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London: Septimus Prowett, 1825. 13 volume set, 9 inches tall. A splendid tall paper set in a magnificent hard grain morocco by one of London's most celebrated binders, Clarke & Bedford. With gilt raised bands, ornate gilt tooling to the panels and the play titles in the surely smallest type a binder could use. The boards framed within triple fillets, gilt dentelles and all edges. Some speckles to the boards. With the striking bookplate of John Wodehouse, Earl of Kimberley Foreign secretary under Queen Victoria. This collection of Elizabethan and Jacobean plays was significant in reacquainting the public with many previously neglected works. A very fine set.

London: Sherwood, Neely, and Jones, 1822. Full morocco,10 inches tall. A superlative later full morocco binding by the great firm of Bedford, from the library of a Scottish Gentleman, in pristine condition. An exceptionally tall copy with gilt raised bands, ornate floral gilt tooling to the panels, triple gilt fillet framing the boards, wide gilt dentelles and top edges gilt. With 36 hand coloured aquatints by I.R. and George Cruikshank and 3 folding pages of songs. The original paper spine and cover, and advertisements, bound in. The images illustrate the hilarious and bawdy adventures of Jerry and his companions in Regency London. A beautiful volume.

London: The Florence Press by Chatto & Windus, 1909. Full crushed morocco, 11 inches tall. A remarkable binding by J(ulius) Dratva of Vienna with large raised bands and simple gilt framed panels. The upper board shows St Francis kneeling before a winged Christ through an arch with dragon heads in the top corners. All edges have very unusual floral gilt gauffering. A gilt armorial device G.T. with a Griffin wielding an anchor and sword on the paste down endpaper. Number 191 from a limited edition of 500. An exceptional item.

Paris: KELLERHOVEN Franz, 1860. Full morocco, 12 inches tall. A remarkable full morocco binding with gilt raised bands and sumptuous gilt tooling to the panels and to the boards framing the gilt coat of arms of Pope Pius IX. Gilt dentelles and all edges. Frontispiece and a further 21 splendid full page chromolithographs. The text is embellished with elaborate borders. Dedication page by Pius IX. With the bookplate of the Sienna Convent Drogheda and a presentation page to the Convent from Maria, Countess of Lavradio, Lisbon. Light foxing. A magnificent volume, internally and externally.

London: T. Tegg, 1815. Full morocco, 10 inches tall. A fabulous later tall full crushed morocco by the great firm of Bedford from the library of a Scottish Gentleman. With gilt raised bands, superb gilt tooling to the panels of the highest quality, wide gilt denteles and gilt top edge. With 30 hand-coloured aquatints, by George Cruikshank, including the title page, as called for. There is a small gouge in one of the panels, otherwise a sparking, pristine and exceptionally tall copy of this great and highly disrespectful comic work by 'Doctor Syntax'.

London: Thomas Boys, 1820. Full morocco, 10 inches tall. A wonderful tall late Victorian binding by the great firm of Bedford in pristine condition, inside and out. With gilt raised bands and luxurious floral gilt tooling to the panels. Gilt triple fillets frame the boards. Gilt dentelles and top edge. With an engraved title page and 12 hilarious full page hand coloured plates by Isaac Robert Cruikshank. From the library of a Scottish Gentleman. As fine a copy as one could possibly find of the first edition of this hilarious work advising much scrimping and saving.

Edinburgh: Archibald Constable and London: Hurst, Robinson and Co., 1822-1830. 53 volume set, 8 1/2 inches tall. A magnificent set in bound in the highest quality Georgian full hard grain morocco with gilt raised bands and superb extra gilt panels. Gilt and blind fillets frame the boards. All edges gilt. Each volume has an engraved title page and further full page engravings. There is a degree of foxing, mostly to the engraving, but a generally very clean set. There is some scratching and a couple of small gouges, but is very smart and has absolutely no splitting or loss. A remarkable set.

London: The Punch Office, 1847-1848. Bradbury and Evans. 3 volumes, 9 inches tall. A wonderful set of the first editions of these great comic works. Bound by Bradstreet in the finest full crushed morocco with raised bands and gilt dentelles. From the Duke of Gloucester's library at Kensington Palace, each volume with his bookplate. Prince Henry, Duke of Gloucester was the third son of King George V, brother of King George VI and King Edward VIII. Original wrappers bound in. With a total of 30 hand coloured engravings and over 300 woodcuts by John Leech.

London: William Miller, 1804. Full morocco, 14.5 inches tall. A magnificent Georgian full straight grain morocco with gilt raised bands, extra gilt panels, dentelles and all edges. The ornately gilt tooled centre tooling is framed within a series of blind and gilt tooled rolls and fillets. This is the tall folio edition and is adorned with 50 hand coloured aquatints. From the library of the Duke of Gloucester at Kensington Palace. Prince Henry Duke of Gloucester was the third son of King George V, brother of King George VI and King Edward VIII.

Cambridge: The University Press 1920-1927. 15 volume set, 9 inches tall. A splendid half morocco binding by Bumpus with gilt raised bands, elegant gilt tooling to the panels and all edges gilt. It is unusual to find this great work of literary reference in a fine binding. Some superficial rubbing otherwise in excellent condition.

London: Robinson, 1786. Full calf, 10 1/2 inches tall. A splendid copy of this scarce work with the elaborate bookplate of the Earls of Londonderry at Wynyard Park in full 18th century calf with gilt bands in the Etruscan key style, red label and blue edges. Complete with folding map and 18 plates. A remarkable volume with splendid provenance.

Paris: Joseph Barbou, 1755. 2 volume set, 6 inches tall. A beautiful set bound by White of Pall Mall in pristine condition in full crushed morocco. A flat back with gilt bands and delicate tooling in the style of Derome. Gilt dentelles and all edges. Frontispiece and two folding maps. A truly delightful set in the original Latin. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: Charles Griffin & Co. (1865). Full morocco, 7 3/4 inches tall. A fabulously bound volume by Zaehnsdorf with gilt raised bands and a superb stylized floral device in the panels and en masse on the boards. Gilt tooled dentelles and all edges gilt. With the leather bookplate of W.A. Foyle of Beeleigh Abbey. Rubbing but perfectly firm. The frontispiece and 12 further images represent famous Shakesperean characters or creations. These are followed by 2 pages of illuminated text relating to the characters. We can find very few examples of this work in institutions and no other copies in the trade.

London: Macmillan, 1890, 1891. Full morocco, 10 1/2 inches tall. A stunning large paper copy in full crushed morocco bound by Riviere in 1893 in absolutely pristine condition. With gilt raised bands and exquisite floral gilt tooling to the panels. A gilt embossed ornate centre tool is framed within a series of gilt rolls and fillets on both boards. Wide gilt dentelles and gilt top edges, the remaining edges untrimmed. The original cloth wraps are bound in. Profusely illustrated by Hugh Thomson, who has signed the title page, throughout. A wonderful copy of one of the greatest comic 18th century novels.

London: R. Ackermann, 1815: 1815. Full morocco, 10 inches tall. A tall and sumptuous later full crushed morocco binding by the great firm of Bedford. With gilt raised bands and exceptional gilt tooling to the panels. Gilt dentelles and top edge. Very slight fading to the spine but still a wonderful copy from the library of a Scottish Gentleman. Hand-colored aquatint frontispiece, engraved title page and a further 16 hand-colored aquatint plates, as listed. First edition in book form. As good a copy of this highly entertaining work as one could hope to find.

Paris: Éditions d'art Édouard Pelletan, 1905. Full morocco, 11 1/2 inches tall. A beautiful work in an exquisite binding by Affolter with gilt raised bands and glorious floral gilt tooling to the panels and boards. Elaborately gilt tooled dentelles and all edges. Sparkling embroidered silk end papers. The leather trimmed, felt lined slip case is splitting, but has preserved the book in pristine condition. The plates in 3 and 5 states. Examplaire 9 of 165 copies.

London: John Murray, 1842. Full Calf, 9 3/4 inches tall. An extraordinary Victorian binding by the great firm of White of Pall Mall, and with their binder's ticket. With gilt raised bands, splendid extra gilt panels , very wide dentelles and all edges gauffered. With remarkable mosaic gilt tooling to the boards with green and black onlays with richly gilt tooled panels. There is rubbing to the boards, some superficial staining and bumped corners but still a wonderful example of this great binding. The borders and ornamental vignettes are by the great Victorian designer Owen Jones and the numerous illustrations are by David Roberts and others.

Paris: L. Curmer, 1861. Full morocco, 13.25 inches tall. An extraordinary binding by Riviere with gilt titles to the spine and both boards and extraordinary blind tooling to the panels, boards and doublures. Vellum endpapers. All edges gilt. This is the text volume, red ruled throughout, and is offered WITHOUT the Plates. In 'Fine and Historic Bookbindings from the Folger Shakespeare Library', published in 1992 a very similar binding is described and illustrated (page 222, item 14:5). It is described as 'a Pastiche of a 16th Century Panel-Stamped Binding by Riviere and Son, c.1881'.