Morocco Bindings

London: Bickers and Son, 1884. Full morocco, 8 3/4 inches tall. A superb crushed morocco by Bickers with gilt raised bands and exceptionally fine and ornate gilt tooling to the panels and boards. All edges gilt. There is an ink inscription, dated 1888, to the reverse of the front free end paper. Illustrated with 12 plated. A splendid copy of this celebrated history of the life of Lord Horatio Nelson.

London & New York: The Grolier Society, 1909. Full morocco, 9 1/4 inches tall. A remarkable binding with gilt raised bands and floral gilt tooling and green calf onlays in the Art Nouveau style to the panels and boards. Splendid gilt tooled doublures and watered silk free endpapers. Armorial bookplate of Henry von Beyr. Illustrated with 6 etched portraits by C.X. Harris. Signed by the author in an edition limited to 1250 copies of which this is number 2. The spine is faded by the sun and there are a few superficial marks to the blanks and limitation page, and there is some minor scratching to the back board, but overall still a lovely copy.

Edinburgh: William Paterson, 1874. 4 volume set, 8 inches tall. A superb full crushed morocco by the great Edinburgh firm of bookbinders Andrew Grieve. With gilt bands, splendid gilt tooling to the panels and a green label on a smooth back. Triple gilt fillets and corner tools frame the boards. Gilt dentelles and top edges. Illustrated. Gavin Douglas, Bishop of Dunkeld was a Scottish poet of the late 15h and early 16th centuries whose major literary achievement is the Eneados, a translation of Virgil's Aeneid into Scottish, completed in 1513, it is the first full translation of a major poem from classical antiquity into any modern Germanic language. His translation is faithful throughout. A fine and beautiful set.

Edinburgh: Silvester Doig et al. and London: Longman et al., 1812. 2 volumes bound in 1, 7 inches tall. A lovely full crushed morocco by Ramage with gilt raised bands, superb extra gilt panels and a gilt 'Cambridge ' panel to both boards. Gilt dentelles and top edge. With the armorial bookplate of Robert Kirk M.D.. On the dedication page and the title page of volume II is the neat ink stamp of Hill (booksellers of) Perth. Embellished with 2 portrait frontispieces and a further 6 engraved plates.

Edinburgh: William Paterson, 1877-79. 6 volume set, 9 inches tall. A superb late Victorian full straight grain morocco binding by Kerr & Richardson with gilt raised bands, delicately gilt framed panels and a gilt bust of Burns in the top panels. Twin gilt fillets frame the boards. Gilt dentelles and all edges. The text block is exceptionally clean. Profusely illustrated with portraits, plates and vignettes. A first edition of the the great William Scott Douglas edition in which the poems are arranged chronologically and in which the text and notes are the most complete and correct. A splendid set of this great edition in a fine binding by a great firm of Glasgow binders.

Edinburgh: Constable and London: Vernor & Hood, 1801. 2 volume set bound as 1, 7 1/2 inches tall. A later Victorian beautiful full crushed morocco binding by the great firm of Ramage with gilt raised band and ornate gilt tooling to the panels. Gilt fillets frame the boards. Gilt dentelles and all edges. Bound with the glossary, errata and advertisements. Sir John Graham Dalyell was a Scottish advocate, antiquary and naturalist who studied 700 manuscripts in the preparation of this work.

Glasgow: Hopkins, 1869. 2 volume set, 8 inches tall. A handsome edition in a full crushed morocco binding by Grieve with gilt bands on a smooth back, twin olive labels and superb gilt floral tooling to the panels. Gilt triple fillets and floral corner tools frame the boards. Gilt dentelles and top edges. Portrait and engraved vignettes. Joseph Ritson was an 18th century English Antiquarian who first published his 'Scotish Songs' in 1794, this mid Victorian edition is printed on hand-made paper and is in pristine condition.

London: T. Cadell and W.Davies, 1811. 6 volume set. 8 1/2 inches tall. A very handsome late Victorian full straight grain morocco by Sotheran with gilt raised bands and remarkable blind and gilt tooling to the panels and boards. Ornate gilt dentelles and all edges gilt. There is some fading to the spines but the set remains bright and very good looking. Joseph Addison, 1672-1719, is perhaps best remembered for founding the Spectator magazine with Ricard Steele, he was an English essayist, poet, playwright, and politician.

London, Savoy: Printed by Tho. Newcomb, for the author, 1667. Full morocco, 14 1/2 inches tall. A superb tall later binding by the great firm of Bedford, with gilt raised bands, twin labels and magnificent gilt tooling to the panels. A series of gilt fillet frame the boards, wide dentelles and all edges gilt. First edition in red and black, embellished with 5 double page engraved plates and 57 full page. With the armorial bookplates of the Hon. Hugh Howard and the Fox Pointe Collection. Slight rubbing but a very good, clean copy with wide margins.

Wien (Vienna): Verlag von H.O. Miethke, 1886. Full morocco, 26 1/2 inches tall. A colossal and superb full morocco binding by the great firm of J. Leighton of Brewer Street from the library of Alfred de Rothschild, but without his bookplate. With twin gilt raised bands and wonderful gilt tooling to the panels and boards. Gilt dentelles and all edges. With 100 copperplate engravings, as called for. A huge and very heavy volume in excellent condition.

Munich: P. Kaeser, 1881. Full morocco, 26 1/2 inches tall. A colossal and superb full morocco binding by the great firm of J. Leighton of Brewer Street from the library of Alfred de Rothschild, but without his bookplate. With twin gilt raised bands and wonderful gilt tooling to the panels and boards. Gilt dentelles and all edges. With 50 engraved plates, as called for. Some scratches to the lower board, otherwise in fine condition. A huge and very heavy volume in German and French.

London: Sharpe and Son et al., 1819. 4 volume set, 9 inches tall. A beautiful Regency full red morocco by the great firm of White of Pall Mall with gilt raised bands, gilt pallets and simple centre tools. Double gilt fillets frame the boards. Gilt dentelled and all edges. Portraits in volume I and an engraved frontispiece in volume II, as called for. Very slight fading to the spines of volumes III & IV, but overall an exceptionally fine set.

London and Paris: Boussod, Valadon & Co. (GOUPIL), 1897. Full morocco, 13 inches tall. A luxurious full crushed morocco by Ramage with gilt raised bands and elegant gilt tooling to the panels and boards. Delightful gilt dentelles and top edge. Occasion very light foxing. With a colour frontispiece and monochrome plates and vignettes throughout. A lavish work on the Life of Queen Victoria at the height of her reign.

London: William Sams, 1822. Full morocco, 14 1/2 inches tall. In a later full crushed morocco by Zaehnsdorf with gilt raised bands and delicate gilt tooling to the panels. A panel with elaborate gilt corner tooling and a wide and elegant roll frames the boards. Wide gilt dentelles and all edges. The folio has been preserved in a sturdy buckram case, ensuring the pristine condition of the volume. Tissues guard the plates, which show scenes of many vibrantly hand-coloured characters rather than emphasising the great buildings of the city which tend to be in the background. We see a lively portrayal of beautifully costumed Parisians in diverse walks of life. A splendid copy of one of the finest books of the period on Paris.

London: Virtue & Co., 1875. 2 volume set, 15 inches tall. A tall and magnificent full morocco by Flude, Birch & Skelt, and with their ticket, with twin gilt raised bands and splendid gilt and blind tooling to the panels and boards. With fine gilt dentelles and all edges. Bookplate. Complete with all 39 full page engravings and 2 engraved vignettes on the title pages. Some light foxing and offsetting from a few plates, overall an usually clean and neat set of this monumental edition.

London: Macmillan and Co., 1899. Full morocco, 6 inches tall. A beautiful little binding by Ramage with gilt raised bands, dense gilt tooling of many stars and dots around heart centre tools to the panels. On the boards onlays of calf create rosebuds with a wide border of stars and hearts. Delicately gilt tooled dentelles and watered silk doublures and all edges gilt. The rather extraordinary bookplate of Sibell Cromartie (Countess Cromartie of Castle Leod) is found on the pastedown 'endpaper'. A delightful volume of the poetical works of John Keats.

London: Strahan & Co., 1872. Full morocco, 6 1/2 inches tall. A splendid full morocco binding with gilt raised bands and extra gilt panels. A single gilt fillet and extravagant corner tooling frame the boards. Gilt dentelles and all edges. With the armorial bookplate of Viscount Boyne of Burwarton House. A most attractive copy of the first edition.

London: John W. Parker, 1855: 1855. 4 volume set, 8 3/4 inches tall. A spectacular mid-Victorian full hard grain pink morocco by Grieve of Edinburgh, with gilt raised bands, green labels and a blind Aldus leaf centre tool. Wide gilt rolls and blind fillets frame the boards. With the armorial bookplate of Peter Carmichael. Maps, including 2 double page. A superb set of this great history devoted to the relationship between the conquering Spanish forces and the native American Indians.

London: Macmillan and Co., 1892. Full morocco, 6 1/4 inches tall. A very pretty binding by Bumpus with gilt raised bands and charming gilt tooling with hearts and leaves in the panels. Twin gilt fillets and the same tooling in the corners frame the boards. Gilt dentelles and all edges. There is a large bookplate on the free end paper and foxing on the half title, otherwise clean. A delightful copy of the selected verse of this great 17th century English lyric poet.

London: C. Baldwyn, 1823. 2 volumes bound in 1, 9 1/4 inches tall. A wonderful full morocco binding by the great firm of Bedford from the library of a Scottish Gentleman. Gilt raised bands, exceptionally fine gilt tooling to the panels and triple gilt fillets framing the boards. Gilt dentelles and top edge. A curious comic work in which Cruikshank " selects or invents those incidents which might be interesting or amusing in themselves, while they afford scope for the peculiar talents of the artist who adorns them with his designs". Both volumes contains 10 themes, each illustrated with a full page wood engraving. There are further engraved vignettes on India paper throughout. With 6 leaves of advertisements bound in. An absolutely pristine copy of the first edition.