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Edinburgh: Adam and Charles Black, 1857. 25 volume set, 8.75 inches tall. A truly spectacular set in full dark pink morocco in marvellous condition. With gilt raised bands, twin green labels and extra gilt panels. The boards are decorated with a very delicate and ornate panel framed within a triple roll. Gilt dentelles and all edges. Engraved frontispieces, title pages, portraits and views throughout. Other than a few very superficial marks this set is in pristine condition with no wear or fading.

London: Baynes, 1813. Full straight grain red morocco, 20 inches tall. A monumental binding with wide gilt raised bands and Superb gilt tooling to the panels. The boards are embellished with very wide blind and gilt rolls. Gilt dentelles and all edges. With the vignette on the title page and 108 engraved portraits. A spectacular example of this great book.

Paris: L’auteur des Estampes, 1786-1793. 3 volume set, 12 inches tall. An old tipped in catalogue entry attributes this magnificent binding to Charles Lewis. With wide gilt raised bands, delicate and ornate gilt tooling to the panels, twin labels, dentelles and all edges gilt. Complete with 3 engraved title pages, portrait and 73 engraved plates after Le Barbier. There are an extra 18 stipple engraved plates and 70 highly decorative vignettes. Some speckling and scuffing to the boards. A super copy of this beautiful 18th century deluxe edition.

London: William Pickering, 1846. 2 volume set, 12 inches tall. A magnificent crushed morocco by J. Clarke with gilt raised bands, very finely tooled panels, gilt dentelles and all edges. With the gilt embossed arms of Earl Cawdor on the boards. Beautifully embellished with 16 plates, 3 coloured, 1 folded and 60 illuminated initials. Some foxing to the engraved plates, otherwise pristine. A very fine set.

London: Longman, Hurst, Rees, et Orme, 1809. 4 volume set, 11 inches tall. A magnificent crushed and straight grain morocco with triple gilt and blind tooled raised bands and dense gilt tooling to the panels. The boards have a central straight grain panel framed by very fine and elaborate gilt and blind tooling. Gilt dentelles and all edges. Large Paper deluxe edition with india proof impressions of the plates by Smirke. Offsetting from the plates, otherwise clean. The armorial bookplate of William Strahan. Some rubbing and scuffing to the edges but with no splitting or loss. An exceptionally impressive example of this celebrated edition. In the original French.

London: Hector M'lean, 1819. Full straight grain morocco, 10.5 inches tall. A very fine Regency binding with wide extra gilt raised bands and panels. The boards are framed within wide gilt and blind rolls. All edges gilt. Fine engraved plates by Smirke. From the Library and with the bookplate of Robert J. Hayhurst.

London: Virtue, 1836. Full straight grain morocco, 11 inches tall. A fabulously bound set with extraordinary gilt and white metal tooled spine and boards.the elaborate 'cathedral' design on all four boards is made up from individual tooling, as is the superb tooling on the spines. All edges gilt. Illustrated with 2 engraved titles and 106 full page engraved views and I folding map. Some foxing to the plates and slight fading to the spine, but still a fine and spectacular set.

London: Thomas McLean, 1824. Full morocco, 11.25 inches tall. A very fine binding by TOUT with gilt raised bands, floral gilt tooling to the panels and elaborate gilt tooling to the boards. Wide dentelles, doublures and gilt top edge. 12 superb hand coloured lithographs satirising the arts.

London: Rodwell and Martin, 1820. Full straight grain morocco, 10.5 inches tall. A glorious Regency binding with wide gilt raised bands and dense blind tooling to the panels. The boards are magnificently tooled in blind and gilt. All edges gilt. There is a tiny amount of worming effecting the gutter of the front endpaper and preliminaries. With 60 splendid views and vignette on the title page. A superb example of this scarce work.

New York: James G. Gregory, 1862. Full crushed morocco, 15 inches tall. Magnificently Bound by Riviere with gilt raised bands, exceptionally fine gilt tooled panels and a sequence of gilt rolls framing the boards. Gilt dentelles and all edges. Complete with Engraved portrait, engraved title page and a further 62 superb engravings illustrating the novels of James Fenimore Cooper. With some original paper wraps bound in. Some superficial scratching to the lower board. A spectacular example of this finely produced work.

London: Rodwell and Martin, 1820. Full morocco, 10.5 inches tall. A most attractive binding with twin gilt raised bands and extra gilt tooling to the panels. The boards are also densely decorated with gilt and blind tooling framing an elaborate central device. Gilt dentelles and all edges. Slightly rubbed but still a fine firm and clean example. With 60 splendid views and vignette on the title page. A superb example of this scarce work.

Paris: chez la Veuve P. Bertrand, 1714. Full calf, 11 inches tall. Splendid full later cat's paw calf with gilt raised bands, twin labels and fine floral gilt tooled panels. Gilt dentelles and pink edges. With 65 portraits of the French kings. Some foxing to the preliminaries. Expert repair to the title page. With the bookplates of the Marquis de Biencourt of the Château de Masfaure.

Amsterdam: Chez Pierre Humbert, 1731. 2 volume set, 10 inches tall. A superb early 18th century full French calf with gilt raised bands, twin morocco labels and extra gilt tooling to the panels. Pink edges. Fine full page engravings throughout. Slight foxing to the title page, otherwise clean. From the library of Madame de Simiane at the Chateau de Cirey. A fine set.

London: Jennings, n.d. c.1837. Full morocco, 11.5 inches tall. A splendid binding from the beginning of the Victorian period with wide gilt raised bands, magnificent tooling to the boards and all edges gilt. Including the title page there are 42 engraved views by David Roberts. Foxing, particularly heavy on the title page. With the bookseller's ticket of Pocock of Bath. A rare tall edition, with no text, in a spectacular binding.

London: Richard Bentley, 1876. 2 volume set, 9 inches tall. A superbly bound set by Tout with gilt raised bands, very fine gilt tooling to the panels and gilt top edges. Extra illustrated with 124 engraved plates. From the library of Brian Forbes, the Film Director. A unique and most elegant item bound by one of the most celebrated firms of binders of the period.

London: Virtue, n.d. Quarter morocco, 11 inches tall. Easily taken as full morocco this is a quarter binding with leather spine and hard grain leather imitation cloth on the boards. With gilt raised bands, very fine 'Irish' gilt tooling to the panels. Gilt and blind tooling to the boards and all edges gilt. Most attractive gilt stamped endpapers. Neat ink inscription on first blank dated 'Dublin 1876'. With 119 of the 121 superb engraved plates, 'Clondalkin' and 'Interior of Holy Cross Abbey' apparently never bound in. Slight foxing but a splendid copy.

London: H.Moses, 1817. Full calf, 11 inches tall. With raised bands, labels, decorated gilt spine and boards, dentelles and top edge. Bound by Burgess of Ramsgate in 1940 (at the cost of one pound five shillings). With 24 superb engravings by Henry Moses and one folding plan of Ramsgate Harbour. There is a degree of foxing, some fraying to a couple of title pages with no loss and a small professional repair to the plan of Ramsgate Harbour, again with no loss. An unusually tall and handsome copy of this difficult title.

London: Hall, Virtue & Co, 1851. Full morocco, 10 inches tall. A splendid early Victorian morocco binding with raised bands, elaborate gilt tooling to the panels, superb gilt and blind tooling to the boards, gilt dentelles and all edges. From the Library and with the bookplate of Robert J. Hayhurst. embellished with 28 steel engravings including views of Spain, Malta and North Africa.

London: Hall, Virtue & Co. c.1845. Full morocco, 10 inches tall. A superb binding with raised bands, finely gilt tooled panels and most attractive gilt tooling to the boards. All edges gilt. From the Library and with the bookplate of Robert J. Hayhurst. With maps and splendid engraved plates.