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London: Edward Moxon, 1843-1846. 11 volume set, 8.75 inches tall. A truly splendid full hard grain morocco by one of the greatest binders of the period, White of Pall Mall. With gilt raised bands, unusual dense gilt tooling to the panels and gilt dentelles. All the edges are gilt over marbling. The heraldic crest on both boards is framed within magnificent gilt rolls and individual tooling. The crest with the motto 'Sic Donec' is that of William Tatton Egerton, 1st Baron Egerton of Tatton Park. A wonderful set of the Works of these two early 17th century English playwrights, often considered successors to Shakespeare.

London: William Miller, 1808. 18 volume set, 9.5 inches tall. A magnificent set in a binding typical of the beginning of the 19th century. Bound in full straight grain morocco with gilt raised bands, blind tooled panels and dentelles. The boards are framed within gilt and blind rolls. Portrait. With the ticket of Upham & Beet (Booksellers) of New Bond Street. With the bookplate of Lt. General Sir John Macdonald, Adjutant-General to the Forces, friend and supporter the Duke of Wellington. 'Glorious' John Dryden, poet, critic and playwright was a dominant figure in the English Restoration.

London: Johnson et al., 1801. 6 volume set, 9 inches tall. A glorious Georgian full straight grain morocco with twin gilt raised bands, dense geometric gilt tooling to the panels and twin labels. A fine gilt roll and twin fillets frame the boards. Gilt dentelles and all edges. A portrait of Milton is in volume I and an engraved plate in volume VI. A celebrated edition of the works of one of the greatest of all 17th century poets in a remarkable binding.

London: William Miller, 1808. 18 volume set, 9.5 inches tall. A splendid set of this celebrated 'first collected' edition with Notes and a Life by Walter Scott. A handsome full Regency calf with gilt raised bands, twin labels and gilt tooling to the panels. A simple gilt roll frames the boards. There is some rubbing and scuffing to the boards, slight loss to a couple of head caps but the set is still firm and sound. 'Glorious' John Dryden, poet, critic and playwright was a dominant figure in the English Restoration.

London: Nicol, Rivington et al, 1813. 4 volume set, 9 inches tall. A simple but very fine later half crushed morocco by Ramage with gilt raised bands, titles and top edges. Bookplate. Portrait. A splendid set of the second edition of the dramatic works of this great seventeenth century English playwright.

London: Akerman (sic) et al., 1822. 2 volume set, 8.5 inches tall. Superb later crushed morocco by Bayntun with gilt raised bands, gilt panels, framed boards, dentelles and all edges. With 12 hand coloured aquatints. A pristine copy of this great mock heroic Civil War poem through the story of Sir Hudibras and his comic adventures.

Lausanne: Chez Marc-Mic. Bousquet & Comp, 1759. 2 volume set, 6.5 inches tall. Fine full speckled calf in pristine condition. With gilt raised bands, twin labels and floral gilt tooling to the panels. Woodcut ornaments. 13 full page engraved plates. A superb copy of a scarce edition.

London: Rivington et al., 1811. 2 volume set, 11 inches tall. In the distinctive binding created for the great bibliophile, Henry Arthur Johnstone. With gilt titles and floral centre tools to the spine and his swashbuckling crest on the upper boards. Pigskin blind tooled endpapers and gilt top edges. Fuller greatest work was first published in 1662, this new edition again lists the counties indicating not only their most illustrious inhabitants but also their topographical characteristics and commercial activities. An extraordinary set in pristine condition.

London: Rivington et al, 1817. Full straight grain morocco, 8.25 inches tall. An usual and superb biding from the Georgian period. With 3 very finely decorated raised bands, 1 inch square, titles, dentelles and all edges. The straight grain boards are framed within gilt and blind tooled rolls. Contains the "Life of The Author" and "Criticism On The Poem" by Samuel Johnson. Engraved portrait and title page. Neat early owners inscription on first blank.

London: R. and J. Dodsley, 1764-1769. 3 volume set, 9 inches tall. 18th century full calf with gilt raised bands, twin labels and extra gilt panels. The boards are framed within a gilt roll. There is a little cracking of the joints but still perfectly firm and solid. A previous owner's ink stamp, B.Girlie, is at the head of the title pages. A handsome set of the first collected edition of the works of this English poet, who was also one of the earliest practitioners of landscape gardening.

Chiswick Press: C. Whittingham, 1819. Full calf, 7.5 inches tall. A superbly bound volume with gilt raised bands and ornate blind tooling to the panels and boards, typical of the Regency period. Slight rubbing. Bookplate and Binder's Ticket for T.Sowler of St. Ann's Square, Manchester. A very curious and rare work containing 2 reprints, the first published originally by John Deane in 1609, the second by Thomas Thorp in 1612. Titled 'Ancient Humorous Poetry' on the spine.

Boston: Little, Brown and Company, 1865. 4 volume set, 7.25 inches tall. A very bright, neat set in classic half calf with gilt raised bands, twin labels and delicate gilt tooling to the panels. Pink speckled edges.

London: Tilt and Bogue, 1843. 2 volume set, 8 inches tall. A pristine set of 'Tilt's Illustrated Edition'. Full crushed morocco with gilt titles in a panel decorated above and below and with gilt tooling to the boards. All edges gilt. 120 engravings. Some light foxing to the first few leaves, otherwise a very clean set of this handsome edition.

London: Routledge, Warne & Routledge, 1860. Full calf, 9.5 inches tall. A wonderful binding in the 'Oxford' or 'Divinity' style by Riviere. With raised bands, terracotta label and the distinctive blind tooling on the spine and boards. Pink edges. An ink inscription 'on leaving Eton' dated 1861 on the first blank. Portrait and engraved title page. Slight rubbing. A fine double column single volume edition of the works of this great 17th century English playwright, poet, actor, and literary critic.

London: Henry G. Bohn, 1849. Full morocco, 7.25 inches tall. One of a special series of 'Bohn's Extra Volumes' Beautifully bound in full morocco by the celebrated London binder Jeremiah Larkins. With gilt raised bands, extra gilt panels, dentelles and all edges gilt. Bookplate and the neat stamp of Bostonian collector Charles S. Dixwell on the reverse of the front free endpapers.

London: Routledge, 1879. Full morocco, 9 inches tall. A very handsome binding by Field of Regent Street with gilt raised bands, extra gilt panels, dentelles, prize inscription on the upper board and all edges. Prize bookplate to the upper board. Embellished with 110 engravings.

London: Edward Moxon, 1840. Full calf, 9.5 inches tall. A very handsome early Victorian full calf with gilt raised bands, dense extra gilt panels, label and dentelles. Portrait and engraved title page. Double column. Containing many of the great 'Restoration Comedies' or 'Comedies of Manner'. After the 18 years of Puritan rule, during which public theatre was banned, these works lacked all restraint in celebrating the pleasures of life. Rakish, immoral and improper in style and sexually explicit in language they have remained popular ever since their publication from 1660 to 1710.

Oxford: The Clarendon Press, 1914. 2 volume set, 9 inches tall. A very fine binding with wide gilt raised bands, elegant gilt tooling to the spine and gilt top edge. A handsome set of the Works of Henry Vaughan, the 17th Century Welsh author, physician and metaphysical poet.

Amsterdam: R. & G. Wetstein, 1712. 2 volume set, 5.25 inches tall. A superb little set in an early 18th century half calf with raised bands, twin labels and gilt floral centre tools. Pink edges. The work is in 12 parts, each having an engraved plate, some with slightly frayed fore edges. There is an extremely faint trace of an owner's stamp on the title page. This great parody of the Aeneid was written by the extraordinary Paul Scarron, first husband of Madame Maintenon, future wife of Louis XIV.