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Bruxelles: Paul Lacomblez, 1914. Full morocco, 13 inches tall. A truly magnificent binding in pristine condition by Paul Affolter with gilt raised bands, superb gilt tooling with onlays to the panels and framing the boards. Wide gilt dentelles and watered silk doublures and free endpapers. Number 50 of 75 copies on 'japon imperial' with an extra suite of colour plates. In the original felt lined and leather trimmed slipcase also signed by Affolter. Based on an obscure 16th century romance, Coster's masterpiece tells of the adventures of a Flemish prankster, Thyl Ulenspiegel, during the wars of the Reformation in the Netherlands and became popular all over the world.

London: John Thomas, 1840. 3 volume set, 10 inches tall. A gorgeous Spanish calf binding by Tout with gilt raised bands, triple labels and fine gilt tooling to the panels. Gilt Cambridge panels to the boards, dentelles and gilt top edges. With 800 engraved vignettes from designs by Tony Johannot. A remarkable set bound in this very scarce style in a most unusual colour by one of London's greatest late Victorian binders.

London: R. Ackermann's Repository of Arts, 1812, 1820 & 1821. 3 volume set, 9.5 inches tall. A glorious set of the 3 Tours, all first editions, in a wonderful full calf by Tout with gilt raised bands, triple labels, ornate, dense floral gilt tooling to the panels. The boards are framed within triple gilt fillets and ornate corner tooling. Gilt dentelles and all edges. With 2 engraved title pages and a further 78 full page hand coloured aquatints, as called for, by Thomas Rowlandson. A fine clean set. The red label of the first volume is, as is often the case, a slightly different shade. Armorial bookplate and a neat ink owner's name on the title pages. Creasing to the joints but still a wonderful set of this great comic creation.

London: McLean, 1821. Full morocco, 11.25 inches tall. A superb Victorian full morocco binding with gilt raised bands, very fine floral gilt tooling to the panels, wide dentelles and all edges gilt. Large paper copy with the half title present and original paper label bound in. 24 superb and most amusing hand coloured aquatints 'by one of the family' illustrating the (mis)adventures of an English Squire of the period.

Paris: Chez Sylvian Sauvage, 1927. Half morocco, 9.5 inches tall. with raised bands and fine gilt tooling with onlays, gilt top edge. This is example V of XX lettered 'examplaires de collaboration'. With splendid illustrations by Andre Dignimont including an original watercolour signed and inscribed to Pierre Macorlan, the celebrated french novelist and songwriter.

London: Strahan and Woodfall, 1792. 6 volume set, 9.5 inches tall. An extraordinary 18th century binding in full sheep with blind bands, splendid triple labels and twin blind fillets framing the boards. With exceptional speckled pink lettering to the edges indicating that this set belonged to the Circuit Library of the Chester Crown Court. There are no other inscriptions and the text is very clean. There has been expert repair to the joints of two of the volumes. We can find no other examples of this style of lettering on the edges. A remarkable set of this scarce work.

aris, Emile Hazan, 1930. Full crushed morocco, 10.5 inches tall. A striking binding with 3 wide gilt raised bands and fine gilt designs to the boards. Wide gilt dentelles and watered silk doublures. Top edge gilt, other edges untrimmed. On 'Japon Imperial'. From a limited edition of 833, one of only 7 examples with an original watercolour, this being number 6. Dignimont's wonderful illustrations are in 2 states. In pristine condition housed in a slightly worn slip case.

Leipzig: Typographia Giesecke & Devrient, 1880. Full calf, 15.5 inches tall. A truly magnificent volume in excellent condition. Gilt raised bands and gilt and blind tooling to the panels. The upper board shows a Portuguese caravel framed within an architectural arch and the Portuguese Coat of Arms. The edges are gauffered with a rose design. Bookplate. Slipcase. 10 Chromolithographs and 21 engraved plates. Luiz de Camoes is the great 16th century Portuguese literary figure compared to that of Shakespeare, Cervantes, Homer, Virgil and Dante and this is his great epic poem.

London & Paris: (Goupil) Boussod, Valadon & Co., 1896. Full morocco, 12.75 inches tall. A stunning copy of the best edition bound by Zaehnsdorf for Wm. Brown in full crushed morocco with raised bands and elegant gilt panels. The royal crest on the boards is framed within a series of gilt and blind fillets and corner tools. Gilt dentelles and top edges. Colour portrait and monochrome and sepia full page plates and vignettes throughout. Limited to just 300 copies (200 in Great Britain and 100 in America) with a duplicate series of plates in 2 states, of which this is number 195. Armorial bookplate. The spine is somewhat faded but still bright. A splendid copy of this luxurious edition.

Lausanne: Chez Marc-Mic. Bousquet & Comp, 1759. 2 volume set, 6.5 inches tall. Fine full speckled calf in pristine condition. With gilt raised bands, twin labels and floral gilt tooling to the panels. Woodcut ornaments. 13 full page engraved plates. A superb copy of a scarce edition.

London: Henry Colburn and Richard Bentley. 3 volume set, 7.5 inches tall. A most attractive half calf from the 1830's with gilt raised bands, twin labels and gilt tooling to the panels. With the bookplate of W.E. Powell of Nanteos. The English first edition came out a year before the American. The Water Witch is a rollicking tale of 18th century New York.

EDINBURGH: Jack, 1903. 2 volume set, 14.25 inches tall. A magnificent half morocco by Maclehose with gilt raised bands, ornate gilt tooling to the panels and gilt top edges. Limited to just 100 copies signed by Jack of which this is number 25. Containing 146 plates, each displayed behind a mount.

London & Paris: Boussod, Valadon & Co (GOUPIL), 1896. Full crushed morocco, 13 inches tall. A splendid binding by Ramage with gilt raised bands, crowned Tudor rose centre tools in the panels and on the boards. Gilt dentelles and top edge. Hand coloured frontispiece and 39 further full page plates illustrating the history of Elizabeth I. Some foxing to the frontispiece and title page and slight rubbing to the joints and edges.

New York: 1906. 2 volume set, 9.5 inches tall. A magnificent binding by the Bretano's Bindery. With gilt raised bands and exceptionally fine gilt tooling to the spine and boards. Gilt dentelles and top edges. Full page illustrations.

London: Cadell, 1830. 7 volume set, 7 inches tall. A simple yet attractive Georgian full calf with wide gilt raised bands, twin labels and blind pallets to the panels and rolls framing the boards. The Reverend Edward Cooper was first cousin to Jane Austen, their mothers being sisters. He was Rector of the Church of St Michael and All Angels, Hamstall-Ridware. There is a portrait of Edward Cooper in the Jane Austen's House Museum. A splendid little set.

London: Ryley, 1838. Full morocco, 8.5 inches tall. A very scarce item with exquisite hand coloured initials and full page 'illuminated' plates. The spine and boards are decorated with gilt 'Cathedral' tooling. All edges gilt. Some rubbing but a fine example of this choice edition.

London: John Murray, 1823. 5 volume set, 8.5 inches tall. An elegant binding in pristine condition. With gilt raised bands, title and very fine gilt panels. Armorial bookplates. A most attractive set of these hugely successful and influential poems.

Paris: Crapelet, 1853. Quarter calf, 11 inches tall. An elegant binding with twin labels, gilt. With the 2 hand coloured engraved portraits. Second edition. With the letters in Tudor English and French. A fascinating and rare book in excellent condition.

London, Paris & New York: ( Goupil ) Boussod, Valadon & Co. 1896. Half morocco, 13 inches tall. A Deluxe Edition limited to 200 copies. With raised bands, titles and top edge. Armorial bookplate. With fine colour frontispiece and full page plates throughout. A most attractive copy.