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London: Macmillan, 1894. Full morocco, 10 inches tall. A stunning full crushed morocco bound by Riviere in 1895 in absolutely pristine condition. With gilt raised bands and exquisite floral gilt tooling to the panels. The boards framed within a triple gilt fillet. Wide gilt dentelles and gilt top edges, the remaining edges untrimmed. This is one of 152 large paper copies. This copy is signed by Hugh Thomson on the title page. The original cloth covers and wraps fot the large paper and ordinary paper editions are bound in. With 76 illustrations by Hugh Thompson who has signed the title page. A wonderful copy of these beautifully illustrated English poems.

London: Ackermann, 1823. 3 volume set, 5 1/2 inches tall. The exquisite miniature edition of 1823 bound in later full calf by Bayntun with gilt raised bands, twin labels, fine gilt tooling to the panels, twin gilt fillets framing the boards, dentelles and all edges gilt. Illustrated with 80 hand-coloured plates by Thomas Rowlandson, including two pictorial title pages, as called for. Brilliant comic satirical verse matched by Rowlandson's equally comic hand coloured aquatints.

Oxford: Clarendon Press, 1826. 8 volume set, 8 1/2 inches tall. An elegant full morocco bound set with gilt raised bands and gilt framed panels and boards. Slight foxing and some superficial marks on the bindings, but overall a very smart set of this definitive work on the English Civil War, written during and just after the events related.

London & Paris: Boussod, Valadon & Co. (Goupil), 1896. Full morocco, 12 1/2 inches tall. A sumptuous binding by Riviere with gilt raised bands and very fine extra gilt tooling to the panels and gilt roll and triple fillet framing the boards. Gilt dentelles and all edges. Beautifully printed and with illustrations throughout including the colour portrait of Queen Elizabeth I. One of a series of extravagantly produced, mostly Royal, biographies. Slight rubbing but still in very fine condition.

Lausanne: Chez Marc-Mic. Bousquet & Comp, 1759. 2 volume set, 6.5 inches tall. Fine full speckled calf in pristine condition. With gilt raised bands, twin labels and floral gilt tooling to the panels. Woodcut ornaments. 13 full page engraved plates. A superb copy of a scarce edition.

London: R. Ackermann, at the Repository of Arts, 1822. Full morocco, 9 1/2 inches tall. A beautiful binding by Riviere, expertly rebacked retaining the earlier boards. With gilt raised bands, fine gilt tooling to the panels. Gilt dentelles and all edges gilt. The armorial bookplate of Baron de Spon. In this great comic poem we learn of the adventures of Doctor Syntax's extraordinary son, Johnny. Thomas Rowlandson adds 24 superb hand coloured aquatints to illustrate those adventures further.

London: George Bell, 1896. Full morocco, 7 1/2 inches tall. A pristine full crushed morocco by Sangorski and Sutcliffe in his own distinctive design and from his library. With raised bands, a single gilt star to the spine and a gilt key motif on the upper board. The binding, which dates from 1969 has the following pencil inscription in William Russell Flint's own hand on the paste down endpaper: "Board of education South Kensington. National Book Prize awarded to William Russell Flint of Edinburgh Royal Institution School of Art for success in subject 9a at the National arts Competition 1900". A unique and lovely copy of this profusely illustrated and informative work.

London: Henry Colburn and Richard Bentley. 3 volume set, 7.5 inches tall. A most attractive half calf from the 1830's with gilt raised bands, twin labels and gilt tooling to the panels. With the bookplate of W.E. Powell of Nanteos. The English first edition came out a year before the American. The Water Witch is a rollicking tale of 18th century New York.

London: Longman et al., 1830; 1831 & 1831. 3 volume set, 6 1/2 inches tall. Exquisite little set with gilt raised bands, extra gilt panels and triple labels. The tree calf boards are framed within an ornate floral gilt roll. Each title page has an engraved vignette. From the library of Edward Nicholas Hurt, most of whose books were of this highest quality.

London & Paris: Boussod, Valadon & Co (GOUPIL), 1896. Full crushed morocco, 13 inches tall. A splendid binding by Ramage with gilt raised bands, crowned Tudor rose centre tools in the panels and on the boards. Gilt dentelles and top edge. Hand coloured frontispiece and 39 further full page plates illustrating the history of Elizabeth I. Some foxing to the frontispiece and title page and slight rubbing to the joints and edges.

London: John Murray, 1819. 7 volume set, 7 3/4 inches tall. An elegant Regency set with gilt bands and striking centre tools on smooth backs. Yellow edges. With the bookplate of Vane Londonderry in volumes 2 -7. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. A pristine set of this fascinating anthology covering, in chronological order, biographical information on more than 250 British poets.

London: Dodsley, 1774. 4 volume set, 8 1/2 inches tall. A very smart early Victorian half morocco with raised bands, blind pallets and centre tools and gilt top edges in fine condition. This is the second edition, printed in the same year as the first. The title page and portrait are quite browned and there is a little sporadic foxing but overall a clean text in a fine binding. The 4th Earl of Chesterfield was an English statesman, wit and man of letters. These letters to his son were intended as a guide for achieving success in the 18th century, helping him to interpret the social codes of etiquette and good manners.

London: Humphreys, 1902. Full morocco, 8 1/2 inches tall. Beautifully bound in terracotta crushed morocco with the distinctive gilt tooling to the panels, boards and dentelles of these superb Humphrey's publications. All edges gilt. One of the taller works finely printed on hand made paper. Speckling to the leaves. De Officiis (On Duties/Obligations), written in 44 B.C., the year of Cicero's death, has been hugely influential. Voltaire wrote "No one (else) will ever write anything so wise". A lovely copy, in English, of this great work.

London: Ryley, 1838. Full morocco, 8.5 inches tall. A very scarce item with exquisite hand coloured initials and full page 'illuminated' plates. The spine and boards are decorated with gilt 'Cathedral' tooling. All edges gilt. Some rubbing but a fine example of this choice edition.

London: Henry Colburn, 1828. 2 volume set, 11 inches tall. A neat Georgian half calf with raised bands, twin labels and ornate gilt tooling to the panels, with some rubbing to the bands. Pink speckled edges. Engraved portrait and further full page engraved plates. A very handsome copy of a scarce work. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

Leyden: Elzevir, 1656. Full morocco, 5 inches tall. A delightful little 18th century French crushed morocco binding with gilt bands, floral gilt tooling to the panels and contrasting green label.. Triple gilt fillets and corner tools frame the boards. With map of Alexander's expedition, engraved title and portrait. This is a lovely little copy of the only known work of Curtius the first century Roman historian. In the original Latin.

London: John Murray, 1823. 5 volume set, 8.5 inches tall. An elegant binding in pristine condition. With gilt raised bands, title and very fine gilt panels. Armorial bookplates. A most attractive set of these hugely successful and influential poems.

London: John Churchill and W. Flexney, 1766. 2 volume set, 9 inches tall. A simple yet elegant binding with gilt bands and titles. Armorial bookplate. A neat owner's name dated 1821 on the title page and the publisher and executor, John Churchill, has signed his name at the end of the work. A fine edition of the works of this celebrated satirist and poet.