
    Mystères de L'inquisition et Autres Sociétés Secrètes d'Espagne.

    Paris: P. Boizard, 1845. Half morocco, 10 1/2 inches tall. A fine and very bright later half morocco with gilt raised bands, floral gilt tooling to the panels and yellow edges. With the binder's ticket of Albert Günther of Vienna, and from the Library of the Auersperg Palais, though the bookplates have been neatly removed. With full page plates and vignettes throughout by '...les Artistes les plus Distingués...', illustrating the horrors of the Spanish Inquisition. Slight sporadic foxing, overall a fine bright set.

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  • FIRST ILLUSTRATED EDITION OF ENTERTAINING WORK IN BRIGHT HALF MOROCCO
    Les Étrangers a Paris by DESNOYERS, Louis ; JANIN, Jules ; OLD-NICK et al.
    DESNOYERS, Louis ; JANIN, Jules ; OLD-NICK et al.
    Les Étrangers a Paris

    Paris: Charles Warée, 1844. Half morocco, 10 1/2 inches tall. A fine and very bright later half morocco with gilt raised bands, floral gilt tooling to the panels and yellow edges. With the binder's ticket of Albert Günther of Vienna, and from the Library of the Auersperg Palais, though the bookplates have been neatly removed. Embellished with 30 splendid full page engravings by Gavarni, Th. Frère, Émy, Guérin and Ed. Frère illustrating the distinctive features and manners of the various races and nationalities of the Parisian visitors and inhabitants. With engraved vignettes throughout. There is sporadic light foxing and slight staining to the border of some plates but generally bright and clean.

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  • FIRST ILLUSTRATED EDITION OF ENTERTAINING WORK IN BRIGHT HALF MOROCCO
    Les Mystères de Paris. by SÜE, Eugène
    SÜE, Eugène
    Les Mystères de Paris.

    Paris: Libraire de Charles Gosselin, 1843-44. 4 volume set, 10 1/4 inches tall. A fine and very bright half morocco with gilt raised bands, floral gilt tooling to the panels and yellow edges. With the binder's ticket of Albert Günther of Vienna, and from the Library of the Auersperg Palais, though the bookplates have been neatly removed. With 47 splendid wood-engraved plates and 34 steel-engraved plates and very numerous vignettes by Daumier, Staal, Daubigny, Célestin Nanteuil and others.. An exceptionally clean and fine set of the first illustrated edition of this fascinating work.

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  • FIRST EDITION OF ENTERTAINING WORK IN BRIGHT HALF MOROCCO
    Le Diable à Paris. Paris et les Parisiens. Moeurs et coutumes, caractères et portraits des habitants de Paris, tableau complet de leur vie privée, publique, politique, artistique, littéraire, industrielle etc., etc.. by SAND, George, STAHL, P.-J. et al..
    SAND, George, STAHL, P.-J. et al..
    Le Diable à Paris. Paris et les Parisiens. Moeurs et coutumes, caractères et portraits des habitants de Paris, tableau complet de leur vie privée, publique, politique, artistique, littéraire, industrielle etc., etc..

    Paris: Hetzel, 1845-46. 2 volume set, 10 1/2 inches tall. A fine and very bright half morocco with gilt raised bands, floral gilt tooling to the panels and yellow edges. With the binder's ticket of Albert Günther of Vienna, and from the Library of the Auersperg Palais. Very many splendid wood engraved plates and vignettes (c.800) by Gavarni. An exceptionally clean and fine set of the first edition.

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  • FIRST EDITION OF ENTERTAINING WORK IN BRIGHT HALF MOROCCO
    Les Rues de Paris. Paris ancien et moderne. Origine, histoire, monuments, costumes, moeurs, chroniques et traditions. by LURINE, Louis
    LURINE, Louis
    Les Rues de Paris. Paris ancien et moderne. Origine, histoire, monuments, costumes, moeurs, chroniques et traditions.

    Paris: Kugelmann, 1844. 2 volume set, 10 inches tall. A fine and very bright half morocco with gilt raised bands, floral gilt tooling to the panels and yellow edges. With the binder's ticket of Albert Günther of Vienna, and from the Library of the Auersperg Palais, though with the bookplates neatly removed. Numerous wood engraved plates and vinettes by Célestin Nanteuil and others illustrating the colourful, romantic and savage history of these famous streets and boulevards. A fine set of the first edition.

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  • BEST EDITION IN MAGNIFICENT FULL MOROCCO
    Anecdotes of Painting in England. by WALPOLE, Horace.
    WALPOLE, Horace.
    Anecdotes of Painting in England.

    London: Printed at the Shakspeare Press for John Major and Robert Jennings, 1828. 5 volume set, 10 inches tall. A splendid tall set in full hard grain morocco by Clarke & Bedford, one of the greatest names of the period. With gilt raised bands and very fine extra gilt tooling to the panels. Gilt fillets, and superb gilt tooling with corner devices frame the boards. Gilt dentelles and all edges. With the bookplates of William Strahan and Alfred de Rothschild. This celebrated edition has the plates in 2 states, with the proofs laid down on india paper. Slight foxing but overall a fine set of this great edition.

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  • SPLENDID BEWICK WOODCUTS IN A FINE REGENCY FULL CALF BINDING
    Select Fables. by BEWICK, Thomas and John. (With cuts, designed and engraved by).
    BEWICK, Thomas and John. (With cuts, designed and engraved by).
    Select Fables.

    Newcastle: Printed by Hodgson, For Emerson Charnley, Baldwin, Cradock, and Joy, 1820. Full calf, 8 1/2 inches tall. A fine Regency full calf with wide gilt raised bands and rather wonderful gilt tooling to the panels around a peacock, A series of gilt and blind fillets frame dense blind 'basket weave' tooling on the boards. Engraved portrait, title page and more than 360 vignettes cuts illustrating the charming fables. From the library of Lord Kinnaird of Rossie Priory. A little foxing, specifically to the portrait, otherwise a superb copy.

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  • TALL QUARTO IN LOVELY PINK HALF CALF
    The Works of Horatio Walpole, Earl of Orford. by WALPOLE, Horace
    WALPOLE, Horace
    The Works of Horatio Walpole, Earl of Orford.

    London: Robinson, 1798. 5 volume set, 12 inches tall. First Edition. A remarkable and lovely half pink straight grain morocco with wide bands and very attractive star centre tools. Speckled blue edges. With the martial bookplate of Vane Londonderry, From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. There is some foxing, very occasional staining to some plates, and volume 3 has an almost invisible repaired split to one panel but overall this is a stunning looking set. Decorated with 170 fine full…

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    London: Robinson, 1798. 5 volume set, 12 inches tall. First Edition. A remarkable and lovely half pink straight grain morocco with wide bands and very attractive star centre tools. Speckled blue edges. With the martial bookplate of Vane Londonderry, From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. There is some foxing, very occasional staining to some plates, and volume 3 has an almost invisible repaired split to one panel but overall this is a stunning looking set. Decorated with 170 fine full page engraved plates, some folding and several vignettes. This extraordinary work includes Walpole's Fugitive Pieces, Noble Authors, The Castle of Otranto, Description of Strawberry Hill, Anecdotes of Painting etc., Catalogue of Engravers and his Letters.

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  • HANDSOME EDITION IN FULL VELLUM
    Greece, Pictorial, Descriptive, and Historical. by WORDSWORTH, Christopher.
    WORDSWORTH, Christopher.
    Greece, Pictorial, Descriptive, and Historical.

    London: William S. Orr, 1853. Full vellum, 10 1/2 inches tall. A densely gilt tooled binding with gilt bands, extra gilt panels and twin labels. Some foxing, but mostly clean. Faint blue lines frame the gilt block on the boards. All edges gilt. Profusely illustrated throughout.

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  • MAGNIFICENT BEST EDITION IN WONDERFUL FULL MOROCCO
    The Border Antiquities of England and Scotland. by SCOTT, Walter
    SCOTT, Walter
    The Border Antiquities of England and Scotland.

    London: Longman et al., 1814. Full morocco, 15 inches tall. A magnificent tall full hard grain morocco with gilt raised bands, superb twin labels and spectacular gilt tooling to the panels. The boards are framed by triple gilt fillets and centre tools. Gilt dentelles and all edges. Embellished with 95 splendid engravings. The tallest and best edition of this work in an exceptional binding.

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  • BEAUTIFUL PRINTING AND ILLUSTRATIONS IN FINE FULL MOROCCO
    The economy of human life. In two parts. Translated from an Indian manuscript, written by a Bramin. (The Œconony of Human Life). by DODSLEY, Robert
    DODSLEY, Robert
    The economy of human life. In two parts. Translated from an Indian manuscript, written by a Bramin. (The Œconony of Human Life).

    London: Harding, 1795. Full morocco, 7 1/2 inches tall. A simple but very handsome 18th century full straight grain morocco with gilt bands, centre tools, dentelles and all edges. Some marks to the binding but no cracking or loss. Decorated with beautiful stipple engravings throughout. This delightful work has also been attributed to the Earl of Chesterfield.

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  • FINELY ILLUSTRATED WORK IN MAGNIFICENT FULL MOROCCO
    The History of the Monastery founded at Tynemouth in the Diocese of Durham. by GIBSON, William Sidney
    GIBSON, William Sidney
    The History of the Monastery founded at Tynemouth in the Diocese of Durham.

    London: William Pickering, 1846. 2 volume set, 12 inches tall. A magnificent crushed morocco by J. Clarke with gilt raised bands, very finely tooled panels, gilt dentelles and all edges. With the gilt embossed arms of Earl Cawdor on the boards. Beautifully embellished with 16 plates, 3 coloured, 1 folded and 60 illuminated initials. Some foxing to the engraved plates, otherwise pristine. A very fine set.

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  • SUPERB FULL CALF FROM THE CHATEAU DE CIREY
    Histoire de la Guerre des Hussites et du Concile de Basle. by LENFANT, Jaques
    LENFANT, Jaques
    Histoire de la Guerre des Hussites et du Concile de Basle.

    Amsterdam: Chez Pierre Humbert, 1731. 2 volume set, 10 inches tall. A superb early 18th century full French calf with gilt raised bands, twin morocco labels and extra gilt tooling to the panels. Pink edges. Fine full page engravings throughout. Slight foxing to the title page, otherwise clean. From the library of Madame de Simiane at the Chateau de Cirey. A fine set.

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  • MAGNIFICENT BOXED SET OF MACKLIN'S GREAT BIBLE EXTENDED TO 8 VOLUMES
    The Old Testament (& New Testament), Embellished with Engravings, from Pictures and Designs by the Most Eminent English Artists. by BIBLE (MACKLIN)
    BIBLE (MACKLIN)
    The Old Testament (& New Testament), Embellished with Engravings, from Pictures and Designs by the Most Eminent English Artists.

    London: Printed for Thomas Macklin, by Thomas Bensley, 1800. 8 volumes, 19 inches tall in original box. A magnificent set of this 'sumptuous edition' (Herbert) bound by Lovejoy in superb full morocco. With double gilt raised bands, delicate gilt tooling to the panels and a series of wonderful rolls framing the boards. Gilt dentelles and all edges. Sewn leather joints. The Box measures 25 x 18 x 22 inches. With the binder's ticket of John Lovejoy, one of the great binders of the period, celebrated almost exclusively for his masonic bindings, this example being a rare and spectacular exception. Embellished with 76 full page engravings by the great artists of the time including Henry Fuseli, P.J. de Loutherbourg, James…

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    London: Printed for Thomas Macklin, by Thomas Bensley, 1800. 8 volumes, 19 inches tall in original box. A magnificent set of this 'sumptuous edition' (Herbert) bound by Lovejoy in superb full morocco. With double gilt raised bands, delicate gilt tooling to the panels and a series of wonderful rolls framing the boards. Gilt dentelles and all edges. Sewn leather joints. The Box measures 25 x 18 x 22 inches. With the binder's ticket of John Lovejoy, one of the great binders of the period, celebrated almost exclusively for his masonic bindings, this example being a rare and spectacular exception. Embellished with 76 full page engravings by the great artists of the time including Henry Fuseli, P.J. de Loutherbourg, James Northcote, Benjamin West, William Hamilton, Thomas Stothard, Richard Cosway, Sir Joshua Reynolds and Angelica Kauffman. A further 111 ornate vignettes are present.
    The condition is excellent with no splitting or loss, even all 16 sewn leather joints are present and correct, a feature found in only the finest bindings. There is some minor rubbing, scuffing and scratching and the margins of one leaf have been expertly repaired with no loss.
    The subscribers list is found in volume 1 and includes The King, The Queen, The Prince of Wales et al..
    One of the rarest and most impressive features of our extraordinary set is that it is in 8 volumes, all with their respective title pages. Originally intended to be printed in 3 volumes, it was actually published in 6. The Apocrypha (Published in 1816) is occasionally found with the set, making 7 volumes. We can only find record of one other set in 8 volumes (in a much poorer condition) where, as here, the New Testament is bound in 2 volumes, each with a title page, making a spectacular 8 volume set.
    The box dates from around the date of publication and no doubt explains the remarkable condition of this huge and impressive set.
    Macklin announced plans for his great folio Bible in 1789 to promote 'the glory of the English school of painting and engraving and the interests of our Holy Religion'. New type (cut by Joseph Jackson and Vincent Figgins) and new paper were created for the venture, and the historic paintings were to be 'finished in a style of elegance (and magnificence in Paper, Printing, and engraving) of which there is not in Europe or the world any example'. Macklin's project was costly and ambitious. He paid Reynolds £500 for his Holy Family and William Sharp £700 for its engraving. The average cost for 45 of the Bible's other engravings was £220 and the total cost of the publication was an estimated £30000, a truly vast sum at the time.

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    View basket More details Price: £24,000.00