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London: The Punch Office, 1847-1848. Bradbury and Evans. 3 volumes, 9 inches tall. A wonderful set of the first editions of these great comic works. Bound by Bradstreet in the finest full crushed morocco with raised bands and gilt dentelles. From the Duke of Gloucester's library at Kensington Palace, each volume with his bookplate. Prince Henry, Duke of Gloucester was the third son of King George V, brother of King George VI and King Edward VIII. Original wrappers bound in. With a total of 30 hand coloured engravings and over 300 woodcuts by John Leech.

London: Thomas McLean, 1822. Full morocco, 9 1/2 inches tall. This is a fabulous copy of the very scarce first edition containing all 6 parts (all published) and not the reprint of 1904. Bound in a superb later full morocco by the great firm of Morrell with gilt raised bands, sporting centre tools to the panels and a series of gilt fillets and bits as corner tools to the boards. With the armorial bookplate of George Seton Veitch. With 19 very bright hand coloured aquatints by Henry Alken and James Barenger. The Sporting Repository contains anecdotes and illustrations on many sporting subjects including 'Horse Racing, Hunting, Coursing, Shooting, Archery, Trotting and Tandem Matches, Cocking, Pedestrianism and Pugilism'. An exceptionally fine and clean copy of a much sought after title.

London: Robinson, 1786. Full calf, 10 1/2 inches tall. A splendid copy of this scarce work with the elaborate bookplate of the Earls of Londonderry at Wynyard Park in full 18th century calf with gilt bands in the Etruscan key style, red label and blue edges. Complete with folding map and 18 plates. A remarkable volume with splendid provenance.

London: Thomas McLean, 1824. Full morocco, 11.25 inches tall. A very fine binding by TOUT with gilt raised bands, floral gilt tooling to the panels and elaborate gilt tooling to the boards. Wide dentelles, doublures and gilt top edge. 12 superb hand coloured lithographs satirising the arts.

Edinburgh: Printed by Mosman and Brown, 1727-28. 4 volume set, 10 1/2 inches tall. An exceptionally nice set of this very scarce title in Georgian full diced calf with gilt raised bands, twin labels and splendid gilt centre tools to the panels. A gilt fillet and wide blind roll frame the diced boards. Pink speckled edges. Some foxing, mostly confined to the preliminaries. A collection of all the material available to Anderson at the time relating to Mary Queen of Scots.

London, Paris, New York: Goupil & Co., 1901. Full morocco, 12.75 inches tall. A stunning copy of the best edition bound by Zaehnsdorf for Wm. Brown in full crushed morocco with raised bands and elegant gilt panels. The royal crest on the boards is framed within a series of gilt and blind fillets and corner tools. Gilt dentelles and top edges. Colour portrait and monochrome and sepia full page plates and vignettes throughout. Limited to just 300 copies on Japanese paper, of which this is number 91. Armorial bookplate. A splendid copy of this luxurious edition.

London, Paris & New York: Goupil & Co, 1901. Full crushed morocco, 12.75 inches tall. A superb binding by Gruel with raised bands, simple elegant framed panels and boards, gilt dentelles and top edge. Limited to 300 copies printed on Japanese paper of which this is number 11. With the plates in 2 states. Fine colour frontispiece. Slight blotchiness to the boards but still a magnificent copy.

Boston: Haskell & Post, 1886. 2 volume set, 17 inches tall. A magnificent half morocco with vellum boards. With twin raised bands, ornate gilt tooling to the panels and shoulders. Some rubbing and staining to the vellum but overall a very handsome tall set. With 130 full page plates.

London, Paris, New York: Goupil & Co., 1901. Full morocco, 13 inches tall. A magnificent binding with gilt raised bands and handsome Edwardian gilt tooled panels and boards. One of a limited edition of 1250 examples. Embellished with a splendid colour portrait frontispiece and monochrome plates throughout. A little foxing to the preliminaries and slight rubbing but still a fine example of Goupil's luxurious productions.

Paris: Ménard et Desenne, 1816. 2 volume set, 8 1/4 inches tall. A splendid half mottled calf with gilt bands, centre tools and titles. A limited edition of which this set is numbered 223. There is an ink smudge on the title page of volume 1, otherwise the set is pristine inside and out. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry, and with his elaborate bookplate. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses. A very fine set of a scarce work.

London, Paris, New York: Goupil & Co., 1901. Full morocco, 12.75 inches tall. A stunning copy of the best edition bound by Wm. Brown of Edinburgh in full crushed morocco with raised bands and elegant gilt panels. The royal crest on the boards is framed within a series of gilt and blind fillets and corner tools. Gilt dentelles and top edges. Colour portrait and monochrome and sepia full page plates and vignettes throughout. Limited to just 300 copies on Japanese paper, of which this is number 127. Armorial bookplate. With the splendid armorial bookplate of the Earl of Tweeddale, Viscount Walden. Fading to the spine but a very clean and smart copy of this luxurious edition.

London: Duckworth & Co., 1898. Half morocco, 8 1/2 inches tall. A smart Edwardian half crushed morocco with gilt raised bands, simple gilt framed panels and gilt top edge. The scarce London first edition extra-illustrated with 65 engraved plates.

London: Hurst and Blackett, 1894. 2 volume set, 9 inches tall. A splendid half morocco by Riviere with gilt raised bands, 'hunting, shooting and fishing' gilt centre tools to the panels and gilt top edges. Bookplates. With a total of 33 plates. Inscribed by the author to his brother. Subscriber's special copy. These entertaining reminiscences contain the first recorded appearance of the phrase "like a duck to water".......I always took to shooting like a duck to water.

Leyden: Elzevir, 1658. Full morocco, 5 1/4 inches tall. A beautiful binding with gilt raised bands, delicate gilt tooling to the panels, triple fillet framing the boards and gilt dentelles and all edges. A tiny ink inscription on the reverse of the free endpaper. With the bookplate of Geoffrey Aspin who attributes the binding to Masson-Debonelle. A superb little Elzevir edition in excellent condition. In Latin.

London: John Lane at The Bodley Head, 1923. Full morocco, 9 inches tall. A splendid full crushed morocco by Bayntun with gilt raised bands, fine geometric gilt tooling to the panels and boards, gilt dentelles and all edges. The spine is slighted faded to a paler lilac but is still striking. One of a limited deluxe edition of 3000 copies. The original cloth binding is bound in. Extraordinary bold illustrations throughout by Jean de Bosschére. 'The Metamorphoses of Apuleius', a bawdy picaresque novel, also known as 'The Golden Ass', is the only ancient Roman novel in Latin to survive in its entirety.

London: The Harleian Society, 1889. Full morocco, 10.5 inches tall. Magnificent full hard grain morocco with gilt raised bands, extra gilt panels, dentelles and all edges. Comprising The Harleian Society volume XV. Presented to the Editor by Lord Bute. Scarce title in pristine condition.

Lipsiae (Liepzig), Sumptibus librariae Hahnianae, 1845. 4 volume set, 8 1/2 inches tall. A handsome and charming binding by Budden of Cambridge with the title labels reading out the author's name. With gilt raised bands, delicate floral gilt tooling to the panels and twin labels. There is a degree of rubbing and scuffing to the shoulders and some foxing but still a solid great looking set. This is the complete section on Aristophanes from a much larger set of ancient Greek poetic works. Included are some the earliest and greatest works of comedy or 'Old Comedy', including 'The Clouds', 'The Wasps', 'The Birds', 'The Frogs' and Lysistra.' In the original Greek.