Search

Paris: KELLERHOVEN Franz, 1860. Full morocco, 12 inches tall. A remarkable full morocco binding with gilt raised bands and sumptuous gilt tooling to the panels and to the boards framing the gilt coat of arms of Pope Pius IX. Gilt dentelles and all edges. Frontispiece and a further 21 splendid full page chromolithographs. The text is embellished with elaborate borders. Dedication page by Pius IX. With the bookplate of the Sienna Convent Drogheda and a presentation page to the Convent from Maria, Countess of Lavradio, Lisbon. Light foxing. A magnificent volume, internally and externally.

London : to be had by the Subscribers of those Booksellers to whom they have subscribed, and at W. Bristow's late Shop in St. Paul's Church Yard, or at his House in Roll's Buildings, Fetter-Lane, 1766-1767. 4 volume set, 7 1/4 inches tall. A superb full 18th century calf with gilt raised bands, twin labels, delightful gilt pomegranate tooling to the panels and a simple gilt chain roll framing the boards. Yellow edges. With the magnificent armorial bookplate of Vane Londonderry. An early advocate of women's rights having escaped an unhappy marriage and hostile husband. Early copies of her works are very rare even in institutions. A superb set.

London: Septimus Prowett, 1825. 13 volume set, 9 inches tall. A splendid tall paper set in a magnificent hard grain morocco by one of London's most celebrated binders, Clarke & Bedford. With gilt raised bands, ornate gilt tooling to the panels and the play titles in the surely smallest type a binder could use. The boards framed within triple fillets, gilt dentelles and all edges. Some speckles to the boards. With the striking bookplate of John Wodehouse, Earl of Kimberley Foreign secretary under Queen Victoria. This collection of Elizabethan and Jacobean plays was significant in reacquainting the public with many previously neglected works. A very fine set.

London: John Murray, 1850. 2 volume set, 9 inches tall. A pristine set of this classic work in full mid-Victorian honey calf. With gilt raised bands, exquisite floral gilt tooling to the panels and double gilt fillet framing the boards. First edition. With the bookplate of Edward Nicholas Hurt of Wirksworth. This superb set is in pristine condition, both in terms of the text block and binding, evidently having not been read.

London: The Florence Press by Chatto & Windus, 1909. Full crushed morocco, 11 inches tall. A remarkable binding by J(ulius) Dratva of Vienna with large raised bands and simple gilt framed panels. The upper board shows St Francis kneeling before a winged Christ through an arch with dragon heads in the top corners. All edges have very unusual floral gilt gauffering. A gilt armorial device G.T. with a Griffin wielding an anchor and sword on the paste down endpaper. Number 191 from a limited edition of 500. An exceptional item.

London: John Fairburn, 1822. Full morocco, 9 inches tall. A fabulous full morocco by Wood with gilt raised bands, superb gilt tooling to the panels and boards representing the gambling and fighting to be found in the text. Fine gilt dentelles and top edge. The armorial bookplate of Charles Tuller Garland and a pictorial bookplate. Embellished with 21 hand comic coloured aquatints by George Cruikshank. Some finger marks but still a super copy of the rollicking adventures of a band of young gentlemen enjoying life in Paris.

London: William Miller, 1804. Full morocco, 14.5 inches tall. A magnificent Georgian full straight grain morocco with gilt raised bands, extra gilt panels, dentelles and all edges. The ornately gilt tooled centre tooling is framed within a series of blind and gilt tooled rolls and fillets. This is the tall folio edition and is adorned with 50 hand coloured aquatints. From the library of the Duke of Gloucester at Kensington Palace. Prince Henry Duke of Gloucester was the third son of King George V, brother of King George VI and King Edward VIII.

London: Robinson, 1786. Full calf, 10 1/2 inches tall. A splendid copy of this scarce work with the elaborate bookplate of the Earls of Londonderry at Wynyard Park in full 18th century calf with gilt bands in the Etruscan key style, red label and blue edges. Complete with folding map and 18 plates. A remarkable volume with splendid provenance.

Paris: Joseph Barbou, 1755. 2 volume set, 6 inches tall. A beautiful set bound by White of Pall Mall in pristine condition in full crushed morocco. A flat back with gilt bands and delicate tooling in the style of Derome. Gilt dentelles and all edges. Frontispiece and two folding maps. A truly delightful set in the original Latin. From the library of Charles William Vane (formerly Stewart), third Marquess of Londonderry. Vane served with distinction throughout the Peninsula War. His dashing and dandified portrait by Sir Thomas Lawrence is at the National Portrait Gallery. He amassed magnificent libraries in his various Country Houses.

London: John Murray, 1837. 13 volume set, 8 1/2 inches tall. An exceptionally neat and tidy set in an early Victorian half calf binding with wide raised bands, twin labels and pallets framing the boards. Pink speckled edges. Complete with the often absent index volume. Two bookplates. With an autographed letter from Colonel John Gurwood to Admiral Sir Philip Durham dated 1843 tipped in. A couple of very small marks otherwise a remarkably clean set, inside and out.

Cambridge: The University Press 1920-1927. 15 volume set, 9 inches tall. A splendid half morocco binding by Bumpus with gilt raised bands, elegant gilt tooling to the panels and all edges gilt. It is unusual to find this great work of literary reference in a fine binding. Some superficial rubbing otherwise in excellent condition.

London: Macmillan, 1890, 1891. Full morocco, 10 1/2 inches tall. A stunning large paper copy in full crushed morocco bound by Riviere in 1893 in absolutely pristine condition. With gilt raised bands and exquisite floral gilt tooling to the panels. A gilt embossed ornate centre tool is framed within a series of gilt rolls and fillets on both boards. Wide gilt dentelles and gilt top edges, the remaining edges untrimmed. The original cloth wraps are bound in. Profusely illustrated by Hugh Thomson, who has signed the title page, throughout. A wonderful copy of one of the greatest comic 18th century novels.

London: James Burns, 1843. Full Morocco, 8 1/2 inches tall. A spectacular binding by Rivière & Son with gilt raised bands and extra gilt tooling with a stylized cross within a cartouche repeated on the panels and the boards within a series of gilt fillets and rolls. Gilt dentelles and all edges. From the collection of Robin de Beaumont and with his bookplate. An ink inscription regarding a Church Dedication Festival, dated 1884, on the paste down endpaper. Unpaginated, black letter text, printed in red and black, decorative floral criblé border to each page throughout. James Burns was a distinguished bookseller in Manchester and then London celebrated for his illustrated books. An extremely attractive copy in fine condition.

London: John Scott, 1806. 5 volume set, 9 inches tall. A wonderful full straight grain morocco with the ticket of C. Hering, one of the greatest English binders of the period. With gilt raised bands end dense and very finely tooling to the panels and gilt fillets, rolls and corner tools to the boards. Gilt dentelles and all edges. With over 145 superbly engraved portraits. From the library of Evelyn de Rothschild.

Paris: Éditions d'art Édouard Pelletan, 1905. Full morocco, 11 1/2 inches tall. A beautiful work in an exquisite binding by Affolter with gilt raised bands and glorious floral gilt tooling to the panels and boards. Elaborately gilt tooled dentelles and all edges. Sparkling embroidered silk end papers. The leather trimmed, felt lined slip case is splitting, but has preserved the book in pristine condition. The plates in 3 and 5 states. Examplaire 9 of 165 copies.

Paris: L. Curmer, 1861. Full morocco, 13.25 inches tall. An extraordinary binding by Riviere with gilt titles to the spine and both boards and extraordinary blind tooling to the panels, boards and doublures. Vellum endpapers. All edges gilt. This is the text volume, red ruled throughout, and is offered WITHOUT the Plates. In 'Fine and Historic Bookbindings from the Folger Shakespeare Library', published in 1992 a very similar binding is described and illustrated (page 222, item 14:5). It is described as 'a Pastiche of a 16th Century Panel-Stamped Binding by Riviere and Son, c.1881'.