London: Rudolph Ackermann, 1837. Full morocco, 9 1/2 inches tall. An exceptional copy of this remarkable work in a beautiful binding by the elusive and brilliant Lucien Broca with, most uncommonly, his own stamp. The full morocco binding has gilt raised bands and wonderfully intricate gilt tooling to the panels. Heavily crushed morocco with a surround of fillets and a splendid gilt roll form the doublures, facing watered silk free endpapers. All edges gilt. First edition, with errata slip to the last printed leaf. With 15 absolutely lovely aquatints from drawings by J. T. Rawlins. Gamonia is 'One of the most attractive colour plate books, with the aquatints all beautifully coloured and with the skilled application of gum arabic…
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London: Rudolph Ackermann, 1837. Full morocco, 9 1/2 inches tall. An exceptional copy of this remarkable work in a beautiful binding by the elusive and brilliant Lucien Broca with, most uncommonly, his own stamp. The full morocco binding has gilt raised bands and wonderfully intricate gilt tooling to the panels. Heavily crushed morocco with a surround of fillets and a splendid gilt roll form the doublures, facing watered silk free endpapers. All edges gilt. First edition, with errata slip to the last printed leaf. With 15 absolutely lovely aquatints from drawings by J. T. Rawlins. Gamonia is 'One of the most attractive colour plate books, with the aquatints all beautifully coloured and with the skilled application of gum arabic making them especially bright and sparkling.'- Ford. Eric Parker, in an 1930 edition of this book, notes: "'Gamonia' is valuable not only for its rarity and charm . It was published privately and gifted to friends by the author and is recognised as is the first treatise devoted solely to the subject of pheasant rearing, covert shooting, and the management of woodlands for the special purpose of preserving game . We can see much of what is in Rawstorne's mind in the treatment of the subjects he has chosen for illustration: in the quiet ridicule of the unskilled, in the hint of knowledge of how the thing could and should be done; in the cold and snow in which he likes to set his sportsmen seeking their quarry, and in the serenity of sunlight in which in each drawing stands Penwortham, his home". Lucien Broca was recently revealed by Marrianne Tidcombe to have created the finest bindings attributed to Sarah Prideaux, to her designs and instructions. He was born in France and bound to the highest level in Frith Street, Shaftesbury Avenue, Percy Street and Gerrard Street. A superb copy of this fascinating work.
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