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London: Hooper and Wigstead, 1772 - 1778. 8 volume set, 11 inches tall. Beautifully bound in the 18th century in full tree calf in exceptional condition, inside and out. With gilt bands, twin labels and superb delicate gilt tooling to the panels. Full page engraved views together with maps and plans throughout. The armorial bookplate of Maxwell of Kirkconnell. A remarkably fine set.

London: John and Paul Knapton et al., 1842. 5 volume set, 8.25 inches tall. A very finely bound set with gilt raised bands, twin labels and fine gilt tooling to the panels. Alternating speckled pink on white and pink edges for each section. 45 engraved plates, mostly folding. Ex-Earls of Macclesfield, with their bookplate and blind stamp on the first 3 leaves. Containing papers and discussions of the works of Halley, Descartes, Huygens, Boyle, Lewenhoeck, Newton, Malpighi, etc..

Paris: Chez le dit Huquier, rue des Mathurins au coin de celle de Sorbonne, (1768). Half calf, 10.25 inches tall, 6 inches deep (26cm x 21cm). A splendid example of a very rare book in a neat half calf with label and gilt pallets, speckled pink edges and vellum (recycled manuscript fragments) corners. The margins are exceptionally wide. The plates are lettered and numbered A1-12, B1-12 etc. to S1-12 , there is no J1-12) and in this example the last two leaves S11 and S12 are lacking, they do not appear to have ever been bound in, so we have 214 of 216 plates. Copac records only one copy in the UK (in the Royal Academy of Arts).

Edinburgh: Adam and Charles Black, 1857. 25 volume set, 8.75 inches tall. A truly spectacular set in full dark pink morocco in marvellous condition. With gilt raised bands, twin green labels and extra gilt panels. The boards are decorated with a very delicate and ornate panel framed within a triple roll. Gilt dentelles and all edges. Engraved frontispieces, title pages, portraits and views throughout. Other than a few very superficial marks this set is in pristine condition with no wear or fading.

(Paris: Barbou) Amsterdam, 1762. 2 volume set, 7 inches tall. The celebrated and very scarce Fermiers-Generaux edition. Complete with half-titles, 2 engraved portraits and 80 superb plates after Eisen by Aliamet, Delafosse, Longueil, Le Mire et al.. with over 50 delightful and ornate vignettes by Choffar. The later binding is by Sangorski & Sutcliffe in the style of the period with gilt raised bands, extra floral gilt tooling to the panels, fine and ornate gilt tooling to the boards, gilt dentelles and all edges. The bindings have been expertly rebacked. Internally exceptionally clean and fresh with slight creasing to a couple of plates. A fine set of this great example of French 18th century printing.

London: Baynes, 1813. Full straight grain red morocco, 20 inches tall. A monumental binding with wide gilt raised bands and Superb gilt tooling to the panels. The boards are embellished with very wide blind and gilt rolls. Gilt dentelles and all edges. With the vignette on the title page and 108 engraved portraits. A spectacular example of this great book.

Paris: L’auteur des Estampes, 1786-1793. 3 volume set, 12 inches tall. An old tipped in catalogue entry attributes this magnificent binding to Charles Lewis. With wide gilt raised bands, delicate and ornate gilt tooling to the panels, twin labels, dentelles and all edges gilt. Complete with 3 engraved title pages, portrait and 73 engraved plates after Le Barbier. There are an extra 18 stipple engraved plates and 70 highly decorative vignettes. Some speckling and scuffing to the boards. A super copy of this beautiful 18th century deluxe edition.

London, ondon: Miller 1803. Half morocco, 14.75 inches tall. A most attractive clean copy in a half pink morocco binding from the very beginning of the 19th century. A fine binding with gilt bands and title. Deckled edges. With an armorial binding bearing the motto 'Degeneranti Genus Opprobrium' above 'Waterstock'. Illustrated with 73 hand coloured stipple engraved plates. A lovely tall copy of the first edition in excellent condition.

London: William Pickering, 1846. 2 volume set, 12 inches tall. A magnificent crushed morocco by J. Clarke with gilt raised bands, very finely tooled panels, gilt dentelles and all edges. With the gilt embossed arms of Earl Cawdor on the boards. Beautifully embellished with 16 plates, 3 coloured, 1 folded and 60 illuminated initials. Some foxing to the engraved plates, otherwise pristine. A very fine set.

London: Longman, Hurst, Rees, et Orme, 1809. 4 volume set, 11 inches tall. A magnificent crushed and straight grain morocco with triple gilt and blind tooled raised bands and dense gilt tooling to the panels. The boards have a central straight grain panel framed by very fine and elaborate gilt and blind tooling. Gilt dentelles and all edges. Large Paper deluxe edition with india proof impressions of the plates by Smirke. Offsetting from the plates, otherwise clean. The armorial bookplate of William Strahan. Some rubbing and scuffing to the edges but with no splitting or loss. An exceptionally impressive example of this celebrated edition. In the original French.

London: Hector M'lean, 1819. Full straight grain morocco, 10.5 inches tall. A very fine Regency binding with wide extra gilt raised bands and panels. The boards are framed within wide gilt and blind rolls. All edges gilt. Fine engraved plates by Smirke. From the Library and with the bookplate of Robert J. Hayhurst.

London: Virtue, 1836. Full straight grain morocco, 11 inches tall. A fabulously bound set with extraordinary gilt and white metal tooled spine and boards.the elaborate 'cathedral' design on all four boards is made up from individual tooling, as is the superb tooling on the spines. All edges gilt. Illustrated with 2 engraved titles and 106 full page engraved views and I folding map. Some foxing to the plates and slight fading to the spine, but still a fine and spectacular set.

London: Thomas McLean, 1824. Full morocco, 11.25 inches tall. A very fine binding by TOUT with gilt raised bands, floral gilt tooling to the panels and elaborate gilt tooling to the boards. Wide dentelles, doublures and gilt top edge. 12 superb hand coloured lithographs satirising the arts.

London: Rodwell and Martin, 1820. Full straight grain morocco, 10.5 inches tall. A glorious Regency binding with wide gilt raised bands and dense blind tooling to the panels. The boards are magnificently tooled in blind and gilt. All edges gilt. There is a tiny amount of worming effecting the gutter of the front endpaper and preliminaries. With 60 splendid views and vignette on the title page. A superb example of this scarce work.

New York: James G. Gregory, 1862. Full crushed morocco, 15 inches tall. Magnificently Bound by Riviere with gilt raised bands, exceptionally fine gilt tooled panels and a sequence of gilt rolls framing the boards. Gilt dentelles and all edges. Complete with Engraved portrait, engraved title page and a further 62 superb engravings illustrating the novels of James Fenimore Cooper. With some original paper wraps bound in. Some superficial scratching to the lower board. A spectacular example of this finely produced work.

London: Rodwell and Martin, 1820. Full morocco, 10.5 inches tall. A most attractive binding with twin gilt raised bands and extra gilt tooling to the panels. The boards are also densely decorated with gilt and blind tooling framing an elaborate central device. Gilt dentelles and all edges. Slightly rubbed but still a fine firm and clean example. With 60 splendid views and vignette on the title page. A superb example of this scarce work.

London: Longman, 1847. 2 volume set, 13.75 inches tall. A magnificently bound set with gilt raised bands, extra gilt panels and unusual gilt rolls framing the goatskin on the boards. Gilt dentelles and all edges. From the Library and with the bookplate of Robert J. Hayhurst. 150 engraved plates, 10 in colour in volume 2.

Paris: chez la Veuve P. Bertrand, 1714. Full calf, 11 inches tall. Splendid full later cat's paw calf with gilt raised bands, twin labels and fine floral gilt tooled panels. Gilt dentelles and pink edges. With 65 portraits of the French kings. Some foxing to the preliminaries. Expert repair to the title page. With the bookplates of the Marquis de Biencourt of the Château de Masfaure.