Fine Engravings

London: Printed at the Shakspeare Press for John Major and Robert Jennings, 1828. 5 volume set, 10 inches tall. A splendid tall set in full hard grain morocco by Clarke & Bedford, one of the greatest names of the period. With gilt raised bands and very fine extra gilt tooling to the panels. Gilt fillets, and superb gilt tooling with corner devices frame the boards. Gilt dentelles and all edges. With the bookplates of William Strahan and Alfred de Rothschild. This celebrated edition has the plates in 2 states, with the proofs laid down on india paper. Slight foxing but overall a fine set of this great edition.

Paris: L’auteur des Estampes, 1786-1793. 3 volume set, 12 inches tall. An old tipped in catalogue entry attributes this magnificent binding to Charles Lewis. With wide gilt raised bands, delicate and ornate gilt tooling to the panels, twin labels, dentelles and all edges gilt. Complete with 3 engraved title pages, portrait and 73 engraved plates after Le Barbier. There are an extra 18 stipple engraved plates and 70 highly decorative vignettes. Some speckling and scuffing to the boards. A super copy of this beautiful 18th century deluxe edition.

London: William Pickering, 1846. 2 volume set, 12 inches tall. A magnificent crushed morocco by J. Clarke with gilt raised bands, very finely tooled panels, gilt dentelles and all edges. With the gilt embossed arms of Earl Cawdor on the boards. Beautifully embellished with 16 plates, 3 coloured, 1 folded and 60 illuminated initials. Some foxing to the engraved plates, otherwise pristine. A very fine set.

London: Longman et al., 1814. Full morocco, 15 inches tall. A magnificent tall full hard grain morocco with gilt raised bands, superb twin labels and spectacular gilt tooling to the panels. The boards are framed by triple gilt fillets and centre tools. Gilt dentelles and all edges. Embellished with 95 splendid engravings. The tallest and best edition of this work in an exceptional binding.

London: Virtue, 1836. Full straight grain morocco, 11 inches tall. A fabulously bound set with extraordinary gilt and white metal tooled spine and boards.the elaborate 'cathedral' design on all four boards is made up from individual tooling, as is the superb tooling on the spines. All edges gilt. Illustrated with 2 engraved titles and 106 full page engraved views and I folding map. Some foxing to the plates and slight fading to the spine, but still a fine and spectacular set.

London: Longman, Hurst, Rees, et Orme, 1809. 4 volume set, 11 inches tall. A magnificent crushed and straight grain morocco with triple gilt and blind tooled raised bands and dense gilt tooling to the panels. The boards have a central straight grain panel framed by very fine and elaborate gilt and blind tooling. Gilt dentelles and all edges. Large Paper deluxe edition with india proof impressions of the plates by Smirke. Offsetting from the plates, otherwise clean. The armorial bookplate of William Strahan. Some rubbing and scuffing to the edges but with no splitting or loss. An exceptionally impressive example of this celebrated edition. In the original French.

London, The Punch Office, 1845. Full morocco, 10 inches tall. A pristine example of this classic comic work bound in sumptuous full morocco by the great firm of Bedford, from the library of a Scottish Gentleman. An exceptionally tall copy with gilt raised bands, ornate floral gilt tooling to the panels, triple gilt fillet framing the boards, wide gilt dentelles and top edge gilt. Embellished with 12 full page steel engravings and 117 superb engraved vignettes. With over 50 leaves of highly entertaining advertisements. As fine a copy as one could hope to find.

London: C. Baldwyn, 1823. 2 volumes bound in 1, 9 1/4 inches tall. A wonderful full morocco binding by the great firm of Bedford from the library of a Scottish Gentleman. Gilt raised bands, exceptionally fine gilt tooling to the panels and triple gilt fillets framing the boards. Gilt dentelles and top edge. A curious comic work in which Cruikshank " selects or invents those incidents which might be interesting or amusing in themselves, while they afford scope for the peculiar talents of the artist who adorns them with his designs". Both volumes contains 10 themes, each illustrated with a full page wood engraving. There are further engraved vignettes on India paper throughout. With 6 leaves of advertisements bound in. An absolutely pristine copy of the first edition.

London: Thomas McLean, 1824. Full morocco, 11.25 inches tall. A very fine binding by TOUT with gilt raised bands, floral gilt tooling to the panels and elaborate gilt tooling to the boards. Wide dentelles, doublures and gilt top edge. 12 superb hand coloured lithographs satirising the arts.

London: Tilt and Bogue, 1842. Full morocco, 9 1/2 inches tall. In pristine condition in a wonderful binding by the great firm of Bedford from the library of a Scottish Gentleman. With gilt raised bands and very fine gilt floral tooling to the panels. Triple gilt fillets frame the boards, gilt dentelles and top edge. The first edition of this classic comic work embellished with 22 full page engravings and a further 78 woodcut vignettes by George Cruikshank. Bound with 48 leaves of advertisements and the original covers of the original parts. As fine a copy of this splendid work as one could hope to find.

London: Rodwell and Martin, 1820. Full straight grain morocco, 10.5 inches tall. A glorious Regency binding with wide gilt raised bands and dense blind tooling to the panels. The boards are magnificently tooled in blind and gilt. All edges gilt. There is a tiny amount of worming effecting the gutter of the front endpaper and preliminaries. With 60 splendid views and vignette on the title page. A superb example of this scarce work.

London: Rodwell and Martin, 1820. Full morocco, 10.5 inches tall. A most attractive binding with twin gilt raised bands and extra gilt tooling to the panels. The boards are also densely decorated with gilt and blind tooling framing an elaborate central device. Gilt dentelles and all edges. Slightly rubbed but still a fine firm and clean example. With 60 splendid views and vignette on the title page. A superb example of this scarce work.

London: Hector M'lean, 1819. Full straight grain morocco, 10.5 inches tall. A very fine Regency binding with wide extra gilt raised bands and panels. The boards are framed within wide gilt and blind rolls. All edges gilt. Fine engraved plates by Smirke. From the Library and with the bookplate of Robert J. Hayhurst.

Paris: chez la Veuve P. Bertrand, 1714. Full calf, 11 inches tall. Splendid full later cat's paw calf with gilt raised bands, twin labels and fine floral gilt tooled panels. Gilt dentelles and pink edges. With 65 portraits of the French kings. Some foxing to the preliminaries. Expert repair to the title page. With the bookplates of the Marquis de Biencourt of the Château de Masfaure.

London: Richard Bentley, 1876. 2 volume set, 9 inches tall. A superbly bound set by Tout with gilt raised bands, very fine gilt tooling to the panels and gilt top edges. Extra illustrated with 124 engraved plates. From the library of Brian Forbes, the Film Director. A unique and most elegant item bound by one of the most celebrated firms of binders of the period.

London: Jennings, n.d. c.1837. Full morocco, 11.5 inches tall. A splendid binding from the beginning of the Victorian period with wide gilt raised bands, magnificent tooling to the boards and all edges gilt. Including the title page there are 42 engraved views by David Roberts. Foxing, particularly heavy on the title page. With the bookseller's ticket of Pocock of Bath. A rare tall edition, with no text, in a spectacular binding.